Monograph examining the political development and economic development of the Black homelands regions of Bophuthatswana and Kwazulu. Covers legal aspects of apartheid, political and economic administration, sources of income and public finance, leadership development and homeland public administration, etc., and comments on relevant legislation and future development planning.
The bantustans – or ‘homelands’ – were created by South Africa’s apartheid regime as ethnically-defined territories for Africans. Granted self-governing and ‘independent’ status by Pretoria, they aimed to deflect the demands for full political representation by black South Africans and were shunned by the anti-apartheid movement. In 1972, Steve Biko wrote that ‘politically, the bantustans are the greatest single fraud ever invented by white politicians’. With the end of apartheid and the first democratic elections of 1994, the bantustans formally ceased to exist, but their legacies remain inscribed in South Africa’s contemporary social, cultural, political, and economic landscape. While the older literature on the bantustans has tended to focus on their repressive role and political illegitimacy, this edited volume offers new approaches to the histories and afterlives of the former bantustans in South Africa by a new generation of scholars. This book was originally published as various special issues of the South African Historical Journal.
Originally published in 1994, Homelands, Harlem & Hollywood examines the anti-colonialist struggle against apartheid, and the ways in which American and South African culture have been fascinated with and influenced by one another. Rob Nixon’s wide-ranging analysis looks at Hollywood representations of the struggle for liberation, the impact of the Harlem Renaissance on the Sophiatown writers, the banning and censorship of television under apartheid, Mandela and messianic politics, the sports and cultural boycotts, ethnic nationalism, and the culture of violence. Nixon concludes with an investigation of how the collapse of communism and anti-communism and the rise of ethnic cleansing in Eastern Europe and the former Soviet Union had powerful implications for the shape of post-apartheid South Africa.
Originally published in 1968, this volume traces the history and growth of Apartheid in South Africa. The acts which enforced Apartheid – the Group Areas Act, Population and Registration Act are given in full. The book also includes documents which reflected reaction to these measures: Parliamentary debates, newspaper reports and policy statements by the leading political parties and religious denominations. The documents are headed by a full historical and analytical introduction.
The last three decades have witnessed a proliferation of nongovernmental organizations engaging in new campaigns to end the practice of female genital cutting across Africa. These campaigns have in turn spurred new institutions, discourses, and political projects, bringing about unexpected social transformations, both intended and unintended. Consequently, cutting is waning across the continent. At the same time, these endings are misrecognized and disavowed by public and scholarly discourses across the political spectrum. What does it mean to say that while cutting is ending, the Western discourse surrounding it is on the rise? And what kind of a feminist anthropology is needed in such a moment? The Twilight of Cutting examines these and other questions from the vantage point of Ghanaian feminist and reproductive health NGOs that have organized campaigns against cutting for over thirty years. The book looks at these NGOs not as solutions but as sites of “problematization.” The purpose of understanding these Ghanaian campaigns, their transnational and regional encounters, and the forms of governmentality they produce is not to charge them with providing answers to the question, how do we end cutting? Instead, it is to account for their work, their historicity, the life worlds and subjectivities they engender, and the modes of reflection, imminent critique, and opposition they set in motion.
BOOK 6 IN THE EPIC HISTORICAL SAGA OF THE COURTNEY FAMILY, FROM INTERNATIONAL SENSATION WILBUR SMITH 'Smith will take you on an exciting, taut and thrilling journey you will never forget' - Sun 'With Wilbur Smith the action is never further than the turn of a page' - Independent 'No one does adventure quite like Smith' - Daily Mirror THE FUTURE OF A COUNTRY. THE END OF A FAMILY. Shasa Courtney, heir to the Courtney fortunes, dreams of uniting his divided, beloved country. As Apartheid threatens to destroy everything he holds close, he allows his half-brother Manfred to persuade him to join South Africa's right-wing National Party, hoping to moderate from within their dangerous policies. But Manfred has deadly secrets he cannot afford to be revealed, secrets he is willing to kill to keep hidden. In the terrible struggle for the future of South Africa, the Courtney family will be torn apart - and many will pay a terrible price . . . A Courtney Series adventure - Book 3 in The Burning Shore sequence Rage is the powerful third novel in The Burning Shore sequence by Wilbur Smith, which became an instant global bestseller on publication (1987). Book 7 in the Courtney family series, A Time to Die, is available now.
Originally published in 1980, this book examines the 'self-government' constitution, administrative and party system of The Ciskei which was one of the black 'homelands' created by the government of the Republic of South Africa in its pursuit of 'separate development'.
Home Lands - Land Marks is an exhibition of new and recent work from seven leading South African artists at Haunch of Venison, London, and the first in London to focus on contemporary South African art since 1995. The publication focuses on images and invocations of landscape which explore contemporary South Africa. Differing from the usual approach to post-apartheid South Africa, the exhibition addresses the complexity of the South African landscape, reflecting upon notions of memory, place and identity, referring to the political context and historical background of South Africa only through the imprint and trace of human experience on the physical landscape. Published on the occasion of the exhibition Home Lands - Land Marks: Contemporary Art from South Africa at Haunch of Venison, London, May - July 2008.
Arranged as a series of lessons on all sorts of aspects of South Africa - Facts - Films - Homelands - Pass laws - Story writing - Unions ; Resistance - U.S. Corporations - Letters.
In this engaging book, Amber Reed provides a new perspective on South Africa’s democracy by exploring Black residents’ nostalgia for life during apartheid in the rural Eastern Cape. Reed looks at a surprising phenomenon encountered in the post-apartheid nation: despite the Department of Education mandating curricula meant to teach values of civic responsibility and liberal democracy, those who are actually responsible for teaching this material (and the students taking it) often resist what they see as the imposition of “white” values. These teachers and students do not see South African democracy as a type of freedom, but rather as destructive of their own “African culture”—whereas apartheid, at least ostensibly, allowed for cultural expression in the former rural homelands. In the Eastern Cape, Reed observes, resistance to democracy occurs alongside nostalgia for apartheid among the very citizens who were most disenfranchised by the late racist, authoritarian regime. Examining a rural town in the former Transkei homeland and the urban offices of the Sonke Gender Justice Network in Cape Town, Reed argues that nostalgic memories of a time when African culture was not under attack, combined with the socioeconomic failures of the post-apartheid state, set the stage for the current political ambivalence in South Africa. Beyond simply being a case study, however, Nostalgia after Apartheid shows how, in a global context in which nationalism and authoritarianism continue to rise, the threat posed to democracy in South Africa has far wider implications for thinking about enactments of democracy. Nostalgia after Apartheid offers a unique approach to understanding how the attempted post-apartheid reforms have failed rural Black South Africans, and how this failure has led to a nostalgia for the very conditions that once oppressed them. It will interest scholars of African studies, postcolonial studies, anthropology, and education, as well as general readers interested in South African history and politics.
