From Diderot's monumental illustrated record of 18th-century European arts and sciences: elegant renderings of architectural landmarks; drawings and plans for windmills, bridges and boats; renderings of palatial interiors and furnishings; elevations and floor plans for many well-known European theaters; scenes of 18th-century craftsmen at work in the building trades; and much more.
John Henry Parker's remarkably timeless dictionary of architecture, first published in 1846, became such a success that he continued to revise it for several years. A profusely illustrated manual that is valuable as a reference or as a portable guide on visits to historical buildings, this authoritative glossary of nearly 500 words used in Greek, Roman, Italian, and Gothic architecture remains highly instructive and informative. Accurate engravings complement many of the author's incisive descriptions — from a buttress in Glastonbury Abbey to zig-zag mouldings in a Norman doorway. Extended entries cover arches, windows, tombs, and other architectural elements; while shorter notes define less commonly used terms such as cavetto, dado, and embrasure. An indispensable reference for architects and students of architecture, the text includes a topographical index to the illustrations, identifying the many British cathedrals, castles, and parish churches used as examples.
While most studies on the history of architectural theory have been concerned with what has been said and written, this book is concerned with how architecture theory has been created and transmitted. Architecture Thinking across Boundaries looks at architectural theory through the lens of intellectual history. Eleven original essays explore a variety of themes and contexts, each examining how architectural knowledge has been transferred across social, spatial and disciplinary boundaries - whether through the international circulation of ideas, transdisciplinary exchanges, or transfers from design practice to theory and back again. Dissecting the frictions, transformations and resistances that mark these journeys, the essays in this book reflect upon the myriad routes that architectural knowledge has taken while developing into architectural theory. They critically enquire the interstices – geographical, temporal and epistemological – that lie beyond fixed narratives. They show how unstable, vital and eminently mobile the processes of thinking about architecture have been.
From the golden age of American architecture comes this splendid survey, documenting scores of masterpieces built between 1900 and 1930. More than 260 illustrations include plans, sections, exterior and interior details, and photographs. A sampling of featured buildings include Lincoln Memorial, Boston Public Library, Tribune Tower, and Woolworth Building.
Gibbs's legendary 1728 folio includes perspectives and blueprints for such magnificent commissions as London's St. Martin in the Fields; the Senate House of the University of Cambridge; plus fine drawings of marble cisterns, iron gates, funeral monuments, and more.
Hundreds of excellent photographs, drawings and floor plans depict landscaping, interior and exterior decor. Text includes a wealth of information on how a house is built, with expert advice on walls, floors, ceilings, windows, balconies, fireplaces, plumbing, decorative hardware, paints, even architects' fees. Special portfolio of 60 houses in varied styles.
Take a visual tour through salons, war rooms, and ballrooms in this illustrated survey, with decorative elements from doors, walls, fireplaces, cabinets, consoles, and friezes. 61 color and 100 black-and-white illustrations.
This collection of essays provides a small revolution in the study of Roman Catholic Modernism, a movement that until now has been largely seen as an episode that underscored institutional Catholicism's isolation from the mainstream intellectual currents of the time.
