The publication of this general introduction to the art and archaeology of Korea coincides with the new permanent Korea gallery at the British Museum, promoting a wider interest in the country and its history. Aimed at a non-specialist audience, this book is readable and well illustrated. It and covers a vast time period from the Neolithic, c.6000 BC, to the present day. The remarkable culture of this country gradually unfolds through the descriptions and illustrations of Korean art, decorative objects, pottery and monuments, sculpture, crafts and ceramics.
In this wide-ranging study, Hyung Il Pai examines how archaeological finds from throughout Northeast Asia have been used in Korea to construct a myth of state formation. This myth emphasizes the ancient development of a pure Korean race that created a civilization rivaling those of China and Japan and a unified state controlling a wide area in Asia. Through a new analysis of the archaeological data, Pai shows that the Korean state was in fact formed much later and that it reflected diverse influences from throughout Northern Asia, particularly the material culture of Han China.
This is the first English book dedicated solely to the historical development of psychotherapy in Korea. It is an archaeological research of literature relating to the care and treatment of mind in Korean history in dialogue with spiritual, philosophical, cultural, social, and medical perspectives. It reviews the evolution of different approaches on mental illnesses covering autochthonous practices, psychiatry, clinical psychology, counseling, Western psychotherapy, and Korean psychotherapy. Archaeology of Psychotherapy in Korea inspects: Folk Treatment First Psychiatry Influence from Clinical Psychology Counselling Development Implementation of Western Psychotherapy Shaping of Korean Psychotherapy Its discussion engages firmly with the Korean culture and perspective while acknowledging various extrinsic influences and the fact that Korean psychotherapy continues to evolve in its own unique manner. It aims to refine the understanding of psychotherapy development in Korea in connection with its historical and social backgrounds, and to interpret a way to highlight the culturally relevant psychotherapy that is more suitable as a Korean psychotherapy better attuned to the distinct cultural and societal expectation of Korea.
Archaeology of East Asia constitutes an introduction to social and political development from the Palaeolithic to 8th-century early historic times. It takes a regional view across China, Korea, Japan and their peripheries that is unbounded by modern state lines. This viewpoint emphasizes how the region drew on indigenous developments and exterior stimuli to produce agricultural technologies, craft production, political systems, religious outlooks and philosophies that characterize the civilization of historic and even modern East Asia. This book is a complete rewrite and update of The Rise of Civilization in East Asia, first published in 1993. It incorporates the many theoretical, technical and factual advances of the last two decades, including DNA, gender, and isotope studies, AMS radiocarbon dating and extensive excavation results. Readers of that first edition will find the same structure and topic progression. While many line drawings have been retained, new color illustrations abound. Boxes and Appendices clarify and add to the understanding of unfamiliar technologies. For those seeking more detail, the Appendices also provide case studies that take intimate looks at particular data and current research. The book is suitable for general readers, East Asian historians and students, archaeology students and professionals. Praise for The Rise of Civilization in East Asia: “… the best English introduction to the archaeology of East Asia … brilliantly integrates the three areas into a broad regional context.” Prof. Mark Hudson
This volume contains twelve studies on the history and archaeology of the Koguryŏ kingdom, which existed from the first century B.C. to 668, its territories encompassing the northern part of the Korean peninsula and much of southern Manchuria. The studies presented here were written by specialists in various disciplines, covering issues in Koguryŏ's political history, its archaeological remains, its mortuary system and tomb art, and its place in historiography.
Gyeongju, the capital of the Kingdom of Silla, grew from a loose confederation of villages, called Saro, to become the capital of most of the Korean peninsula. Its relationships with Japan, the Eurasian Steppes, and countries along the Silk Road leading to Europe helped to make the city one of the most prosperous and significant in ancient East Asia. In this seminal new volume, Sarah Milledge Nelson draws on over 30 years’ experience to offer the first complete history of this fascinating city. Gyeongju explores culture, class and rank, industry, international relations, rulers, and socio-cultural issues such as gender, and examines in detail the complex systems of class and rank, Gyeongju’s position as the royal seat of Silla, and the influence and legacy of the ancient city. Excavations in Gyeongju have provided evidence not only of the wealth and power of the monarchy, but also of production and agriculture, and the reach of Gyeongju’s trade routes, making this city a fascinating case study for the region. Augmented with extensive maps and images which illustrate the city’s rich history, this volume is crucial reading for anyone interested in the city, the kingdom of Silla, the history and archaeology of Korea, and early urbanism and state formation in East Asia.
"Art Under Control in North Korea is the first publication in the West to explore the role of art in one of the world's most isolated nations. This timely publication places North Korean art in its historical, political and social contexts, discusses the state system of producing, employing, promoting and honouring artists, and examines the range of art produced, from painting and calligraphy to architecture and applied art. Jane Portal also compares the control exerted over artists by North Korean leaders to that of other absolute dictatorships, and looks at the way in which archaeology has been employed for political ends to justify the present leadership and its lineage."--BOOK JACKET.