A new reconstruction and translation of the Maqlû text The Akkadian series Maqlû, “Burning,” is one of the most significant and interesting magical texts from the Ancient Near East. The incantations and accompanying rituals are directed against witches and witchcraft and ctually represent a single complex ceremony. The ceremony was performed during a single night and into the following morning at the end of the month Abu (July/August), a time when spirits were thought to move back and forth between the netherworld and the world of the living. Features: English translation of approximately 100 incantations and rituals Annotated transcription Introduction places the series in historical context and shows how it is a product of a complex literary and ceremonial development.
"This book examines the epigraphy and history of transmission of the cuneiform sources of the Maqlû antiwitchcraft ritual, one of the major compositions of ancient Mesopotamian exorcistic lore ... the manuscripts are presented in 'hand-copies' (technical drawings) on the plates in the second half of the book."--Preface, p. [vii].
Originally published in 1896, this text contains the cunieform text of 60 clay tablets written between 669-625 BC. These tablets were inscribed with prayers and religious compositions of a devotional and magical character and there is little doubt that they were compiled from Babylonian sources.
This volume is about the history, literature, ritual, and thought associated with ancient Mesopotamian witchcraft. With chapters on the changing forms and roles of witchcraft beliefs, the ritual function, form, and development of the Maqlû text (the most important ancient work on the subject), and the meaning of the Maqlû ceremony, as well as the ideology of the final version of the text. The volume significantly contributes to our understanding of the Maqlû text, and the reconstruction of the development of thought about witchcraft and magic in Mesopotamia.
Divination, the use of special talents and techniques to gain divine knowledge, was practiced in many different forms in ancient Israel and throughout the ancient world. The Hebrew Bible reveals a variety of traditions of women associated with divination. This sensitive and incisive book by respected scholar Esther J. Hamori examines the wide scope of women's divinatory activities as portrayed in the Hebrew texts, offering readers a new appreciation of the surprising breadth of women's “arts of knowledge” in biblical times. Unlike earlier approaches to the subject that have viewed prophecy separately from other forms of divination, Hamori's study encompasses the full range of divinatory practices and the personages who performed them, from the female prophets and the medium of En-dor to the matriarch who interprets a birth omen and the “wise women” of Tekoa and Abel and more. In doing so, the author brings into clearer focus the complex, rich, and diverse world of ancient Israelite divination.
The Akkadian series Maqlû, 'Burning', remains the most important magical text against witchcraft from Mesopotamia and perhaps from the entire ancient Near East. Maqlû is a nine-tablet work consisting of the text of almost 100 incantations and accompanying rituals directed against witches and witchcraft. The work prescribes a single complex ceremony and stands at the end of a complex literary and ceremonial development. Thus, Maqlû provides important information not only about the literary forms and cultural ideas of individual incantations, but also about larger ritual structures and thematic relations of complex ceremonies. This new edition of the standard text contains a synoptic edition of all manuscripts, a composite text in transliteration, an annotated transcription and translation. "These were only minor remarks scribbled in the margins of an excellent and most welcome edition of Maqlû, a real monument. This book is the firm foundation on which future studies on Maqlû will be based." Marten Stol, NINO Leiden, Bibliotheca Orientalis lxxIII n° 5-6, September-December 2016
In the past 31 years, there has been a lot of ink—actual and virtual—spilled on the subject of the Necronomicon. Some have derided it as a clumsy hoax; others have praised it as a powerful grimoire. As the decades have passed, more information has come to light both on the book's origins and discovery, and on the information contained within its pages. The Necronomicon has been found to contain formula for spiritual trans-formation, consistent with some of the most ancient mystical processes in the world, processes that were not public knowledge when the book was first published, processes that involve communion with the stars. In spite of all the controversy, the first edition sold out before it was published. And it has never been out of print since then. This year, the original designer of the 1977 edition and the original editor have joined forces to present a new, deluxe hardcover edition of the most feared, most reviled, and most desired occult book on the planet.
This volume, edited by Tzvi Zbusch and Karel van der Toorn, contains the papers delivered at the first international conference on Mesopotamian magic held under the auspices of the Netherlands Institute for Advanced Studies (NIAS) in June 1995. It is the first collective volume dedicated to the study of this topic. It aims at serving as a bench-mark and provides analytic and innovative but also sythetic and programmatic essays. Magical texts, forms, and traditions from the Mesopotamian cultural worlds of the third millennium BCE through the first millennium CE, in the Sumerian, Akkadian and Aramaic languages as well as in art, are examined.
"This splendid work of scholarship . . . sums up with economy and power all that the written record so far deciphered has to tell about the ancient and complementary civilizations of Babylon and Assyria."—Edward B. Garside, New York Times Book Review Ancient Mesopotamia—the area now called Iraq—has received less attention than ancient Egypt and other long-extinct and more spectacular civilizations. But numerous small clay tablets buried in the desert soil for thousands of years make it possible for us to know more about the people of ancient Mesopotamia than any other land in the early Near East. Professor Oppenheim, who studied these tablets for more than thirty years, used his intimate knowledge of long-dead languages to put together a distinctively personal picture of the Mesopotamians of some three thousand years ago. Following Oppenheim's death, Erica Reiner used the author's outline to complete the revisions he had begun. "To any serious student of Mesopotamian civilization, this is one of the most valuable books ever written."—Leonard Cottrell, Book Week "Leo Oppenheim has made a bold, brave, pioneering attempt to present a synthesis of the vast mass of philological and archaeological data that have accumulated over the past hundred years in the field of Assyriological research."—Samuel Noah Kramer, Archaeology A. Leo Oppenheim, one of the most distinguished Assyriologists of our time, was editor in charge of the Assyrian Dictionary of the Oriental Institute and John A. Wilson Professor of Oriental Studies at the University of Chicago.
When we think of "heaven," we generally conjure up positive, blissful images. Heaven is, after all, where God is and where good people go after death to receive their reward. But how and why did Western cultures come to imagine the heavenly realm in such terms? Why is heaven usually thought to be "up there," far beyond the visible sky? And what is the source of the idea that the post mortem abode of the righteous is in this heavenly realm with God? Seeking to discover the roots of these familiar notions, this volume traces the backgrounds, origin, and development of early Jewish and Christian speculation about the heavenly realm -- where it is, what it looks like, and who its inhabitants are. Wright begins his study with an examination of the beliefs of ancient Israel's neighbors Egypt and Mesopotamia, reconstructing the intellectual context in which the earliest biblical images of heaven arose. A detailed analysis of the Hebrew biblical texts themselves then reveals that the Israelites were deeply influenced by images drawn from the surrounding cultures. Wright goes on to examine Persian and Greco-Roman beliefs, thus setting the stage for his consideration of early Jewish and Christian images, which he shows to have been formed in the struggle to integrate traditional biblical imagery with the newer Hellenistic ideas about the cosmos. In a final chapter Wright offers a brief survey of how later Jewish, Christian, and Islamic traditions envisioned the heavenly realms. Accessible to a wide range of readers, this provocative book will interest anyone who is curious about the origins of this extraordinarily pervasive and influential idea.
