The Actresses

The Actresses

Author: Barbara Ewing

Publisher: Bloomsbury Publishing

Published: 2018-01-01

Total Pages: 399

ISBN-13: 1788544633

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They all met again at the Drama School Reunion: the Hollywood celebrity, the out-of-work soap star, the understudy, the Shakespearian hero. Thirty-six years ago, they dreamed of the great parts awaiting them. What they did not know was that the parts would soon dry up, for the actresses. Because they had stopped being young. But: once an actress, always an actress and on this hot, summer's day it becomes clear that age does not wipe out ambition. Or desire. Or memory. Or love. So when the Reunion culminates in an accusation of rape that dominates every newspaper in the country, the past – sweet, cruel, tragic – comes flooding back, and the actresses become the stars of the story. Perceptive, shocking, gripping and wise, this could only have been written by somebody who has been there.


A History of the Philadelphia Theatre, 1835-1855

A History of the Philadelphia Theatre, 1835-1855

Author: Arthur Herman Wilson

Publisher: University of Pennsylvania Press

Published: 2017-01-30

Total Pages: 736

ISBN-13: 1512819360

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The first three volumes of a series that is to run to the present day and give complete theatrical records of their periods, with elaborate indexes of plays, players, and playwrights.


Singapore Horror Stories

Singapore Horror Stories

Author: Loo Si Fer

Publisher: Monsoon Books

Published: 2011-12-01

Total Pages: 61

ISBN-13: 9814358533

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Previously published in print as "Paranormal Singapore", the ten stories and letters in this collection of horror are sure to scare the life out of you. Set entirely in Singapore, these accounts of vampires, ghosts, murderers and demons come with a health warning: be warned, they may frighten you to death.


Bloody Tyrants and Little Pickles

Bloody Tyrants and Little Pickles

Author: Marlis Schweitzer

Publisher: University of Iowa Press

Published: 2020-11-02

Total Pages: 300

ISBN-13: 1609387368

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Bloody Tyrants and Little Pickles traces the theatrical repertoire of a small group of white Anglo-American actresses as they reshaped the meanings of girlhood in Britain, North America, and the British West Indies during the first half of the nineteenth century. It is a study of the possibilities and the problems girl performers presented as they adopted the manners and clothing of boys, entered spaces intended for adults, and assumed characters written for men. It asks why masculine roles like Young Norval, Richard III, Little Pickle, and Shylock came to seem “normal” and “natural” for young white girls to play, and it considers how playwrights, managers, critics, and audiences sought to contain or fix the at-times dangerous plasticity they exhibited both on and off the stage. Schweitzer analyzes the formation of a distinct repertoire for girls in the first half of the nineteenth century, which delighted in precocity and playfulness and offered up a model of girlhood that was similarly joyful and fluid. This evolving repertoire reflected shifting perspectives on girls’ place within Anglo-American society, including where and how they should behave, and which girls had the right to appear at all.