The Anderson Revisionist Bible (a work in progress) is an attempt to present a rendering of the Bible that is truly accurate, readable, and understandable with notation that is critical and speculative as well as informative. This version of the Gospel of John is targeted for the open minded and questioning and those who are not necessarily believers.
The Books of Moses is the first of five volumes that will comprise The Anderson Revisionist Bible. A work in progress, it is based upon existing translations. Rendered into contemporary language and purged of antiquated words, outmoded expressions, and religious jargon, it aspires to accurately convey the meaning of the original biblical texts, while presenting a highly readable and understandable narrative. Targeted to a general, popular audience, especially skeptics and the non-religious, it deals with the Bible, the most important book ever written, not as hallowed Scripture, but as an ancient text meriting objective analysis both as an historical account and as an articulation of religious creed. It is richly annotated with informative material, critical assessment, and speculative commentary: it essays to answer the questions the average reader would ask and address the issues the layman might wonder about.
Norman Anderson examines the works of well-known thinkers, the biblical evidence, and the beliefs of major non-Christian religions to show the uniqueness and relevance of Christianity in a world devoted to pluralism.
Does traditional Christianity involve paradoxical doctrines, that is, doctrines that present the appearance (at least) of logical inconsistency? If so, what is the nature of these paradoxes and why do they arise? What is the relationship between paradox and mystery in theological theorizing? And what are the implications for the rationality, or otherwise, of orthodox Christian beliefs? In 'Paradox in Christian Theology', James Anderson argues that the doctrines of the Trinity and the incarnation, as derived from Scripture and formulated in the ecumenical creeds, are indeed paradoxical. But this conclusion, he contends, need not imply that Christians who believe these doctrines are irrational in doing so. In support of this claim, Anderson develops and defends a model of understanding paradoxical Christian doctrines according to which the presence of such doctrines is unsurprising and adherence to paradoxical doctrines cannot be considered as a serious intellectual obstacle to belief in Christianity. The case presented in this book has significant implications for the practice of systematic theology, biblical exegesis, and Christian apologetics.
A quirky, intimate memoir of Midwestern folk artist Stephen Warde Anderson (1953-) featuring a summary of his professional career, a list of his paintings, details of his somewhat eccentric personal life, his comments on art, and excerpts from his writings.
This is the first English translation of Bernd Janowski's incisive anthropological study of the Psalms, originally published in German in 2003 as Konfliktgespr_che mit Gott. Eine Anthropologie der Psalmen (Neukirchener). Janowski begins with an introduction to Old Testament anthropology, concentrating on themes of being forsaken by God, enmity, legal difficulties, and sickness. Each chapter defines a problem and considers it in relation to anthropological insights from related fields of study and a thematically relevant example from the Psalms, including how a central aspect of this Psalm is explored in other Old Testament or Ancient Near Eastern texts. Each chapter concludes with an "Anthropological Keyword," which explores especially important words and phrases in the Psalms. The book also includes reflections on reading the Psalms from a New Testament perspective, focusing on themes of transience, praising God, salvation from death, and trust in God. Janowski's study demonstrates how the Psalms have important theological implications and ultimately help us to understand what it means to be human.
