Explores the world of Dr. Seuss, the author of "The Cat in the Hat" and "The Cat in the Hat Comes Back," and explains how his works teach reading to young children, but could also be seen as commentaries on politics, ethics, comics, and history.
Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people. Was the Cat in the Hat Black? presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.
A cat returns home, it has been away for a long time, but is it her cat that came back? A Childs' pet sleeping in its owner's bed. Do the parents worry what could happen? How do you tell the child what took place? A gothic mansion dark and creepy, a cat yowl! Time to run, run now! True Cat Ghost Stories.
The first-ever U.S. edition of this delightful gem based on a letter Joyce wrote to his grandson, revealing the modernist master’s playful side—filled with one-of-a-kind illustrations—the perfect gift for Joyce fans and cat lovers alike. The Cats of Copenhagen was first written for James Joyce’s most beloved audience, his only grandson, Stephen James Joyce, and sent in a letter dated September 5, 1936. Cats were clearly a common currency between Joyce and his grandson. In early August 1936, Joyce sent Stephen “a little cat filled with sweets”—a kind of Trojan cat meant to outwit grown-ups. A few weeks later, Joyce penned a letter from Copenhagen that begins “Alas! I cannot send you a Copenhagen cat because there are no cats in Copenhagen.” The letter reveals the modernist master at his most playful, yet Joyce’s Copenhagen has a keen, anti-authoritarian quality that transcends the mere whimsy of a children’s story. Only recently rediscovered, this marks the inaugural U.S. publication of The Cats of Copenhagen, a treasure for readers of all ages. A rare addition to Joyce’s known body of work, it is a joy to see this exquisite story in print at last.
Beware the Cat (1533) is the earliest original piece of long prose fiction in English. It has the distinction of being the first English "novel," far surpassing in narrative sophistication such immediate predecessors as Elyot's Image of Governance or Borde's Scoggin's Jests. This edition, besides providing a modernized text of the novel, also identifies the pseudonymous author of Beware the Cat as William Baldwin, better known as editor and principal author of the enormously popular Mirror for Magistrates (1559). The development of early English prose fiction is thoroughly documented in two informative and wide-ranging appendices. William Baldwin's place in this tradition, as well as his innovative narrative art, is discussed in the introduction, which also provides biographical information on the author, historical background to his novel, and insight into the political and religious turmoil of the middle years of the sixteenth century.
The Unadulterated Cat is becoming an endangered species as more and more of us settle for those boring mass-produced cats the ad-men sell us - the pussies that purr into their gold-plated food bowls on the telly. But the Campaign for Real Cats sets out to change all that by helping us to recognise a true, unadulterated cat when we see one. For example: real cats have ears that look like they've been trimmed with pinking shears; real cats never wear flea collars . . . or appear on Christmas cards . . . or chase anything with a bell in it; real cats do eat quiche. And giblets. And butter. And anything else left on the table, if they think they can get away with it. Real cats can hear a fridge door opening two rooms away . . .
The creator of fanciful children’s books such as Green Eggs and Ham, Dr. Seuss is an amazing author. Historic photos and easy-to-read text take readers into the author’s life. Zoom in even deeper with quick stats, a timeline, and bolded glossary terms. Aligned to Common Core Standards and correlated to state standards. Abdo Zoom is a division of ABDO.
Making a case for love has never been so complicated in this fresh, funny rivals-to-lovers romance. Perdie Stone needs just three things in life: Her forever best friend, Lucille. Their adorable rescue pug, Bananas. And last but not least, a coveted partnership at her Charleston law firm. A partnership she more than deserves when she goes head-to-head with hotshot Ivy League attorney Carter Leplan on a big case and comes out on top. She didn’t think anything would feel better than beating the annoyingly gorgeous lawyer at his own game, but that's before a freak storm leaves them both stranded. Together. In the last hotel room. With only one bed. It’s a one-night stand Perdie isn’t soon to forget…especially after Carter turns up at her firm and slides right into the job that should have been hers. And right back into her life—a life she thought she had all figured out.
“A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly