The Afterlife of America's War in Vietnam
The Afterlife of America's War in Vietnam

Author: Gordon Arnold

Publisher: McFarland

Published: 2006-07-19

Total Pages: 239

ISBN-13: 0786427612

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The fall of Saigon in 1975 signaled the end of America's longest war. Yet in many ways the conflict was far from over. Although the actual fighting ended, the struggle to find political justification and historical vindication for the Vietnam War still lingered in American consciousness. A plethora of images from America's first "televised war" has kept the conflict all too fresh in the memories of those who lived through it, while creating a confusing picture for a younger generation. The political process of attaching meaning to historical events has ultimately failed due to the lack of consensus--then and now--regarding events surrounding the Vietnam War. Reviewing the record of American politics, film, and television, this volume provides a brief overview of the war's appearance in American popular culture. It examines the ways in which this conflict has consistently resurfaced in social and political life, especially in the arena of contemporary world events such as the Soviet incursion into Afghanistan, the Gulf War and the 2004 presidential campaign. To this end, the work explores the contexts and uses of the Vietnam War as a recurring subject. The circumstances and symbolism used in the rhetoric of the political elite and the news media, including the New York Times, the Washington Post, Time, and Newsweek, are discussed. Emphasis is also placed on the role of film and television as the book examines movies such as The Deer Hunter and Apocalypse Now and TV series such as M*A*S*H. In weaving together the political and screen appearances of the Vietnam War, the book reexamines the influence of a major episode in American history.

The Afterlife of America's War in Vietnam
The Afterlife of America's War in Vietnam

Author: Gordon Arnold

Publisher: McFarland

Published: 2014-12-09

Total Pages: 239

ISBN-13: 1476605114

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The fall of Saigon in 1975 signaled the end of America's longest war. Yet in many ways the conflict was far from over. Although the actual fighting ended, the struggle to find political justification and historical vindication for the Vietnam War still lingered in American consciousness. A plethora of images from America's first "televised war" has kept the conflict all too fresh in the memories of those who lived through it, while creating a confusing picture for a younger generation. The political process of attaching meaning to historical events has ultimately failed due to the lack of consensus--then and now--regarding events surrounding the Vietnam War. Reviewing the record of American politics, film, and television, this volume provides a brief overview of the war's appearance in American popular culture. It examines the ways in which this conflict has consistently resurfaced in social and political life, especially in the arena of contemporary world events such as the Soviet incursion into Afghanistan, the Gulf War and the 2004 presidential campaign. To this end, the work explores the contexts and uses of the Vietnam War as a recurring subject. The circumstances and symbolism used in the rhetoric of the political elite and the news media, including the New York Times, the Washington Post, Time, and Newsweek, are discussed. Emphasis is also placed on the role of film and television as the book examines movies such as The Deer Hunter and Apocalypse Now and TV series such as M*A*S*H. In weaving together the political and screen appearances of the Vietnam War, the book reexamines the influence of a major episode in American history.

M.I.A., Or, Mythmaking in America
M.I.A., Or, Mythmaking in America

Author: Howard Bruce Franklin

Publisher: Lawrence Hill Books

Published: 1992

Total Pages: 248

ISBN-13:

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Almost two decades after the Vietnam War, most Americans remain convinced that U.S. prisoners are still being held captive in Southeast Asia, and many even accuse the government of concealing their existence. But as H. Bruce Franklin demonstrates in his startling investigation, there is no plausible basis for the belief in live POWs. Through scrupulous research, he shows for the first time how this illusion was fabricated and then converted into a powerful myth. Franklin reveals that in 1969 the Nixon administration, aided by militant pro-war forces, manufactured the POW/MIA issue to deflect attention from American atrocities in Vietnam, to undermine the burgeoning anti-war movement, and to stymie the Paris peace talks, resulting in the prolongation of the Vietnam War for another four years. Successive administrations, in an effort to mobilize public support for their continued economic and political warfare against Vietnam, asserted the possibility of live POWs at great emotional cost to both family members of the missing and countless Americans distressed about the fate of those supposedly left behind in Indochina. Born of political expediency, the POW/MIA issue was transformed in the 1980s into a potent myth. American culture was transfigured as movies and novels designed to reimage the Vietnam War turned the imagined post-war POWs into crucial symbols of betrayed American manhood and honor. Finally the myth began to turn against its creators when many Americans became convinced that the government itself was conspiring to betray the missing men. As he traces the evolution of the POW/MIA myth, Franklin not only exposes it as an elaborate hoax at the highest levels of government, butalso explains why the myth has penetrated to the heart of American life. By confronting the "true tragedy of the missing in Vietnam", Franklin helps us to understand how to heal the terrible psychological and spiritual wounds of the Vietnam War.

Looking Back on the Vietnam War
Looking Back on the Vietnam War

Author: Brenda M. Boyle

Publisher: Rutgers University Press

Published: 2016-06-17

Total Pages: 303

ISBN-13: 0813579953

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More than forty years have passed since the official end of the Vietnam War, yet the war’s legacies endure. Its history and iconography still provide fodder for film and fiction, communities of war refugees have spawned a wide Vietnamese diaspora, and the United States military remains embroiled in unwinnable wars with eerie echoes of Vietnam. Looking Back on the Vietnam War brings together scholars from a broad variety of disciplines, who offer fresh insights on the war’s psychological, economic, artistic, political, and environmental impacts. Each essay examines a different facet of the war, from its representation in Marvel comic books to the experiences of Vietnamese soldiers exposed to Agent Orange. By putting these pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies. Though they come from diverse scholarly backgrounds, ranging from anthropology to film studies, the contributors are united in their commitment to original research. Whether exploring rare archives or engaging in extensive interviews, they voice perspectives that have been excluded from standard historical accounts. Looking Back on the Vietnam War thus embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why.

Nothing Ever Dies
Nothing Ever Dies

Author: Viet Thanh Nguyen

Publisher: Harvard University Press

Published: 2016-04-11

Total Pages: 385

ISBN-13: 067466034X

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Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review “The Year in Reading” Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. “[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.” —Kate Tuttle, Los Angeles Times “In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths.” —Jonathan Mirsky, Literary Review “Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.” —Donna Seaman, Booklist (starred review)

A Shadow on Our Hearts
A Shadow on Our Hearts

Author: Adam Gilbert

Publisher: Culture and Politics in the Company

Published: 2018

Total Pages: 0

ISBN-13: 9781625343017

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The American war in Vietnam was one of the most morally contentious events of the twentieth century, and it produced an extraordinary outpouring of poetry. Yet the complex ethical terrain of the conflict is remarkably underexplored, and the prodigious poetic voice of its American participants remains largely unheard. In A Shadow on Our Hearts, Adam Gilbert rectifies these oversights by utilizing the vast body of soldier-poetry to examine the war's core moral issues. The soldier-poets provide important insights into the ethical dimensions of their physical and psychological surroundings before, during, and after the war. They also offer profound perspectives on the relationships between American soldiers and the Vietnamese people. From firsthand experiences, they reflect on what it meant to be witnesses, victims, and perpetrators of the war's violence. And they advance an uncompromising vision of moral responsibility that indicts a range of culprits for the harms caused by the conflict. Gilbert explores the powerful and perceptive work of these soldier-poets through the lens of morality and presents a radically alternative, deeply personal, and ethically penetrating account of the American war in Vietnam.

Returns of War
Returns of War

Author: Long T. Bui

Publisher: NYU Press

Published: 2018-11-06

Total Pages: 261

ISBN-13: 1479817066

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The legacy and memory of wartime South Vietnam through the eyes of Vietnamese refugees In 1975, South Vietnam fell to communism, marking a stunning conclusion to the Vietnam War. Although this former ally of the United States has vanished from the world map, Long T. Bui maintains that its memory endures for refugees with a strong attachment to this ghost country. Blending ethnography with oral history, archival research, and cultural analysis, Returns of War considers Returns of War argues that Vietnamization--as Richard Nixon termed it in 1969--and the end of South Vietnam signals more than an example of flawed American military strategy, but a larger allegory of power, providing cover for U.S. imperial losses while denoting the inability of the (South) Vietnamese and other colonized nations to become independent, modern liberal subjects. Bui argues that the collapse of South Vietnam under Vietnamization complicates the already difficult memory of the Vietnam War, pushing for a critical understanding of South Vietnamese agency beyond their status as the war’s ultimate “losers.” Examining the lasting impact of Cold War military policy and culture upon the “Vietnamized” afterlife of war, this book weaves questions of national identity, sovereignty, and self-determination to consider the generative possibilities of theorizing South Vietnam as an incomplete, ongoing search for political and personal freedom.

Conspiracy Theory in Film, Television, and Politics
Conspiracy Theory in Film, Television, and Politics

Author: Gordon B. Arnold

Publisher: Bloomsbury Publishing USA

Published: 2008-09-30

Total Pages: 201

ISBN-13: 1567207227

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Since the assassination of John F. Kennedy, motion pictures and television productions-some based on historical fact and conjecture, others clearly fanciful-have embraced the idea that conspiracies shape many events, hide others, and generally dictate much of the course of modern life, often to the disadvantage of the average person. As a result, conspiracy theories have developed into a potent undercurrent in American politics. By the 1990s, it was not unusual to find conspiracies used as explanations for a wide range of political events that would otherwise seem to have quite ordinary explanations. Thus, a vast right-wing conspiracy was suggested as the source of Bill Clinton's troubles, just as conspiracy-like machinations of the liberal media were used to explain why the picture of world events did not coincide with conservative views. And this is to say nothing of the bitter arguments that still erupt over varying explanations for the attacks of 9/11. Regardless of a person's opinion about such claims, what these and many other examples clearly show is that conspiracy-theory explanations have penetrated mainstream American thought. Here, author Gordon Arnold examines the evolution of this cultural climate in the United States. Conspiracy Theory in Film, Television, and Politics examines the intersection of various film and television productions in the context of unfolding political developments. The chapters follow this story chronologically, showing how screen media have both reflected and shaped the cultural milieu in which traumatic events and political controversies have been interpreted with increasing cynicism. The work also reviews the original contexts in which film, television, and political manifestations of conspiracy ideas first appeared.

Projecting the End of the American Dream
Projecting the End of the American Dream

Author: Gordon B. Arnold

Publisher: Bloomsbury Publishing USA

Published: 2013-04-09

Total Pages: 294

ISBN-13: 0313385645

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This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life. Long before the war in Iraq and the economic crises of the early 21st century, Hollywood has depicted a grim view of life in the United States, one that belies the prosperity and abundance of the so-called American Dream. While the country emerged from World War II as a world power, collectively our sense of security had been threatened. The result is a cinematic body of work that has America's decline and ruin as a central theme. The author draws from popular films across all genres and six decades to illustrate how the political climate of the times influenced their creation. Projecting the End of the American Dream: Hollywood's Visions of U.S. Decline combines film history, social history, and political history to reveal important themes in the unfolding American narrative. Discussions focus on a wide variety of films, including Rambo, Planet of the Apes, and Easy Rider.

Building Socialism
Building Socialism

Author: Christina Schwenkel

Publisher: Duke University Press

Published: 2020-09-21

Total Pages: 281

ISBN-13: 1478012609

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Following a decade of U.S. bombing campaigns that obliterated northern Vietnam, East Germany helped Vietnam rebuild in an act of socialist solidarity. In Building Socialism Christina Schwenkel examines the utopian visions of an expert group of Vietnamese and East German urban planners who sought to transform the devastated industrial town of Vinh into a model socialist city. Drawing on archival and ethnographic research in Vietnam and Germany with architects, engineers, construction workers, and tenants in Vinh’s mass housing complex, Schwenkel explores the material and affective dimensions of urban possibility and the quick fall of Vinh’s new built environment into unplanned obsolescence. She analyzes the tensions between aspirational infrastructure and postwar uncertainty to show how design models and practices that circulated between the socialist North and the decolonizing South underwent significant modification to accommodate alternative cultural logics and ideas about urban futurity. By documenting the building of Vietnam’s first planned city and its aftermath of decay and repurposing, Schwenkel argues that underlying the ambivalent and often unpredictable responses to modernist architectural forms were anxieties about modernity and the future of socialism itself.