The Afterlives of Monuments

The Afterlives of Monuments

Author: Deborah Cherry

Publisher: Routledge

Published: 2015-09-07

Total Pages: 186

ISBN-13: 1317704517

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South Asia is famous for its monuments, past and present. Monuments have been created, destroyed and rescued by competing communities and incoming empires in the making and re-making of history, identity and memory. This collection brings together an international cohort of senior scholars and younger researchers to examine the vast diversity of monuments (and conceptions of monuments) in South Asia from the 1850s to the present. The chapters investigate what constitutes a monument, and interrogate the conditions for its survival, demise or recycling. To explore the afterlives of monuments is to investigate how, where, when, and why monuments have been remodelled, re-sited, destroyed, defaced, or abandoned. It is to investigate the theories of memory, history and community, as well as new forms of artistic practice and global media. As different South-Asian communities claim a stake in the making of national, religious, cultural and local identities and histories, the status of monuments and debates about cultural memory have become increasingly urgent. This book was published as a special issue of South Asian Studies.


Afterlives of Ancient Rock-cut Monuments in the Near East

Afterlives of Ancient Rock-cut Monuments in the Near East

Author: Jonathan Ben-Dov

Publisher: BRILL

Published: 2021-09-27

Total Pages: 465

ISBN-13: 9004462082

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This volume gathers articles by archeologists, art historians, and philologists concerned with the afterlives of ancient rock-cut monuments throughout the Near East. Contributions analyze how such monuments were actively reinterpreted and manipulated long after they were first carved.


The Afterlives of Roland Barthes

The Afterlives of Roland Barthes

Author: Neil Badmington

Publisher: Bloomsbury Publishing

Published: 2016-10-20

Total Pages: 172

ISBN-13: 1474297471

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Roland Barthes – the author of such enduringly influential works as Mythologies and Camera Lucida - was one of the most important cultural critics of the post-war era. Since his death in 1980, new writings have continued to be discovered and published. The Afterlives of Roland Barthes is the first book to revisit and reassess Barthes' thought in light of these posthumously published writings. Covering work such as Barthes' Mourning Diary, the notes for his projected Vita Nova and many writings yet to be translated into English, Neil Badmington reveals a very different Barthes of today than the figure familiar from the writings published in his lifetime.


The Afterlife of Discarded Objects

The Afterlife of Discarded Objects

Author: Andrei Guruianu

Publisher: Parlor Press LLC

Published: 2018-12-18

Total Pages: 299

ISBN-13: 164317052X

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The Afterlife of Discarded Objects: Memory and Forgetting in a Culture of Waste As one of its driving principles, The Afterlife of Discarded Objects: Memory and Forgetting in a Culture of Waste analyzes the double reconstitution of discarded items. In this afterlife, discarded objects might transform from a worthless object into a plaything or a work of art, and then to an artifact marking a specific historical time period. This transformation is represented through various forms of recollection—stories, photographs, collectibles, heirlooms, monuments, and more. Shaped by nostalgia and wishful thinking, discarded objects represent what is wasted, desired, and aestheticized, existing at the intersection of individual and collective consciousness. While The Afterlife of Discarded Objects constitutes a version of revisionist historiography through its engagement with alternative anthropological artifacts, its ambition stretches beyond that to consider how seemingly immaterial phenomena such as memory and identity are embedded in and shaped by material networks, including ephemera. Guruianu and Andrievskikh create a written, visual, and virtual playground where transnational narratives fuse into a discourse on the persistent materiality of ephemera, especially when magnified through narrative and digital embodiment. The Afterlife of Discarded Objects is printed in full color and includes references, an index, and over seventy hi-resolution color images. “The Afterlife of Discarded Objects: Memory and Forgetting in a Culture of Waste uses contemporary theory, literature, popular culture, and personal narratives to investigate how we assign political, socio-cultural, and aesthetic meaning to objects. The book is unique in applying personal narratives and testimonies of contributors from around the world to provide insights and critiques of Western attitudes toward these objects. The Afterlife of Discarded Objects provides transformative social commentary through scrutiny and stories of discarded/found objects in Eastern Europe and in the West encouraging us to reflect more critically on our relationships with things. The stories and theories interwoven in Guruianu and Andrievskikh’s book turn memory into matter and aspire to teach through their exploration. It’s a lofty goal, and the book succeeds.” —Sohui Lee


Monuments Decolonized

Monuments Decolonized

Author: Susan Slyomovics

Publisher: Stanford University Press

Published: 2024-07-23

Total Pages: 401

ISBN-13: 1503639495

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"Statuomania" overtook Algeria beginning in the nineteenth century as the French affinity for monuments placed thousands of war memorials across the French colony. But following Algeria's hard-fought independence in 1962, these monuments took on different meaning and some were "repatriated" to France, legally or clandestinely. Today, in both Algeria and France, people are moving and removing, vandalizing and preserving this contested, yet shared monumental heritage. Susan Slyomovics follows the afterlives of French-built war memorials in Algeria and those taken to France. Drawing on extensive fieldwork in both countries and interviews with French and Algerian heritage actors and artists, she analyzes the colonial nostalgia, dissonant heritage, and ongoing decolonization and iconoclasm of these works of art. Monuments emerge here as objects with a soul, offering visual records of the colonized Algerian native, the European settler colonizer, and the contemporary efforts to engage with a dark colonial past. Richly illustrated with more than 100 color images, Monuments Decolonized offers a fresh aesthetic take on the increasingly global move to fell monuments that celebrate settler colonial histories.


Space and Spatial Analysis in Archaeology

Space and Spatial Analysis in Archaeology

Author: University of Calgary. Archaeological Association. Conference

Publisher: UNM Press

Published: 2006

Total Pages: 434

ISBN-13: 9780826340221

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The archaeology of space and place is examined in this selection of papers from the 34th annual Chacmool Archaeological Conference.


The Afterlives of Egyptian History

The Afterlives of Egyptian History

Author: Yekaterina Barbash

Publisher: American University in Cairo Press

Published: 2021-06-08

Total Pages: 215

ISBN-13: 1649030576

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An examination of the myriad lifetimes lived by ancient Egyptian artifacts Egypt has a particular longue durée, a continuity of preservation in deep time, not seen in other parts of the world. Over the centuries, ancient buildings have been adopted for purposes that differed from the original. Temple sites have been transformed into places of worship for new deities or turned into houses and tombs. Tombs, in turn, have been adapted to function as human dwellings already in the Late Antique Period. The Afterlives of Egyptian History expands on the traditional academic approach of studying the original function and sociopolitical circumstances of ancient Egyptian objects, texts, and sites to examine their secondary lives by exploring their reuse, modification, and reinterpretation. Written in honor of the Egyptologist, Edward Bleiberg, this volume brings together a group of luminous scholars from a wide range of fields, including Egyptian archaeology, philology, conservation, and art, to explore the historical circumstances, as well as political and economic situations, of people who have come into contact with ancient Egypt, both in antiquity and in more recent times. Contributor Affiliations: Yekaterina Barbash, Brooklyn Museum, Brooklyn, NY USA Lisa Bruno, Brooklyn Museum, Brooklyn, NY USA Simon Connor, F.R.S.–FNRS, Brussels, Belgium and University of Liege, Liege, Belgium Kathlyn (Kara) Cooney, UCLA, Los Angeles, CA USA Richard Fazzini, Brooklyn Museum, Brooklyn, NY USA Peter Lacovara, Ancient Egyptian Archaeology and Heritage Fund, Albany, NY USA Ronald J. Leprohon, University of Toronto, Canada Mary McKercher, Brooklyn Museum, Brooklyn, NY USA Edmund Meltzer, Pacifica Graduate Institute, Carpinteria, California USA Joachim Friedrich Quack, Heidelberg University, Tiffin, Ohio USA Paul Edmund Stanwick, independent scholar, New York, NY USA Emily Teeter, University of Chicago, Chicago, IL USA Kathy Zurek-Doule, Brooklyn Museum, Brooklyn, NY USA


Transitional Aesthetics

Transitional Aesthetics

Author: Uroš Cvoro

Publisher: Bloomsbury Publishing

Published: 2018-05-17

Total Pages: 186

ISBN-13: 1350053406

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Using the way in which artists from the former Eastern bloc perceive the experience of EU integration and transition from a Soviet past as a conceptual launching pad, this book explores how artists critically inhabit a permanent state of 'in-between' to capture the simultaneous existence of multiple and overlapping temporalities. Transitional aesthetics are artistic strategies that disrupt and interrogate ideologically loaded trajectories of cultural, social, or political transition. Examples of such trajectories include the movement from totalitarianism to democracy (post-socialism), from war to freedom and reconciliation (post-conflict), and from the edges of Europe to its centre (inclusion in the European Union). These transitional states include: the future orientation of (failed) socialism and the perpetual present of global capital; the history of unresolved past conflicts and reconciliation through 'transitional justice'; nationalist obsessions with the past and the cultural appeal of kitsch and retro objects in fashion, film and music; and the uncertain future promise of EU membership and resurgence of global right-wing populism, headed by figures like Berlusconi, Le Pen, and Trump. Transitional Aesthetics shows that apprehending time in contemporary art is fundamental to capturing the lived experience of a permanent state of instability; particularly relevant to Europe in the contemporary moment. In a world that has entered 'accelerated transition' towards instability, understanding this experience has broad and resonating relevance for politics, art and society.


The Hero Building

The Hero Building

Author: Johnny Rodger

Publisher: Routledge

Published: 2016-03-09

Total Pages: 264

ISBN-13: 1317029135

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Why was it that, across Scotland over the last two and a half centuries, architectural monuments were raised to national heroes? Were hero buildings commissioned as manifestations of certain social beliefs, or as a built environmental form of social advocacy? And if so, then how and why were social aims and intentions translated into architectural form, and how effective were they? A tradition of building architectural monuments to commemorate national heroes developed as a distinctive feature of the Scottish built environment. As concrete manifestations of powerful social and political currents of thought and opinion, these hero buildings make important statements about identity, the nation and social history. The book examines this architectural culture by studying a prominent selection of buildings, such as the Burns monuments in Alloway, Edinburgh and Kilmarnock, the Edinburgh Scott Monument, the Glenfinnan Monument and the Wallace Monument in Stirling. They give testimony to how a variety of architectural forms and styles can be adapted through time to bear particular social messages of symbolic weight. This tradition, which literally allows us to dwell on important social issues of the past, has been somewhat neglected in serious architectural history and heritage, and indeed one of the main monuments has already been destroyed. By raising awareness of this rich architectural and social heritage, while analysing and interpreting the buildings in their historical context, this book makes an exciting and original scholarly contribution to the current debates on identity and nationality taking place in Scotland and the wider UK.


Beyond Grief

Beyond Grief

Author: Cynthia Mills

Publisher: Smithsonian Institution

Published: 2014-09-23

Total Pages: 419

ISBN-13: 1935623389

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Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.