Focusing on important events in which a single decision changes the course of history, an intriguing look at American history speculates about what would have happened if Washington had chosen not to cross the Delaware, Neil Armstrong had aborted the moon landing, or IBM had not asked Bill Gates and Microsoft to write the computer code for its first PC.
The novels of Kurt Vonnegut depict a profoundly absurd and distinctly postmodern world. But in this critical study, Robert Tally argues that Vonnegut himself is actually a modernist, who is less interested in indulging in the free play of signifiers than in attempting to construct a model that could encompass the American experience at the end of the twentieth century. As a modernist wrestling with a postmodern condition, Vonnegut makes use of diverse and sometimes eccentric narrative techniques (such as metafiction, collage, and temporal slippages) to project a comprehensive vision of life in the United States. Vonnegut's novels thus become experiments in making sense of the radical transformations of self and society during that curious, unstable period called, perhaps ironically, the 'American Century.' An untimely figure, Vonnegut develops a postmodern iconography of American civilization while simultaneously acknowledging the impossibility of a truly comprehensive representation.
Choice Outstanding Academic Title 2014 In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe's satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe's work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe's life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the poète maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe's varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice.
Tally McNally is an alley cat who loves to tally! He keeps track of all sorts of contests—who wins the most races, who is the tallest, who can climb the most trees, and more. When the results are counted up, Tally is always the winner. One rainy day, Tally competes to become the “wettest cat.” But he goes too far and gets into a jam. Will his friends—who lose to him tally after tally—find a way to save him?
Examines the literary period of the nineteenth century known as the American Renaissance that includes the work of Herman Melville, Walt Whitman, Edgar Allan Poe and others.
How much does a baby really cost? In this deliciously engaging and irreverent memoir, baby Callie's expenses--Pampers, formula, candy for Mom's postpartum blues--mount as Howie searches for a tiny corner of order in a world otherwise lost to sleepless, timeless mayhem.