The Dominions of Philip IV of Spain covered much of Europe, along with parts of South America, Asia and Africa. The defense of the European and African territories was established in the XVI century and consisted of the deployment of two core armies, in the Low Countries and in North Italy, garrisons in strategic places, as well as fleets in the At
This book concentrates on the political history of the reign of Philip IV, and the role of the king within it. Philip is kept near the forefront, and issues and events are often seen - if sometimes critically - from his viewpoint. It is, therefore, a work of revision and rehabilitation, representing an attempt (against all other extant accounts) to establish Philip IV as a positive figure, with an autonomous character and political identity. A secondary, supportive, intention is to demonstrate that after the fall of Olivares, the king ruled and governed without a favourite (valido). This is the central theme in the most detailed treatment of the second half of the reign available in any language. Reference is made throughout to Philip's own words and actions. At the same time, the Olivares period itself is approached from a new perspective, some issues being examined with the use of new material. Although not intended as a conventional biography, the book retains several characteristics of the form, in that it is a 'career-study', part thematic, part chronological. Philip IV is examined also in relation to the political writing of the age, and to his court and capital in Madrid.
An exploration of the culture of public speaking in the Iberian world, which places the classical rhetorical tradition within the context of Iberian global expansion in Europe, the Americas, Asia and Africa between the sixteenth and eighteenth centuries.
Provides a wealth of detail on how "the wild geese" - the Irish who refused to submit to the English - played a significant role in the armies of Spain. It is well-known that many Irishmen who refused to submit to the English in the reigns of Elizabeth and the early Stuart kings, including the famous earls of Tyrone and Tyrconnell, went to fight for the king of Spain, but what they did when they joined the Spanish armies is much less well-known. This book provides a wealth of detail on the activities of the Irish in the Spanish armies in the late sixteenth and seventeenth centuries. It outlines who the Irish soldiers were, how they were recruited and the terms under which they served. It discusses their military roles both in the wars in Flanders between the Spanish and their former Dutch subjects, and, later, in the Hispanic peninsula, showing how the Irish were often employed as elite troops who made significant contributions to major military actions, such as the siege of Breda in 1624. It examines military tactics, explores the politics of the Spanish armies, showing how the Irish fitted in, and discusses how, when the rebellion of 1641 broke out in Ireland, many Irish soldiers returned to Ireland to resume the fight against the English. Eduardo de Mesa completed hisdoctorate at University College Dublin. He is the author of La pacificación de Flandes. Spínola y las campañas de Frisia (1604-1609) (2009), and Discurso Militar del Marqués de Aytona (2008), co-author of La Monarquía de Felipe III (2008), and author of numerous articles, chapters in edited collections, and encyclopedia entries.
In autumn 1621, at a fortified camp near Khotyn (Chocim), in the Principality of Moldavia, allied Polish, Lithuanian and Cossack armies faced a large Ottoman army led by Sultan Osman II. It was the concluding act of a war that had started with the defeat of a Polish army at Cecora one year earlier. As such it was actually part of the longer conflict, waged over the Commonwealth’s and the Ottoman’s influence over Moldavia. Throughout the whole of September and the first half of October 1621, the allied army managed to defend their camps against Turks, with both sides taking heavy losses from the hardship of the siege operations and worsening weather conditions. The conflict ended with the Treaty of Khotyn (9 October 1621) which did not particularly favor either of the sides. All the same, stopping the Ottoman was seen as a huge success for the Commonwealth, while attitudes on the Ottoman sides were far from victorious. The aftershock of the war led to the rebellion of janissaries in 1622, resulting in the overthrow and murder of Sultan Osman II. The book focuses on the Khotyn campaign of 1621, describing the day-by-day actions of the combatant armies – assaults, sallies and raids – during the whole of the siege. Additional theaters of war, such as Cossack operations from the summer of 1621 and Tatars raids against the Polish interior, are described as well. The reader will also find here details of the organization and strength of the fighting armies, information about the battle dispositions of the troops at Khotyn and commanders leading the troops. Actions leading to the outbreak of the open conflict between the Commonwealth and the Ottoman Empire are explained in a separate chapter, providing a good historical background of the war. Another chapter covers the outcome of the war and the ways that influenced the internal and external situation of both the Commonwealth and the Ottoman Empire. As with his previous works, the author has utilized a large number of primary sources: from the diaries of soldiers taking part in the campaign, through chronicles, official letters and documents from the period to army musters. Among the documents used are not only those written by Poles and Lithuanians, but also documents from Cossacks, Germans and Ottomans. Modern works, especially from Polish and Ukrainian historians, have also been used, in order to provide the most up-to-date and in-depth research. As this topic has previously not had much coverage in English, this book will be a valuable addition to the library of anyone interested in the history of the Polish-Lithuanian Commonwealth, in Zaporozhian Cossacks and in the Ottoman Empire in the early seventeenth century.
The book series "Ottomania" researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. The fifth volume of the sub-series Ottoman Empire and European Theatre focuses on The Turkish Subject in Ballet and Dance from the seventeenth century to the time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth and eighteenth centuries, and most influential choreographers had 'Turkish' ballets in their repertoire. Taking as its departure point Ch. W. Gluck and Gasparo Angiolini (1741-1803), succesful composer and choreographer of ballets at the French theatre in Vienna, this publication discusses the topic from a historical perspective, presents new findings, and introduces the latest scholarly achievements of the research field. Contributions by Emre Aracı, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger
"Empires and Colonies provides an exploration of the expansion of the seabourne empires of western Europe from the fifteenth century and how that process of expansion affected the world, including its successor, the United States."--Jacket.
Did Spain fall into decline or flourish in the seventeenth century? This edited collection looks at perceptions and representations of Philip IV, Spain's 'Planet King', and his government against the backdrop of the seventeenth-century General Crisis in Europe, wars, revolutions and a sovereign debt crisis. Scholars often associate Philip's reign (1621-1665) with decline, decadence, crisis, stagnation and adversity (as did many contemporaries); yet the glittering cultural and artistic achievements (enhanced by his patronage) of the period led it to be dubbed 'the' Golden Age. The book analyses these contradictions, examining Philip's own understanding of kingship and how he and his courtiers used art and ceremony to project an image of strength, tradition, culture and prestige, while, at the same time, the empire grappled with revolts in Europe and falling trade with its New World colonies.
