Except for the fact that he's been chased out of this corner of the galaxy by demons he helped to create, comic book artist Danny Ramirez is a lot like you and me. Unfortunately, Danny soon finds that his new home is under attack by the same forces besieging Earth. A dark spirit of unimaginable powers is leading an army north to enslave the last free peoples of the Ninelands. Someone is going to have to act like a hero, and maybe it's Danny himself--even if it means picking up a sword. And saying so long to a dream.
DAWN OF THE APOCALYPSE gathers the pinnacle of speculative fiction to explore end times across diverse landscapes, from the desolate to the dystopian. It stitches a rich tapestry of literary approaches, ranging from the classic gothic horror of Edgar Allan Poe to the socio-political dystopias envisioned by Ayn Rand and H.G. Wells, and the unique utopian perspective of Edward Bellamy. The anthology thrives on its variety, not just in the cataclysmic events it portrays but also in the myriad ways these events are perceived and interpreted by its characters. Key pieces within this collection stand as milestones in the science fiction genre, framing apocalyptic and post-apocalyptic narratives as lenses through which we critique and comprehend contemporary societal fears. The authors, both pioneers, and craftsmen of their time, come from a broad spectrum of backgrounds, each contributing to the anthology's overarching theme with their unique flavor of apocalypse. These writers are not just storytellers but visionaries who collectively paint a multifaceted picture of humanity at the brink. They belonged to and were influenced by a range of historical, cultural, and literary movements, from the romanticism and transcendentalism of the 19th century to the early 20th century's modernism and the budding science fiction genre. Their combined works offer a historical capsule of societal anxieties and hopes, reflecting on themes of human resilience, the abuse of technology, and the moral dilemmas of progress. DAWN OF THE APOCALYPSE is an essential collection for readers eager to dive into the depths of human imagination faced with its own end. It offers an unparalleled opportunity to traverse the vast landscapes of apocalyptic fiction through the eyes of some of the most influential authors in literary history. This anthology not only serves as an academic goldmine for those studying the evolution of speculative fiction and its impact on society but also provides a timeless reflection on humanity's perennial concerns with its own survival and legacy. Readers are invited to witness the end of worlds not just as an exercise in literary exploration but as a mirror to our collective psyche across generations.
Guided by the duende, liminal principle of creativity and death, Lorca represents New York as dystopia cum Armageddon, ultimately redeemed by the Blacks of Harlem and the telluric forces unleashed to retake the decadent, soulless civilization of North America."--BOOK JACKET.
Richard Strauss's tone poem Also sprach Zarathustra is one of his most controversial works. Its greatest popularity has been achieved when its connection with Nietzsche's book of the same name has seemed less relevant than its associations with Kubrick's film 2001 - A Space Odyssey. Although its early critical reception was mixed, it is nowadays one of the staples of the virtuoso orchestra, and a standard demonstration piece for innovations in recording technique. Its opening bars have become a kind of icon independent of the rest of the work. This guide examines the intellectual background of the work and considers ways in which it has been received by composers and writers, notably Romain Rolland and Bartok. It also discusses the musical background of Liszt and Wagner which gave rise to the genre, 'tone poem', and provides an analysis of several aspects of Strauss's musical language.
This book shows how over the hundred years between the Vienna Congress and the dissolution of the Empire, the waltz altered from signifier of upper-class artifice—covering with glitz and glamour the poverty and war central to the time—to the link between the three classes, between man and nature, and between Viennese and “Other.”
Read All Three Books In The After The Apocalypse Series! It has been 28 years, 14 weeks and 9 days since a virus turned more than half of the world's human population into zombies. More than 95 percent of the population died within 6 months of the initial infection. Those who survived holed up wherever they could find safety. Pilar's parents found safety in the Cube, a building that was originally built as a prison for violent criminals. Her mother always told her the sacrifices they made to live in the Cube were worth it because they were safe. Pilar never questioned her safety until the day her parents disappeared without a trace from inside their apartment. Thrust unexpectedly into a world where no one can be trusted, Pilar has to learn to think on her feet as she's faced with friends who have turned into enemies, enemies who have turned into friends, prophecies that may or may not be true and the ever present threat of being eaten by zombies. Torn between survival and a fate far worse than death, the actions Pilar takes will determine the fate of everyone she loves.
The global threat of nuclear weapons is one of today's key policy issues. Using a wide variety of sources, including recently declassified information, Nathan E. Busch offers detailed examinations of the nuclear programs in the United States, Russia, China, Iraq, India, and Pakistan, as well as the emerging programs in Iran and North Korea. He also assesses the current debates in international relations over the risks associated with the proliferation of nuclear weapons in the post–Cold War world. Busch explores how our understanding of nuclear proliferation centers on theoretical disagreements about how best to explain and predict the behavior of states. His study bridges the gap between theory and empirical evidence by determining whether countries with nuclear weapons have adequate controls over their nuclear arsenals and fissile material stockpiles (such as highly enriched uranium and plutonium). Analyzing the strengths and weaknesses of various systems of nuclear weapons regulation, Busch projects what types of controls proliferating states are likely to employ and assesses the threat posed by the possible theft of fissile materials by aspiring nuclear states or by terrorists. No End in Sight provides the most comprehensive and up-to-date analysis of issues at the forefront of contemporary international affairs. With the resurgence of the threat of nuclear terrorism, Busch's insights and conclusions will prove critical to understanding the implications of nuclear proliferation.
While globalization is often associated with economic and social progress, it has also brought new forms of terrorism, permanent states of emergency, demographic displacement, climate change, and other "natural" disasters. Given these contemporary concerns, one might also view the current time as an age of traumatism. Yet what—or how—does the traumatic event mean in an age of global catastrophe? This volume explores trauma theory in an age of globalization by means of the practice of comparative literature. The essays and interviews in this volume ask how literary studies and the literary anticipate, imagine, or theorize the current global climate, especially in an age when the links between violence, amorphous traumatic events, and economic concerns are felt increasingly in everyday experience. Trauma and Literature in an Age of Globalization turns a literary perspective upon the most urgent issues of globalization—problems of borders, language, inequality, and institutionalized violence—and considers from a variety of perspectives how such events impact our lived experience and its representation in language and literature.
Today there is a renewed interest in the Biblical book of Revelation-which naturally brings to mind the word "apocalypse." Because Revelation is best known for its wild symbolic imagery, some people will naturally assume this title to imply the same approach. This isn't the case; the word can also mean simply prophetic, and that certainly describes the Bible. We are daily presented with the bad news of the world. In contrast, the Bible is the Good News-the rain that cleanses our soul, the amazing grace assuring us that God is still in control regardless of the situation. Through studying his Word we are programming our conscience for right or wrong in thought and action. That is the reason we need not only to read but to study the Bible daily. The Good News of the Apocalypse offers assistance with that study with a brief, comprehensible discussion of every book in the bible, arising from Sedinger's experience with a study group for teenagers. Everything in life is under God's control, and so Pastor Sedinger refers to life as God's Dance. The Good News is that Jesus came to teach us how to dance with God.