This title features a collection of 14 papers in which contributors use diverging critical methods on a selection of extracts from Vergil's epic, with the examination of political references in the work being prominent, as well as the question of the Aeneid's central meaning. Contents include: Vergil announcing the Aeneid. On Geo. 3.1-48 (Egil Kraggerud); The Peopling of the Underworld (Anton Powell); Vergil as a Republican (Eckard Lefevre); The Sword-Belt of Pallas: Moral Symbolism and Political Ideology (Stephen Harrison); The Isolation of Turnus (Richard F. Thomas) and The End and the Meaning (David West)
An examination of the main characters in the Aeneid - Aeneas himself, Dido and Turnus - in the light of Virgil's contemporary Augustan political and literary ideology. The characters and the plot and incident of the epic are seen as embodying and exemplifying first the ancient ideals of kingship and concord, and second the Roman self-identification as at once 'Italian' and 'Trojan', and finally as reflecting the literary self-evaluation of the Augustan age. In the literary area, Virgil's relations with contemporary Roman elegy, with early Greek lyric and, most important, with Homer, are studied and reevaluated. Virgilian scholars and students of Augustan literature in general will find this book of interest to them.
Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.
Vergil's Aeneid has been considered a classic, if not the classic, of Western literature for two thousand years. In recent decades this famous poem has become the subject of fresh and searching controversy. What is the poem's fundamental meaning? Does it endorse or undermine values of empire and patriarchy? Is its world view comic or tragic? Many studies of the poem have focused primarily on selected books. The approach here is comprehensive. An introduction by editor Christine Perkell discusses the poem's historical background, its reception from antiquity to the present, and its most important themes. The book-by-book readings that follow both explicate the text and offer a variety of interpretations. Concluding topic chapters focus on the Aeneid as foundation story, the influence of Apollonius' Argonautica, the poem's female figures, and English translations of the Aeneid. Written in an accessible style and providing translations of all Latin passages, this volume will be of particular value to teachers and students of humanities courses as well as to specialists.
These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.
The message of Virgil's Aeneid once seemed straightforward enough: the epic poem returned to Aeneas and the mythical beginnings of Rome in order to celebrate the city's present world power and to praise its new master, Augustus Caesar. Things changed when late twentieth-century readers saw the ancient poem expressing their own misgivings about empire and one-man rule. In this timely book, David Quint depicts a Virgil who consciously builds contradiction into the Aeneid. The literary trope of chiasmus, reversing and collapsing distinctions, returns as an organizing signature in Virgil's writing: a double cross for the reader inside the Aeneid's story of nation, empire, and Caesarism. Uncovering verbal designs and allusions, layers of artfulness and connections to Roman history, Quint's accessible readings of the poem's famous episodes--the fall of Troy, the story of Dido, the trip to the Underworld, and the troubling killing of Turnus—disclose unsustainable distinctions between foreign war/civil war, Greek/Roman, enemy/lover, nature/culture, and victor/victim. The poem's form, Quint shows, imparts meanings it will not say directly. The Aeneid's life-and-death issues—about how power represents itself in grand narratives, about the experience of the defeated and displaced, and about the ironies and revenges of history—resonate deeply in the twenty-first century. This new account of Virgil's masterpiece reveals how the Aeneid conveys an ambivalence and complexity that speak to past and present.
This book is an examination of the ideological reception of Virgil at specific moments in the last two millennia. The author focuses on the emperor Augustus in the poetry of Virgil, detects in the poets and grammarians of antiquity alternately a collaborative oppositional reading and an attempt to suppress such reading, studies creative translation (particularly Dryden's), which reasserts the 'Augustan' Virgil, and examines naive translation which can be truer to the spirit of Virgil. Scrutiny of 'textual cleansing', philology's rewriting or excision of troubling readings, leads to readings by both supporters and opponents of fascism and National Socialism to support or subvert the latter-day Augustus. The book ends with a diachronic examination of the ways successive ages have tried to make the Aeneid conform to their upbeat expectations of this poet.
