Fresh from his trip to Britain, Marcus Didius Falco needs to re-establish his presence in Rome. A minor role in the trial of a senator entangles him in the machinations of two real life lawyers at the top of their trade. The senator is convicted, but then dies, apparently by suicide. It may have been a legal move to protect his heirs, but Falco is hired to prove it was murder. As Falco shows off his talents in the role of advocate, he exposes himself to a tangle of upper-class secrets and powerful elements in Roman law that may have consequences he hadn't quite bargained for.
The story of the Salem Witch Trials told through the lives of six women Six Women of Salem is the first work to use the lives of a select number of representative women as a microcosm to illuminate the larger crisis of the Salem witch trials. By the end of the trials, beyond the twenty who were executed and the five who perished in prison, 207 individuals had been accused, 74 had been "afflicted," 32 had officially accused their fellow neighbors, and 255 ordinary people had been inexorably drawn into that ruinous and murderous vortex, and this doesn't include the religious, judicial, and governmental leaders. All this adds up to what the Rev. Cotton Mather called "a desolation of names." The individuals involved are too often reduced to stock characters and stereotypes when accuracy is sacrificed to indignation. And although the flood of names and detail in the history of an extraordinary event like the Salem witch trials can swamp the individual lives involved, individuals still deserve to be remembered and, in remembering specific lives, modern readers can benefit from such historical intimacy. By examining the lives of six specific women, Marilynne Roach shows readers what it was like to be present throughout this horrific time and how it was impossible to live through it unchanged.
Cheryl Ann Araujo is The Accuser. In 1983, she was victimized by men, the judicial system, the Government, the media, and the Portuguese mob because she stood up against them all in the Big Dan's rape trial in New Bedford, Massachusetts. In 1988, Jodie Foster portrayed a character loosely based on Cheryl Araujo in the Hollywood movie The Accused for which she won an Academy Award. Foster's character was gang raped on a pinball machine, rather than a pool table. But, by the time the movie was released Cheryl was already dead. After the rape trials, she was run out of Massachusetts due to death threats and in 1986, died in a single-car accident in South Florida. Her two young daughters were with her in the car and survived. They recall what happened that fateful day in this book. This is the true story about what the government and Hollywood do not want you to know regarding one young woman's fight as an accuser to tell her true story to a jury and to the world without being "victim blamed." Cheryl was one of the first accusers to face a camera in the courtroom shaping the way the media and judicial system covers rape trials today. Her grueling experience also planted the first seeds of today's burgeoning #MeToo movement. The book contains never before published information, interviews, and photographs about the life and death of Cheryl Araujo, one of the most tragic accusers and heroines in American history.
In this landmark book, a former prosecutor, legal expert, and leading authority on sexual violence examines why we are primed to disbelieve allegations of sexual abuse—and how we can transform a culture and a legal system structured to dismiss accusers Sexual misconduct accusations spark competing claims: her word against his. How do we decide who is telling the truth? The answer comes down to credibility. But as this eye-opening book reveals, invisible forces warp the credibility judgments of even the well- intentioned among us. We are all shaped by a set of false assumptions and hidden biases embedded in our culture, our legal system, and our psyches. In Credible, Deborah Tuerkheimer provides a much-needed framework to explain how we perceive credibility, why our perceptions are distorted, and why these distortions harm survivors. Social hierarchies and inequalities foster doubt that is commonplace and predictable, resulting in what Tuerkheimer calls the “credibility discount”—our dismissal of claims by certain kinds of speakers—primarily women, and especially those who are more marginalized. The #MeToo movement has exposed how victims have been badly served by a system that is designed not to protect them, but instead to protect the status quo. Credibility lies at the heart of this system. Drawing on case studies, moving first-hand accounts, science, and the law, Tuerkheimer identifies widespread patterns and their causes, analyzes the role of power, and examines the close, reciprocal relationship between culture and law—guiding us toward accurate credibility judgments and equitable treatment of those whose suffering has long been disregarded. #MeToo has touched off a massive reckoning. To achieve lasting progress, we must shift our approach to belief. Credible helps us forge a path forward to ensuring justice for the countless individuals affected by sexual misconduct.
You're the one, Nathaniel had said. You go and tell her, "No stones." Rivkah knows her own sin all too well. She knows the prophets' judgments against women like her--and still believes that prostitution doesn't even compare to the most secret and shameful incident of her past. Not even her best friend knows what she did. Only God knows. Determined to make her way to Caesarea Maritima to confront the mother of her beloved Nathaniel, Jorah has no time to consider the rumors she hears of her brother Jesus' resurrection. She'll stop at nothing to get the answers she needs. A former Zealot, Joab is wrestling with delivering a message to a woman named Rivkah--a message that challenges everything he ever believed. A message from her son . . . "No stones."
Starkey's devil in Massachusetts and the Post-World War II consensus -- Boyer and Nissenbaum's Salem possessed and the anti-capitalist critique -- An aside: investigations into the practice of actual witchcraft in seventeenth-century New England -- Demos's entertaining satan and the functionalist perspective -- Karlsen's devil in the shape of a woman and feminist interpretations -- Norton's in the devil's snare and racial approaches, I -- Norton's in the devil's snare and racial approaches, II
Daniel DeForest London argues that the Fourth Gospel offers a potentially transformative response to the question of suffering and the human compulsion to blame. Based on his reading of John 9 (the man born blind), London argues that the Gospel does not offer a theodicy, but rather a theodical spirituality, an experience of praying the question of suffering and remaining open to a divine response. London shows how the Johannine Jesus’s response poses three sets of symbols in dichotomy (day/night, vision/blindness, sheep/wolf), each subverted by another, core symbol (light, judge, shepherd). By interpreting these symbols in light of mimetic theory, he argues that Jesus’s response reveals the scapegoat mechanism in which an innocent victim is blamed by violent victimizers. However, rather than blaming the victimizers, Jesus continues to engage with the characters who appear to be villains: the light of the world transforms night and day into one continuous day; the Good Shepherd welcomes sheep and wolf into his beloved flock. In this way, readers are invited to bring to the Johannine Jesus their own violence, resentment, and wolfish rage regarding the question of suffering and to experience the theodical spirituality of the Fourth Gospel.