This immensely readable introduction to animal acoustics explains not only how animals hear but why they listen. It is a unique blend of audition, auditory anatomy, physics of sound, and methods of psychophysics, combined with behavior, natural history, and evolution. The Acoustic Sense of Animals is ideal for graduate and undergraduate courses, and for professionals in fields such as sensory physiology and animal behavior. In his broadly comparative approach, Stebbins explores the function of hearing for each animal in its particular ecological setting and the significance of communication for members of a species. He renders the evolution of hearing with special emphasis on the peripheral auditory system and basic auditory function. Although ample evidence is brought to bear, both from the laboratory and from field studies, the book is not burdened with excessive detail. The writing is crisp, and the references are tailored to those most useful for nonspecialists. The Acoustic Sense of Animals covers a complex field with balance and clarity within a solid evolutionary framework. Equally important, it conveys the controversy and excitement that will motivate students.
Throughout history, hearing and sound perception have been typically framed in the context of how sound conveys information and how that information influences the listener. "Hear Where We Are" inverts this premise and examines how humans and other hearing animals use sound to establish acoustical relationships with their surroundings. This simple inversion reveals a panoply of possibilities by which we can re-evaluate how hearing animals use, produce, and perceive sound. Nuance in vocalizations become signals of enticement or boundary setting; silence becomes a field ripe in auditory possibilities; predator/prey relationships are infused with acoustic deception, and sounds that have been considered territorial cues become the fabric of cooperative acoustical communities. This inversion also expands the context of sound perception into a larger perspective that centers on biological adaptation within acoustic habitats. Here, the rapid synchronized flight patterns of flocking birds and the tight maneuvering of schooling fish becomes an acoustic engagement. Likewise, when stridulating crickets synchronize their summer evening chirrups, it has more to do with the ‘cricket community’ monitoring their collective boundaries rather than individual crickets establishing ‘personal’ territory or breeding fitness. In "Hear Where We Are" the author continuously challenges many of the bio-acoustic orthodoxies, reframing the entire inquiry into sound perception and communication. By moving beyond our common assumptions, many of the mysteries of acoustical behavior become revealed, exposing a fresh and fertile panorama of acoustical experience and adaptation.
In order to communicate, animals send and receive signals that are subject to their particular anatomical, psychological, and environmental constraints. This SHAR volume discusses both the production and perception of acoustic signals. Chapters address the information that animals communicate, how the communication is developed and learned, and how communication systems have adapted and evolved within species. The book will give examples from a variety of species.
From an engineer’s perspective, how do specialized adaptations among living things really work? Writing with wit and a richly informed sense of wonder, Denny and Alan offer an expert look at animals—including humans—as works of evolutionary engineering, each exquisitely adapted to a specific manner of survival.
Animals are everywhere in our lives. We follow them into the wild, we invite them into our homes, they inhabit our dreams, mythologies, folklores, and popular cultures. What is this powerful bond? Why are we so fascinated with animals of every kind? And why has our relationship with them always been riddled with such complexity and contradiction? A Walk in the Animal Kingdom explores the world of animals with the inquisitiveness, depth, and gentle humor that readers across the globe have come to expect from the acclaimed author-artist team of Jerry Dennis and Glenn Wolff. The book is an inquiry into animals of the world, their astonishing diversity and abundance; their mating habits, defensive strategies, and other behaviors; their extraordinary senses of sight, hearing, and smell. It is also an exploration of our profound connection with them, from the joys they inspire and the fears they arouse, to their prominence in our lives as pets, team mascots, and embodiments of wild nature—and the paradox that allows us to battle to protect certain species while ignoring others that are disappearing at a rate perhaps unequaled in the history of our planet. Like the previous collaborations of Dennis and Wolff, A Walk in the Animal Kingdom is certain to become a classic among books about nature—its wonders, its complexities, and our place in it.
The Oxford Handbook of the Philosophy of Perception is a survey by leading philosophical thinkers of contemporary issues and new thinking in philosophy of perception. It includes sections on the history of the subject, introductions to contemporary issues in the epistemology, ontology and aesthetics of perception, treatments of the individual sense modalities and of the things we perceive by means of them, and a consideration of how perceptual information is integrated and consolidated. New analytic tools and applications to other areas of philosophy are discussed in depth. Each of the forty-five entries is written by a leading expert, some collaborating with younger figures; each seeks to introduce the reader to a broad range of issues. All contain new ideas on the topics covered; together they demonstrate the vigour and innovative zeal of a young field. The book is accessible to anybody who has an intellectual interest in issues concerning perception.
How do dolphins catch fish in murky water? Why do moths drink from puddles? How do birds' eggs breathe? How do animals work? In this revised and updated edition of the acclaimed text Animal Physiology, the answers are revealed. In clear and stimulating style, Knut Schmidt-Nielsen introduces and develops the fundamental principles of animal physiology according to major environmental features - oxygen, food and energy, temperature, and water. The structure of the book is unchanged from the previous edition, but every chapter has been updated to take into account recent developments, with numerous new references and figures. Animal Physiology is suitable as a text for undergraduate and beginning graduate courses in physiology. As with previous editions, students, teachers as well as researchers will find this book a valuable and enjoyable companion to course work and research.
Handbook of Mammalian Vocalization is designed as a broad and comprehensive, but well-balanced book, written from the neuroscience point of view in the broad sense of this term. This well-illustrated Handbook pays particular attention to systematically organized details but also to the explanatory style of the text and internal cohesiveness of the content, so the successive chapters gradually develop a consistent story without losing the inherent complexity. Studies from many species are included, however rodents dominate, as most of the brain investigations were done on these species. The leading idea of the Handbook is that vocalizations evolved as highly adaptive specific signals, which are selectively picked up by the brain. The brain serves as a receptor and behavioural amplifier. Brain systems will be described, which allow vocal signals rapidly changing the entire state of the organism and trigger vital biological responses, usually also with accompanying emission of vocalizations. Integrative brain functions leading to vocal outcome will be described, along with the vocalization generators and motor output to larynx and other supportive motor subsystems. The last sections of the Handbook explains bioacoustic structure of vocalizations, present understanding of information coding, and origins of the complex semiotic/ semantic content of vocalizations in social mammals. The Handbook is a major source of information for professionals from many fields, with a neuroscience approach as a common denominator. The handbook provides consistent and unified understanding of all major aspects of vocalization in a monographic manner, and at the same time, gives an encyclopaedic overview of major topics associated with vocalization from molecular/ cellular level to behavior and cognitive processing. It is written in a strictly scientific way but clear enough to serve not only for specialized researchers in different fields of neuroscience but also for academic teachers of neuroscience, including behavioural neuroscience, affective neuroscience, clinical neuroscience, neuroethology, biopsychology, neurolingusitics, speech pathology, and other related fields, and also for research fellows, graduate and other advanced students, who widely need such a source publication. - The first comprehensive handbook on what we know about vocalization in Mammalians - Carefully edited, the handbook provides an integrated overview of the area - International list of highly regarded contributors, including Jaak Pankseep (Washington State University), David McFarland (Oxford), John D. Newman (NIH ? Unit on Developmental Neuroethology), Gerd Poeggel (Leipzig), Shiba Keisuke (Chiba City, Japan), and others, tightly edited by a single, well regarded editor who has edited a special issue in Behavioral Brain Research on the topic before
The last decades have brought a significant increase in research on acoustic communi cation in animals. Publication of scientific papers on both empirical and theoretical aspects of this topic has greatly increased, and a new journal, Bioacoustics, is entirely devoted to such articles. Coupled with this proliferation of work is a recognition that many of the current issues are best approached with an interdisciplinary perspective, requiring technical and theoretical contributions from a number of areas of inquiry that have traditionally been separated. With the notable exception of a collection edited by Lewis (1983), there have been fewvolumes predominatelyfocused on technical issues in comparative bioacoustics to follow up the earlyworks edited by Lanyon and Tavolga (1960) and Busnel (1963). It was the tremendous growth of expertise c:()ncerning this topic in particular that provided the initial impetus to organize this volume, which attempts to present fundamental information from both theoretical and applied aspects of current bioacoustics research. While a completely comprehensive review would be impractical, this volume offers a basic treatment of a wide variety of topics aimed at providing a conceptual framework within which researchers can address their own questions. Each presentation is designed to be useful to the broadest possible spectrum of researchers, including both those currently working in any of the many and diverse disciplines of bioacoustics, and others that may be new to such studies.
Two groups of animals, bats and odontocetes (toothed whales), have independently developed the ability to orient and detect prey by biosonar (echolocation). This active mechanism of orientation allows these animals to operate under low light conditions. Biosonar is a conceptual overview of what is known about biosonar in bats and odontocetes. Chapters are written by bat and odontocetes experts, resulting in collaborations that not only examine data on both animals, but also compare and contrast mechanisms. This book provides a unique insight that will help improve our understanding of biosonar in both animal groups.
