Recognizing that a work of art is the product of a particular time and place as much as it is the creation of an individual, Duby provides a sweeping survey of the changing mentalities of the Middle Ages as reflected in the art and architecture of the period. "If Age of the Cathedrals has a fault, it is that Professor Duby knows too much, has too many new ideas and takes such a delight in setting them out. . . insights whiz to and fro like meteorites."—John Russell, New York Times Book Review
This fascinating volume invites colorists of all ages to color detailed illustrations of 40 great churches from around the world. Includes St. Paul's (London), Chartres (France), Notre Dame (Paris), Cologne (Germany), St. Peter's (Rome), St. Basil's (Moscow), St. Patrick's (New York), the Washington Cathedral, and more.
We can only begin to understand the 'spirit of the Gothic' through an understanding of the historical, sociological, theological, economic and technological background in this time of change. Given this, we can then start to read Gothic cathedrals like the pages of a book."--BOOK JACKET.
This book addresses many questions about the status of women in the Middle Ages and presents surprising answers. Readers learn that the most ancient treatise on education in France was written by a woman; and medicine was practiced regularly by women in the thirteenth century; that in the twelfth century the Order of Fontevraud gathered both monks and religious sisters under the authority of an abbess. This is a systematic study that provides a multitude of concrete examples. No aspect of feminine activity in the medieval period is neglected: administration of property, professions and commerce, intellectual life, politics, writers, educators, sovereigns, and those who enlivened the royal courts. Moreover, the author draws from the history of law and the history of events and social customs to sketch an outline of the evolution of the societal influence of women, from the freedoms and autonomy they acquired, to the decline of their public influence. This study sheds much light on the feudal and medieval periods which have so often, and mistakenly, been called a ‘dark’ age for women.
‘Two days after Notre Dame burned, I flew to Paris to appear on the TV programme La Grande Librairie for a discussion about cathedrals. The following morning I had breakfast at the Hotel Bristol with my French publisher and she asked me to write a short book about Notre Dame and what it means to all of us. She said she would donate the publisher’s profits to the rebuilding fund and, if I wished, I could do the same with my royalties. Yes, I said; of course, I’d love to.’ Ken Follett In aid of the crucial restoration work to restore Paris’s great cathedral, Notre-Dame: A Short History of the Meaning of Cathedrals is a moving, short piece of non-fiction celebrating the stunning history of this beloved building, from Ken Follett, author of the multi-million copy selling Kingsbridge series. This edition contains an exclusive extract from The Evening and the Morning, a prequel to The Pillars of the Earth, publishing Autumn 2020. A minimum of 50p per copy on each sale of this book will go to the charity La Fondation du Patrimoine.
"A brilliant breakthrough in pilgrimage studies. An exemplary study that shows how to bring together different academic and institutional interests in a common cause – understanding the relationship between pilgrimage and English cathedrals over time. A publication that will, hopefully, inspire similar collaborative studies around the globe." - John Eade, Professor of Sociology and Anthropology, University of Roehampton, UK "People who oversee, minister, lead worship, guide, welcome, manage, market, promote and maintain cathedrals will find this book an indispensable treasure. It is aware of the awesome complexity inherent in cathedral life but it doesn’t duck the issues: its clear-eyed focus is on the way people experience cathedrals and how these extraordinary holy places can speak and connect with all the diversity represented by the people who come to them. In a spiritually-hungry age, this book shows us how to recognise and meet that hunger. This book will be required reading for all us “insiders” trying to invite and signpost access to holy ground." - The Very Reverend Adrian Dorber, Dean of Lichfield, Chair of the Association of English Cathedrals This book looks at England's cathedrals and their relationship with pilgrimage throughout history and in the present day. The volume brings together historians, social scientists, and cathedral practitioners to provide groundbreaking work, comprising a historical overview of the topic, thematic studies, and individual views from prominent clergy discussing how they see pilgrimage as part of the contemporary cathedral experience.
This volume is a study of the people who commissioned, designed, and built the great cathedrals of Europe, from the eleventh through the sixteenth centuries. Historian Francois Icher has written a lively, detailed account of the process by which these masterpieces of world architecture came to be - from their commissioning by a bishop or wealthy patron, to the hiring of an architect and mastercraftsmen, to the daily labor on the construction site. Supplementing the author's highly readable narrative are many stories and anecdotes about particular cathedrals and their construction; an appendix of archival documents that furnish additional details about the construction process at various sites; and a bibliography.
Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In this magisterial chronicle, Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time. Murray tells the cathedral’s story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors. Murray reveals the many worlds of the cathedral and brings them together in the architectural triumph of its central space. A beautifully illustrated account of a grand, historically and religiously important building from a variety of perspectives and in a variety of time periods, this book offers readers a memorable tour of Notre-Dame of Amiens that celebrates the cathedral’s eight hundredth anniversary. Notre-Dame of Amiens is enhanced by high-resolution images, liturgical music, and animations embedded in an innovative website.
