This book, the second volume in Donald Kagan's tetralogy about the Peloponnesian War, is a provocative and tightly argued history of the first ten years of the war. Taking a chronological approach that allows him to present at each stage the choices that were open to both sides in the conflict, Kagan focuses on political, economic, diplomatic, and military developments. He evaluates the strategies used by both sides and reconsiders the roles played by several key individuals.
A New History of the Peloponnesian War is an ebook-only omnibus edition that includes all four volumes of Donald Kagan's acclaimed account of the war between Athens and Sparta (431–404 B.C.): The Outbreak of the Peloponnesian War, The Archidamian War, The Peace of Nicias and the Sicilian Expedition, and The Fall of the Athenian Empire. Reviewing the four-volume set in The New Yorker, George Steiner wrote, "The temptation to acclaim Kagan's four volumes as the foremost work of history produced in North America in the twentieth century is vivid. . . . Here is an achievement that not only honors the criteria of dispassion and of unstinting scruple which mark the best of modern historicism but honors its readers." All four volumes are also sold separately as both print books and ebooks.
This book, the second volume in Donald Kagan's tetralogy about the Peloponnesian War, is a provocative and tightly argued history of the first ten years of the war. Taking a chronological approach that allows him to present at each stage the choices that were open to both sides in the conflict, Kagan focuses on political, economic, diplomatic, and military developments. He evaluates the strategies used by both sides and reconsiders the roles played by several key individuals.
As a sustained analysis of the connections between narrative structure and meaning in the History of the Peloponnesian War, Carolyn Dewald's study revolves around a curious aspect of Thucydides' work: the first ten years of the war's history are formed on principles quite different from those shaping the years that follow. Although aspects of this change in style have been recognized in previous scholarship, Dewald has rigorously analyzed how its various elements are structured, used, and related to each other. Her study argues that these changes in style and organization reflect how Thucydides' own understanding of the war changed over time. Throughout, however, the History's narrative structure bears witness to Thucydides' dialogic efforts to depict the complexities of rational choice and behavior on the part of the war's combatants, as well as his own authorial interest in accuracy of representation. In her introduction and conclusion, Dewald explores some ways in which details of style and narrative structure are central to the larger theoretical issue of history's ability to meaningfully represent the past. She also surveys changes in historiography in the past quarter-century and considers how Thucydidean scholarship has reflected and responded to larger cultural trends.
"Thomas Hobbes's translation of Thucydides brings together the magisterial prose of one of the greatest writers of the English language and the depth of mind and experience of one of the greatest writers of history in any language. . . . For every reason, the current availability of this great work is a boon."—Joseph Cropsey, University of Chicago
"The fourth volume in Kagan's history of ancient Athens, which has been called one of the major achievements of modern historical scholarship, begins with the ill-fated Sicilian expedition of 413 B.C. and ends with the surrender of Athens to Sparta in 404 B.C. Richly documented, precise in detail, it is also extremely well-written, linking it to a tradition of historical narrative that has become rare in our time." ― Virginia Quarterly Review In the fourth and final volume of his magisterial history of the Peloponnesian War, Donald Kagan examines the period from the destruction of Athens' Sicilian expedition in September of 413 B.C. to the Athenian surrender to Sparta in the spring of 404 B.C. Through his study of this last decade of the war, Kagan evaluates the performance of the Athenian democracy as it faced its most serious challenge. At the same time, Kagan assesses Thucydides' interpretation of the reasons for Athens’ defeat and the destruction of the Athenian Empire.
This book examines the effects of the Peloponnesian War on the arts of Athens and the historical and artistic contexts in which this art was produced. During this period, battle scenes dominated much of the monumental art, while large numbers of memorials to the war dead were erected. The temple of Athena Nike, built to celebrate Athenian victories in the first part of the war, carries a rich sculptural program illustrating military victories. For the first time, the arts in Athens expressed an interest in the afterlife, with many sculptured dedications to Demeter and Kore, who promised initiates special privileges in the underworld. Not surprisingly, there were also dedications to healer gods. After the Sicilian disaster, a retrospective tendency can be noted in both art and politics, which provided reassurance in a time of crisis. Bringing together essays by an international team of art historians and historians, this is the first book to focus on the new themes and new kinds of art introduced in Athens as a result of the thirty-year war.
One of our most provocative military historians, Victor Davis Hanson has given us painstakingly researched and pathbreaking accounts of wars ranging from classical antiquity to the twenty-first century. Now he juxtaposes an ancient conflict with our most urgent modern concerns to create his most engrossing work to date, A War Like No Other. Over the course of a generation, the Hellenic city-states of Athens and Sparta fought a bloody conflict that resulted in the collapse of Athens and the end of its golden age. Thucydides wrote the standard history of the Peloponnesian War, which has given readers throughout the ages a vivid and authoritative narrative. But Hanson offers readers something new: a complete chronological account that reflects the political background of the time, the strategic thinking of the combatants, the misery of battle in multifaceted theaters, and important insight into how these events echo in the present. Hanson compellingly portrays the ways Athens and Sparta fought on land and sea, in city and countryside, and details their employment of the full scope of conventional and nonconventional tactics, from sieges to targeted assassinations, torture, and terrorism. He also assesses the crucial roles played by warriors such as Pericles and Lysander, artists, among them Aristophanes, and thinkers including Sophocles and Plato. Hanson’s perceptive analysis of events and personalities raises many thought-provoking questions: Were Athens and Sparta like America and Russia, two superpowers battling to the death? Is the Peloponnesian War echoed in the endless, frustrating conflicts of Vietnam, Northern Ireland, and the current Middle East? Or was it more like America’s own Civil War, a brutal rift that rent the fabric of a glorious society, or even this century’s “red state—blue state” schism between liberals and conservatives, a cultural war that manifestly controls military policies? Hanson daringly brings the facts to life and unearths the often surprising ways in which the past informs the present. Brilliantly researched, dynamically written, A War Like No Other is like no other history of this important war.
Offers a thrilling account of the first stage of the Peloponnesian War, also known as the Ten Years' War, between the city-states of Athens and Sparta, detailing the pitched battles by land and sea, sieges, sacks, raids and deeds of cruelty—along with courageous acts of mercy, charity and resistance.
Why did the Peace of Nicias fail to reconcile Athens and Sparta? In the third volume of his landmark four-volume history of the Peloponnesian War, Donald Kagan examines the years between the signing of the peace treaty and the destruction of the Athenian expedition to Sicily in 413 B.C. The principal figure in the narrative is the Athenian politician and general Nicias, whose policies shaped the treaty and whose military strategies played a major role in the attack against Sicily.
