The Adaptation Industry
The Adaptation Industry

Author: Simone Murray

Publisher: Routledge

Published: 2012-03-12

Total Pages: 273

ISBN-13: 1136660240

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Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process.

Hollywood Outsiders
Hollywood Outsiders

Author: Anne Morey

Publisher: U of Minnesota Press

Published: 2003

Total Pages: 276

ISBN-13: 9780816637324

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An innovative approach to the relationship between filmmaking and society during Hollywood's golden age. The 1910s and 1920s witnessed the inception of a particular brand of negotiation between filmdom and its public in the United States. Hollywood, its proponents, and its critics sought to establish new connections between audience and industry, suggesting means by which Hollywood outsiders could become insiders. Hollywood Outsiders looks at how four disparate entities--the Palmer Photoplay correspondence school of screenwriting, juvenile series fiction about youngsters involved in the film industry, film appreciation and character education programs for high school students, and Catholic and Protestant efforts to use and influence filmmaking--conceived of these connections, and thus of the relationship of Hollywood to the individual and society. Anne Morey's exploration of the diverse discourses generated by these different conjunctions leads to a fresh and compelling interpretation of Hollywood's place in American cultural history. In its analysis of how four distinct groups, each addressing constituencies of various ages and degrees of social authority, defined their interest in the film industry, Hollywood Outsiders combines concrete discussions of cultural politics with a broader argument about how outsiders viewed the film industry as a vehicle of self-validation and of democratic ideals.

The Comic Book Film Adaptation
The Comic Book Film Adaptation

Author: Liam Burke

Publisher: Univ. Press of Mississippi

Published: 2015-03-31

Total Pages: 381

ISBN-13: 1626745188

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In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.

The Oxford Handbook of Adaptation Studies
The Oxford Handbook of Adaptation Studies

Author: Thomas M. Leitch

Publisher: Oxford University Press

Published: 2017

Total Pages: 785

ISBN-13: 0199331006

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This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.

The Adaptation Advantage
The Adaptation Advantage

Author: Heather E. McGowan

Publisher: John Wiley & Sons

Published: 2020-04-14

Total Pages: 272

ISBN-13: 1119653096

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A guide for individuals and organizations navigating the complex and ambiguous Future of Work Foreword by New York Times columnist and best-selling author Thomas L. Friedman Technology is changing work as we know it. Cultural norms are undergoing tectonic shifts. A global pandemic proves that we are inextricably connected whether we choose to be or not. So much change, so quickly, is disorienting. It's undermining our sense of identity and challenging our ability to adapt. But where so many see these changes as threatening, Heather McGowan and Chris Shipley see the opportunity to open the flood gates of human potential—if we can change the way we think about work and leadership. They have dedicated the last 5 years to understanding how technical, business, and cultural shifts affecting the workplace have brought us to this crossroads, The result is a powerful and practical guide to the future of work for leaders and employees. The future can be better, but only if we let go of our attachment to our traditional (and disappearing) ideas about careers, and what a "good job" looks like. Blending wisdom from interviews with hundreds of executives, The Adaptation Advantage explains the profound changes happening in the world of work and posits the solution: new ways to think about careers that detach our sense of pride and personal identity from our job title, and connect it to our sense of purpose. Activating purpose, the authors suggest, will inherently motivate learning, engagement, empowerment, and lead to new forms of pride and identity throughout the workforce. Only when we let go of our rigid career identities can we embrace and appreciate the joys of learning and adapting to new realities—and help our organizations do the same. Of course, making this transition is hard. It requires leaders who can attract and motivate cognitively diverse teams fueled by a strong sense of purpose in an environment of psychological safety—despite fierce competition and external pressures. Adapting to the future of work has always called for strong leadership. Now, as a pandemic disrupts so many aspects of work, adapting is a leadership imperative. The Adaptation Advantage is an essential guide to help leaders meet that challenge.

How Theatre Adapts
How Theatre Adapts

Author: Ashley Malafronte

Publisher:

Published: 2021

Total Pages: 154

ISBN-13:

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From the big-budget stages of Broadway to more experimental, independent theatre scenes, cross-medium adaptations dominate the landscape of U.S. theatre. The proliferation of adaptations into theatre-- and the extreme concentration of budgetary resources, acclaim, and audience reach that attend them-- is the observation that launched this research. This thesis converges scholarship from theatre studies, performance studies, and adaptation studies to position cross-medium adaptation as an effective strategy to maintain the economic viability of theatre without compromising the oft-lauded qualities of liveness and ephemerality. Through two case studies, I map relationships between the theatre, book, and film industries-- and their stakeholders-- to further an understanding of adaptation within a multi-industrial system of production that impacts both the artistic and business practices of cultural production. Participation in what Simone Murray calls the adaptation industry provides links to other, non-theatrical entertainment industries, and creating work in this system enables some aspects of contemporary theatrical production while constraining others. Adaptation therefore accelerates the commodification of theatre by linking a theatrical performance to the extant product of its non-theatrical source. Disney Theatrical Productions, Ltd. embraces this commodification as a way of enabling theatrical production through a multi-pronged set of business synergy strategies, which the company deploys by activating a network of cross-divisional relationships within the larger Walt Disney Company. This approach facilitates theatrical production, though sometimes at the expense of artistry. Elevator Repair Service, by contrast, utilizes adaptation as a set of formal constraints to be made visible through performance. Despite this oppositional approach, Elevator Repair Service's Gatz retains the associational benefits of adaptation by trading on the prestige of its canonical source, The Great Gatsby. This thesis articulates the industrial forces at play in both of these cases while centering practitioners in an analysis of theatrical adaptation within a multi-industrial system. Ultimately, this research contributes to a growing body of scholarship on theatrical adaptations and argues for theatre makers' agency to navigate the potential business benefits to working in adaptation while defraying potential artistic costs

Building Adaptation
Building Adaptation

Author: James Douglas

Publisher: Routledge

Published: 2006-08-11

Total Pages: 680

ISBN-13: 1136425101

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As existing buildings age, nearly half of all construction activity in Britain is related to maintenance, refurbishment and conversions. Building adaptation is an activity that continues to make a significant contribution to the workload of the construction industry. Given its importance to sustainable construction, the proportion of adaptation works in relation to new build is likely to remain substantial for the foreseeable future, especially in the developed parts of the world. Building Adaptation, Second Edition is intended as a primer on the physical changes that can affect older properties. It demonstrates the general principles, techniques, and processes needed when existing buildings must undergo alteration, conversion, extension, improvement, or refurbishment. The publication of the first edition of Building Adaptation reflected the upsurge in refurbishment work. The book quickly established itself as one of the core texts for building surveying students and others on undergraduate and postgraduate built environment courses. This new edition continues to provide a comprehensive introduction to all the key issues relating to the adaptation of buildings. It deals with any work to a building over and above maintenance to change its capacity, function or performance.

Film Adaptation in the Hollywood Studio Era
Film Adaptation in the Hollywood Studio Era

Author: Guerric DeBona

Publisher: University of Illinois Press

Published: 2010

Total Pages: 210

ISBN-13: 0252077377

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"Guerric DeBona's new book that makes a powerful case that film adaptiations are shaped as much by contextual forces as by their literary forbears. Once it is as widely read as it deserves to be, adaptation studies will never be the same."-Thomas Leitch, author of Film adaptatin and its discontents: from Gone with the Wind to the Passion of the Christ.

A Theory of Adaptation
A Theory of Adaptation

Author: Linda Hutcheon

Publisher: Routledge

Published: 2012-08-21

Total Pages: 296

ISBN-13: 113621092X

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A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/platforms and recent critical developments in the study of adaptation. It also features an illuminating new epilogue from Siobhan O’Flynn, focusing on adaptation in the context of digital media. She considers the impact of transmedia practices and properties on the form and practice of adaptation, as well as studying the extension of game narrative across media platforms, fan-based adaptation (from Twitter and Facebook to home movies), and the adaptation of books to digital formats. A Theory of Adaptation is the ideal guide to this ever evolving field of study and is essential reading for anyone interested in adaptation in the context of literary and media studies.