The Afterlife of Piet Mondrian

The Afterlife of Piet Mondrian

Author: Nancy J. Troy

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780226008691

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Dutch painter Piet Mondrian died in New York City in 1944, but his work and legacy have been far from static since then. From market pressures to personal relationships and scholarly agendas, posthumous factors have repeatedly transformed our understanding of his oeuvre. In The Afterlife of Piet Mondrian, Nancy J. Troy explores the controversial circumstances under which our conception of the artist's work has been shaped since his death, an account that describes money-driven interventions and personal and professional rivalries in forthright detail. Troy reveals how collectors, curators, scholars, dealers and the painter's heirs all played roles in fashioning Mondrian's legacy, each with a different reason for seeing the artist through a particular lens. She shows that our appreciation of his work is influenced by how it has been conserved, copied, displayed, and publicized, and she looks at the popular appeal of Mondrian's instantly recognizable style in fashion, graphic design, and a vast array of consumer commodities. Ultimately, Troy argues that we miss the evolving significance of Mondrian's work if we examine it without regard for the interplay of canonical art and popular culture. A fascinating investigation into Mondrian's afterlife, this book casts new light on how every artist's legacy is constructed as it circulates through the art world and becomes assimilated into the larger realm of visual experience.


Piet Mondrian, 1872-1944

Piet Mondrian, 1872-1944

Author: Susanne Deicher

Publisher: Taschen

Published: 1999

Total Pages: 104

ISBN-13: 9783822859735

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This volume presents Dutch painter Piet Mondrian (1872-1944). His earliest landscapes are rendered in an Impressionistic style but, possess the marked vertical and horizontal tendencies that foreshadow his mature paintings. Mondrian's work began to show the influences of Cubism, and in 1912, the artist moved to Paris where he continued to refine his style, continually exploring increasingly sophisticated compositions. In his paintings, Mondrian strove to achieve a universal form of expression by reducing form and color to their simplest components. The artist termed his work "Neo-Plasticism". Mondrian's most well-known works consisted of white ground, upon which was painted a grid of vertical and horizontal black lines and the three primary colors.


Piet Mondrian: The Studios

Piet Mondrian: The Studios

Author: Cees W De Jong

Publisher: National Geographic Books

Published: 2015-10-20

Total Pages: 0

ISBN-13: 0500239355

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A unique exploration of the kinetic yet orderly work of abstract artist Piet Mondrian, inspired by the cities that influenced him The work of Piet Mondrian (1872–1944), whose orderly black-and-white squares, punctuated occasionally by primary colors are instantly recognizable, played a crucial role in shaping the avant-garde art of the twentieth century. Each section of this visual journey through his life and career takes its inspiration from the location of one of Mondrian’s studios and traces his path from Amsterdam to Paris, and via the Dutch village of Laren to London and New York. Each of these locations represents a distinct stage in the development of Mondrian’s art: from the naturalistic paintings of the 1890s and the experimental neo-Impressionist works of the early twentieth century to his involvement with the De Stijl movement and his famous grid paintings, and finally the bold dynamism of his late work in the United States, inspired by the rhythms of jazz and the buzzing metropolis. As Mondrian’s art took the simplification of form to an extreme, the walls of his studios became an ever-changing surface made up of cardboard rectangles painted in primary colors, white, and gray. Illustrated by a wealth of paintings as well as personal photographs, documents, and texts written by Mondrian himself, the book captures every facet of this uncompromising artist’s quest to represent the spirit of the modern world.


Towards an Aesthetics of Production

Towards an Aesthetics of Production

Author: Sebastian Egenhofer

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9783037348857

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Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. As a result, representation- and ideology-critical analyses regularly reduced the artwork to the bare bones (Hegel) of the material signifier in its social use. By contrast, in the texts assembled here, elements of a critical materialism are combined with an effort to reevaluate the meta-physical implications of modern abstraction and art since the 1960s. Taking Gilles Deleuze s readings of Spinoza, Nietzsche, and Bergson as his starting point, the author delineates a topic in which the artwork s capacity for resistance is grounded in its relationship to an immanent infinity: the Spinozian substance, Nietzsche s Becoming, Bergson s duree. Against the backdrop of a critical rereading of Heidegger, this infinite dimension is interpreted in temporal and ontological terms as the vertical past of production, which can only be grasped in broken and technically encrypted form in the present shape and materiality of the artwork. Hence the notion of an aesthetics of production does not imply a nostalgia for the artisanal or for the artwork s singularity. The concept of production developed in this book aims at a realm that lies beyond finite representation but is still understood in materialist terms, and that threatens the circulation of positive, conceptually standardized knowledge. In case studies on Piet Mondrian, Marcel Duchamp, Thomas Hirschhorn, and Michael Asher and in framing essays on Kant and Nietzsche as well as Heidegger and Spinoza, this book articulates a concept of the artwork in the long modern era which takes account of the twentieth century s critique of metaphysics but without surrendering the truth claim of art and philosophy in favor of a culturalist and sociological relativism. "


Abstraction in Reverse

Abstraction in Reverse

Author: Alexander Alberro

Publisher: University of Chicago Press

Published: 2017-05-25

Total Pages: 320

ISBN-13: 022639400X

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During the mid-twentieth century, Latin American artists working in several different cities radically altered the nature of modern art. Reimagining the relationship of art to its public, these artists granted the spectator an unprecedented role in the realization of the artwork. The first book to explore this phenomenon on an international scale, Abstraction in Reverse traces the movement as it evolved across South America and parts of Europe. Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world.


Van Gogh to Mondrian

Van Gogh to Mondrian

Author: Piet de Jonge

Publisher:

Published: 2004

Total Pages: 192

ISBN-13:

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The Kroller-Muller Museum is one of the great art collections in Europe, yet it remains unknown to many Americans because of its remote location in the Hoge Veluwe National Park in rural southeast Netherlands. This beautifully illustrated book features highlights from the Museum's collection of late-nineteenth- and early-twentieth-century art, including more than a score of works by Vincent van Gogh. The Museum is the result of the passion of a singular collector: Helene Kroller-Muller (1869-1939). The wife of a Dutch shipping magnate, she used almost unlimited funds to amass an astounding collection in a short period of time. Beginning in the 1910s, she collected voraciously -- not only Van Gogh but Neo-Impressionist masters Seurat, Signac, and Denis, and Symbolists Redon and Toorop. She patronized and supported artists who were pioneering abstraction -- particularly Mondrian, Van Doesburg, and Van der Leck -- and collected the Cubists, including Picasso, Gris, and Leger. Mrs. Kroller-Muller had a consuming desire to create a museum where her collection could be displayed for the public. Over a period of more than twenty-five years, she worked with some of the leading architects of the early twentieth century -- H. P. Berlage, Mies van der Rohe, and Henry van de Velde -- and finally in 1938 her dream was realized with the opening of the institution that bears her name. Book jacket.


Mondrian

Mondrian

Author: Carel Blotkamp

Publisher: Reaktion Books

Published: 2001

Total Pages: 270

ISBN-13: 9781861891006

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Piet Mondrian was one of the great pioneers of abstract art. This book looks at the relationship between his paintings and his theories on art.


Natural Reality and Abstract Reality

Natural Reality and Abstract Reality

Author: Piet Mondrian

Publisher:

Published: 1995

Total Pages: 152

ISBN-13:

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Internationally recognized as a pioneer of abstract art, the founder of Neo-Plasticism, and the ideological father of the De Stijl movement, Piet Mondrian (1872-1944) created both paintings and writings that embodied the spirit of modernism.