The Animated Bestiary
The Animated Bestiary

Author: Paul Wells

Publisher: Rutgers University Press

Published: 2008-11-28

Total Pages: 237

ISBN-13: 0813546435

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Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.

Bestiary
Bestiary

Author: Donika Kelly

Publisher: Graywolf Press

Published: 2016-10-11

Total Pages: 89

ISBN-13: 155597953X

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Donika Kelly's fierce debut collection, longlisted for the 2016 National Book Award and winner of the 2015 Cave Canem Poetry Prize I thought myself lion and serpent. Thought myself body enough for two, for we. Found comfort in never being lonely. What burst from my back, from my bones, what lived along the ridge from crown to crown, from mane to forked tongue beneath the skin. What clamor we made in the birthing. What hiss and rumble at the splitting, at the horns and beard, at the glottal bleat. What bridges our back. What strong neck, what bright eye. What menagerie are we. What we've made of ourselves. --from "Love Poem: Chimera" Across this remarkable first book are encounters with animals, legendary beasts, and mythological monsters--half human and half something else. Donika Kelly's Bestiary is a catalogue of creatures--from the whale and ostrich to the pegasus and chimera to the centaur and griffin. Among them too are poems of love, self-discovery, and travel, from "Out West" to "Back East." Lurking in the middle of this powerful and multifaceted collection is a wrenching sequence that wonders just who or what is the real monster inside this life of survival and reflection. Selected and with an introduction by the National Book Award winner Nikky Finney, Bestiary questions what makes us human, what makes us whole.

In the Floyd Archives
In the Floyd Archives

Author: Sarah Boxer

Publisher: Pantheon

Published: 2001

Total Pages: 157

ISBN-13: 0375714421

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Sarah Boxer’s charming first book is a series of cartoon case histories, an animal tour of all things Freudian. The tale begins when Mr. Bunnyman runs into Dr. Floyd’s office to hide from a wolf that is chasing him, and Floyd, a classic pipe-smoking analyst, insists that Bunnyman’s problem is psychological—that he is not actually being chased but is having paranoid fantasies. Enter Dr. Floyd’s next patient, Mr. Wolfman, a swaggering cross-dresser with a hysterical female alter ego called Lambskin (who soon insists on being treated by Floyd, too). Ratma’am rounds out the Floydian client list: she’s an obsessive-compulsive pack rat who likes giving orders and being spanked. Drawn with a whimsical hand and complete with notes about the Freudian sources to which these archives pay affectionate tribute, the adventures of these animals reveal both the unintended comedy of Freud’s case histories and their psychic depths.

The Dark Crystal Bestiary
The Dark Crystal Bestiary

Author: Adam Cesare

Publisher: Insight Editions

Published: 2020-10-13

Total Pages: 168

ISBN-13: 1683838211

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Discover the wild and wonderful creatures of Thra in this guide to the flora and fauna of the Dark Crystal universe featuring remarkable original illustrations. In a world where rocks talk and trees dispense wisdom from across the ages, anything is possible. The Dark Crystal Bestiary is a comprehensive volume that catalogs the many lifeforms of Thra’s unique ecosystem. Drawing from all aspects of the Dark Crystal saga’s universe, this book is visually dazzling and filled with enthralling information about all of Thra’s lifeforms, making it the definitive guide to a world of wonders. • Own the most comprehensive guide to the Dark Crystal universe: This book showcases fauna from all corners of Thra, from the vile Skeksis and their noble counterparts, the Mystics, to a whole cornucopia of amazing creatures and critters, including Landstriders, Garthim, Peeper Beetles, Fizzgigs, Pluff’m, and many more fan favorites. • Over 200 fantasy illustrations: Featuring all-new illustrations by Iris Compiet, a protégé of the original Dark Crystal concept artist, Brian Froud, this book will show you the world of Thra as you’ve never seen it before. • Learn about the world of Thra: The Dark Crystal Bestiary is packed with lore, drawing information from the original film, the hit Netflix show The Dark Crystal: Age of Resistance, comic books, and novels. • An epic addition to your home library: Great for fantasy lovers, The Dark Crystal Bestiary will be a perfect addition to your bookshelf or coffee table.

Animation – Process, Cognition and Actuality
Animation – Process, Cognition and Actuality

Author: Dan Torre

Publisher: Bloomsbury Publishing USA

Published: 2017-08-24

Total Pages: 313

ISBN-13: 1501308165

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Animation - Process, Cognition and Actuality presents a uniquely philosophical and multi-disciplinary approach to the scholarly study of animation, by using the principles of process philosophy and Deleuzian film aesthetics to discuss animation practices, from early optical devices to contemporary urban design and installations. Some of the original theories presented are a process-philosophy based theory of animation; a cognitive theory of animation; a new theoretical approach to the animated documentary; an original investigative approach to animation; and unique considerations as to the convergence of animation and actuality. Numerous animated examples (from all eras and representing a wide range of techniques and approaches – including television shows and video games) are examined, such as Fantastic Mr. Fox (2009), Madame Tutli-Putli (2007), Gertie the Dinosaur (1914), The Peanuts Movie (2015), Grand Theft Auto V (2013) and Dr. Katz: Professional Therapist (1995–2000). Divided into three sections, each to build logically upon each other, Dan Torre first considers animation in terms of process and process philosophy, which allows the reader to contemplate animation in a number of unique ways. Torre then examines animation in more conceptual terms in comparing it to the processes of human cognition. This is followed by an exploration of some of the ways in which we might interpret or 'read' particular aspects of animation, such as animated performance, stop-motion, anthropomorphism, video games, and various hybrid forms of animation. He finishes by guiding the discussion of animation back to the more tangible and concrete as it considers animation within the context of the actual world. With a genuinely distinctive approach to the study of animation, Torre offers fresh philosophical and practical insights that prompt an engagement with the definitions and dynamics of the form, and its current literature.

Race and the Animated Bodyscape
Race and the Animated Bodyscape

Author: Francis M. Agnoli

Publisher: Univ. Press of Mississippi

Published: 2023-04-21

Total Pages: 168

ISBN-13: 1496845102

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Race does not exist in animation—it must instead be constructed and ascribed. Yet, over the past few years, there has been growing discourse on the intersection of these two subjects within both academic and popular circles. In Race and the Animated Bodyscape: Constructing and Ascribing a Racialized Asian Identity in "Avatar" and "Korra," author Francis M. Agnoli introduces and illustrates the concept of the animated bodyscape, looking specifically at the US television series Avatar: The Last Airbender and its sequel, The Legend of Korra. Rather than consider animated figures as unified wholes, Agnoli views them as complexes of signs, made up of visual, aural, and narrative components that complement, contradict, and otherwise interact with each other in the creation of meaning. Every one of these components matters, as they are each the result of a series of creative decisions made by various personnel across different production processes. This volume (re)constructs production narratives for Avatar and Korra using original and preexisting interviews with cast and crew members as well as behind-the-scenes material. Each chapter addresses how different types of components were generated, tracing their development from preliminary research to final animation. In doing so, this project identifies the interlocking sets of production communities behind the making of animation and thus behind the making of racialized identities. Due to its illusory and constructed nature, animation affords untapped opportunities to approach the topic of race in media, looking beyond the role of the actor and taking into account the various factors and processes behind the production of racialized performances. The analysis of race and animation calls for a holistic approach, one that treats both the visual and the aural as intimately connected. This volume offers a blueprint for how to approach the analysis of race and animation.

Understanding Animation
Understanding Animation

Author: Paul Wells

Publisher: Routledge

Published: 2013-11-15

Total Pages: 276

ISBN-13: 1136158731

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First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium: * explains the defining characteristics of animation as a cinematic form * outlines different models and methods which can be used to interpret and evaluate animated films * traces the development of animated film around the world, from Betty Boop to Wallace and Gromit. Part history, part theory, and part celebration, Understanding Animation includes: * notes towards a theory of animation * an explanation of animation's narrative strategies * an analyis of how comic events are constructed * a discussion of representation, focusing on gender and race * primary research on animation and audiences. Paul Wells' argument is illustrated with case studies, including Daffy Duck in Chuck Jones' Duck Amuck, Jan Svankmajer's Jabberwocky, Tex Avery's Little Rural Riding Hood and King Size Canary ', and Nick Park's Creature Comforts. Understanding Animation demonstrates that the animated film has much to tell us about ourselves, the cultures we live in, and our view of art and society.

Fantasy/Animation
Fantasy/Animation

Author: Christopher Holliday

Publisher: Routledge

Published: 2018-04-27

Total Pages: 310

ISBN-13: 1351681419

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This book examines the relationship that exists between fantasy cinema and the medium of animation. Animation has played a key role in defining our collective expectations and experiences of fantasy cinema, just as fantasy storytelling has often served as inspiration for our most popular animated film and television. Bringing together contributions from world-renowned film and media scholars, Fantasy/Animation considers the various historical, theoretical, and cultural ramifications of the animated fantasy film. This collection provides a range of chapters on subjects including Disney, Pixar, and Studio Ghibli, filmmakers such as Ralph Bakshi and James Cameron, and on film and television franchises such as Dreamworks’ How To Train Your Dragon (2010–) and HBO’s Game of Thrones (2011–).

The Animation Studies Reader
The Animation Studies Reader

Author: Nichola Dobson

Publisher: Bloomsbury Academic

Published: 2018-10-18

Total Pages: 353

ISBN-13: 1501332619

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The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.