The Able McLaughlins is a 1923 novel by Margaret Wilson. It won the Pulitzer Prize for the Novel in 1924. The story is about Wully McLaughlin, doughty but inarticulate young hero, returns from Grant's army to find that his sweetheart, Christie McNair, has fallen a victim, against her will, to the scapegrace of the community, Peter Keith. She has concealed her plight from every one, but cannot conceal it from him.
Set in the post-Civil War South on Blue Brook Plantation, Scarlet Sister Mary tells the story of Mary, a fifteen-year-old orphan girl in a close-knit Gullah community. As she prepares to marry the charismatic but unreliable July, Mary finds herself torn between tradition and her own desires. Love, community, and superstition intertwine as Mary learns who and what truly matter to her. Scarlet Sister Mary, written at the height of the Harlem Renaissance, is notable for its depiction of African-American life, particularly the Gullah people; and especially so because it was written by a white author, something very unusual for the era. It won Julia Peterkin the Pulitzer Prize for Fiction in 1929. The Pulitzer was not without controversy. The jury chair had spoken publicly of another candidate, Victim and Victor by John Rathbone Oliver, as his favorite for the prize, which was reported in Publishers’ Weekly as being the actual announcement of the winner. Shortly afterward, The New York Times published an article by the head of the Advisory Board refuting Publishers’ Weekly. Ultimately, the Advisory Board chose Scarlet Sister Mary as the winner and, subsequently, the jury chair resigned. Despite this, the novel remains a noteworthy part of the early 20th-century conversation on race and Southern literature. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
The author, a successful real estate investor and owner of four Keller Williams Realty offices, shares his professional insights and perspectives into successful real estate investing.
Set in Oregon in the early years of the twentieth century, H. L. Davis's Honey in the Horn chronicles the struggles faced by homesteaders as they attempted to settle down and eke out subsistence from a still-wild land. With sly humor and keenly observed detail, Davis pays homage to the indomitable character of Oregon's restless people and dramatic landscapes without romanticizing or burnishing the myths. An essential book for all serious readers of Northwest literature, this classic coming-of-age novel has been called the "Huckleberry Finn of the West." It is the only Oregon book that has ever won a Pulitzer Prize for fiction. With a new introduction by Richard W. Etulain, this path-breaking work from one of Oregon's premier authors is once again available for a new generation to enjoy.
Written by Rebecca McLaughlin, Author of Confronting Christianity In a world of increasing ideological diversity, kids are being challenged to think through their own beliefs at an early age. Questions like How can you believe the Bible is true?; Why can't we just agree that love is love?; and Isn't Christianity against diversity? can seem like roadblocks for kids who are following Jesus, as well as for those who might otherwise consider faith in Christ. In this helpful book—written both for Christian kids and for those who think Jesus is just a fairy tale character—Rebecca McLaughlin invites readers ages 12–15 to dig deep into hard questions for themselves and perhaps discover that the things that once looked like roadblocks to faith might actually be signposts.
The Americans experienced great social change in the decade following World War I. They were restless, often discontented, searching for the good life--the one promised to the generation who, cheered on by patriotic slogans and propaganda, enlisted to fight on European battlefields. While young writers such as Hemingway and Fitzgerald romanticized the lives of Americans in postwar Europe and the U.S., a number of women authors in the 1920s looked through a darker lens. The novels of Edith Wharton, Willa Cather, Margaret Wilson, Edna Ferber, Ellen Glasgow, Dorothy Scarborough and Dawn Powell--set mainly in the 19th century--searched the past for the origins of postwar upheaval, especially with respect to the status of women. Today, a few iconic male novelists of the 1920s are synonymous with the spirit and culture of the Jazz Age. This book focuses on their female contemporaries--largely neglected by both critics and readers--who remain relevant for their exploration of timeless social and psychological themes, the battle of the sexes and its tragic consequences.
So Big is a 1924 novel written by Edna Ferber. The book was inspired by the life of Antje Paarlberg in the Dutch community of South Holland, Illinois, a Chicago suburb. It won the Pulitzer Prize for the Novel in 1925. The story follows the life of a young woman, Selina Peake De Jong, who decides to be a school teacher in farming country. During her stay on the Pool family farm, she encourages the young Roelf Pool to follow his interests, which include art. Upon his mother's death, Roelf runs away to France. Meanwhile, Selina marries a Dutch farmer named Pervus. They have a child together, Dirk, whom she nicknames "So Big," from the common question and answer "How big is baby? " "So-o-o-o big!". Pervus becomes ill and dies, and Selina is forced to take over working on the farm to give Dirk a future. As Dirk gets older, he works as an architect but is more interested in making money than creating buildings and becomes a stock broker, much to his mother's disappointment. His love interest, Dallas O'Mara, an acclaimed artist, echoes this sentiment by trying to convince Dirk that there is more to life than money. Much later in life, Selina is visited by Roelf Pool, who has since become a famous sculptor. Dirk grows very distressed when, after visiting his mother's farm, he realizes that Dallas and Roelf love each other and he cannot compete with the artistically minded sculptor. In the end, Dirk comes to appreciate the wisdom of his mother, who always valued aesthetics and beauty even as she scraped out a living in a stern Dutch community. Ultimately, Dirk is left alone in his sumptuous apartment, saddened by his abandonment of artistic values.
Sabine Callendar, having fled the limitations of life in Durham, New England, shocks her family and the community once again when she returns unbowed twenty years later to present her daughter to society.
