Andy Clyde starred in the second-longest series of shorts at Columbia Pictures (after the Three Stooges), with nearly 80 productions from 1934 to 1956. This film-by-film analysis of Clyde's Columbia short comedies features introductory chapters on his early life, stage work, silent films and early talkies, as well as concluding chapters on his appearances in feature films--including several Hopalong Cassidy westerns--and his television roles on such shows as Lassie and The Real McCoys. Rare photos and graphics are included.
In the world of slapstick comedy, few are more beloved than the Three Stooges. Throughout their 190 short films, they consistently delivered physical, verbal and situational comedy in new and creative ways. Following the trio from outer space to ancient Rome, this volume provides an in-depth look at their comedy and its impact on twentieth century art, culture and thought. This analysis reveals new insights into the language, literary structure, politics, race, gender, ethnicity and even psychology of the classic shorts. It discusses the elements of surrealism within the Stooges films, exploring the many ways in which they created their own reality regardless of time and space. The portrayal of women and minorities and the role of the mistake in Stooges' works are also addressed. Moreover, the book examines the impact that the Columbia Studios style and the austerity of its Short Subjects Department had on the work of the Three Stooges, films that ironically have outlasted more costly and celebrated productions.
Hoping to follow his Laurel and Hardy success with a female comedy team, producer Hal Roach paired Thelma Todd with ZaSu Pitts in a 1931 series of two-reel shorts. Pitts left the studio for other pursuits, was replaced by Patsy Kelly and the series continued to be successful. Todd died under mysterious circumstances in 1935 and Kelly tried to carry on, first with Pert Kelton, then with Lyda Roberti. When Roberti died in 1938, the series ended. This book takes the first film-by-film look at each of the comedies these women made, how they responded to different directors and how production adapted to changes along the way. Credits, production information, period reviews, and critical assessments are included.
The definitive biography of the great Shemp Howard, an original member of the Three Stooges, and one of Hollywood's most influential actors that Library Journal calls "a complete portrait of a talented character actor," Kirkus Reviews calls an "illuminating… reworking of the Stooges mythology" and Patton Oswalt praises as "the only book you will ever need to read about anything. Burn all the other books - there is ONLY SHEMP!" Shemp Howard not only had one of the most distinctive faces of the twentieth century, but was also one of its most accomplished, influential comic actors and showbiz personalities. Along with his brother Moe and comedy violinist Larry Fine, Shemp was an original member of the comedy team that became known as the Three Stooges before he quit and set off on his own in 1932. SHEMP! shows how he made an even greater mark in a successful and until now largely unexplored career in more than a hundred movie shorts and features. He appeared in comedies, dramas, mysteries, Westerns, and musicals alongside the biggest stars of the Golden Age, including W.C. Fields, John Wayne, Jimmy Stewart, Marlene Dietrich, William Powell, Lon Chaney, Jr., Myrna Loy, and the team of Abbott & Costello. Author Burt Kearns challenges the “official” version of Three Stooges history that’s been repeated for decades, shattering myths while uncovering the surprising and often troubling facts behind the man’s unlikely story: how the child of Jewish immigrants, supposedly racked by debilitating phobias, could conquer show business; the behind-the-scenes machinations that pushed him to return to the team; and the circumstances surrounding his untimely death. Through interviews with fans, family members, experts, filmmakers, and celebrities, SHEMP! unearths treasures in Shemp’s solo work, examines the “cult of Shemp” that thrives today, and confirms Shemp Howard’s deserved place in cinematic history.
A wide-ranging survey of the subject that celebrates the variety and complexity of film comedy from the ‘silent’ days to the present, this authoritative guide offers an international perspective on the popular genre that explores all facets of its formative social, cultural and political context A wide-ranging collection of 24 essays exploring film comedy from the silent era to the present International in scope, the collection embraces not just American cinema, including Native American and African American, but also comic films from Europe, the Middle East, and Korea Essays explore sub-genres, performers, and cultural perspectives such as gender, politics, and history in addition to individual works Engages with different strands of comedy including slapstick, romantic, satirical and ironic Features original entries from a diverse group of multidisciplinary international contributors
Columbia produced over 500 two-reel shorts from 1933 through 1958, with Hollywood's finest comics (the Three Stooges, Andy Clyde, Buster Keaton, Harry Langdon, Charley Chase, others). Fully illustrated with never-before-published photographs, the book chronicles the history of all, including interviews with the veterans. The filmography covers all of the 526 two-reelers: credits, date, synopsis.
Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.
Compiles the entire text of Total baseball: the ultimate baseball encyclopedia, 2nd ed., (Warner Books, 1991, $49.95) a single-volume baseball library of 2,640 pages dating back to 1871 and current to the 1991 World Series to which has been added some 500 images of players, teams, and ballparks (ra
