The Abbess of Castro

The Abbess of Castro

Author: Stendhal

Publisher: Lindhardt og Ringhof

Published: 2021-12-03

Total Pages: 121

ISBN-13: 8726667983

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'The Abbess of Castro' is a novella by Stendhal which recounts the untimely tragic romance between the daughter of the wealthiest man in Lazio and a penniless gangster. It may be a tale of star-crossed lovers set in Italy, but this novella is so much more than an alternative Romeo and Juliet. Beneath the surface lies an eye-opening tale of political machinations that Machiavelli would be proud of, violent family feuds and swashbuckling adventures. Claimed to be translated from 16th Century manuscripts, 'The Abbess of Castro' packs an extra punch with its extremely unsympathetic view on warfare and an acute critique on ardent individuals undone by passion. Stendhal is widely regarded to be an eminent example of Romantic Realism throughout his work and directly influenced the world-famous Russian author Leo Tolstoy in his depictions of war, especially in Tolstoy's works 'Sevastopol Sketchers', 'The Invaders', 'The Cossacks' and 'Youth and Childhood'. Stendhal (1783-1842), the pseudonym of Marie-Henry Beyle, was a French writer. A pioneer of literary realism and master of the psychological portrayals of his characters, he is best known for his novels 'The Red and the Black' (1830) and 'The Charterhouse of Parma' (1839).


The Abbess of Castro

The Abbess of Castro

Author: Stendhal

Publisher: CreateSpace

Published: 2015-06-04

Total Pages: 52

ISBN-13: 9781514229101

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The book recounts a nun's illicit liaison. A young woman is forced into a convent. However, due to her nobility she rises to be an abbess and has to deal with corruption in the church.


The Abbess of Castro

The Abbess of Castro

Author: Stendhal

Publisher:

Published: 2020-03-09

Total Pages: 68

ISBN-13:

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We have so often been shewn in melodrama the Italian brigands of the sixteenth century, and so many people have spoken of them without any real knowledge, that we have come to hold the most erroneous ideas of what they were like. Speaking generally, one may say that these brigands were the Opposition to the vile governments which, in Italy, took the place of the mediaeval Republics. The new tyrant was, as a rule, the wealthiest citizen of the defunct Republic, and, to win over the populace, would adorn the town with splendid churches and fine pictures. Such were the Polentini of Ravenna, the Manfredi of Faenza, the Riario of Imola, the Cani of Verona, the Bentivoglio of Bologna, the Visconti of Milan, and lastly, the least bellicose and most hypocritical of all, the Medici of Florence. Among the historians of these little States none has dared to relate the countless poisonings and assassinations ordered by the fear that used to torment these petty tyrants; these grave historians were in their pay.


The Abbess of Castro

The Abbess of Castro

Author: Stendhal

Publisher: Createspace Independent Publishing Platform

Published: 2015-12-16

Total Pages: 112

ISBN-13: 9781522779865

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Marie-Henri Beyle (1783 -1842), better known by his pen name Stendhal was a 19th-century French writer. Best known for the novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839), he is highly regarded for the acute analysis of his characters' psychology and considered one of the earliest and foremost practitioners of realism. Contemporary readers did not fully appreciate Stendhal's realistic style during the Romantic period in which he lived; he was not fully appreciated until the beginning of the 20th century. He dedicated his writing to "the Happy Few" (in English in the original). This can be interpreted as a reference to Canto 11 of Byron's Don Juan, which refers to "the thousand happy few" who enjoy high society, or to the "we few, we happy few, we band of brothers" line of Shakespeare's Henry V, but Stendhal's use more likely refers to The Vicar of Wakefield by Oliver Goldsmith, parts of which he had memorized in the course of teaching himself English. In The Vicar of Wakefield, "the happy few" refers ironically to the small number of people who read the title character's obscure and pedantic treatise on monogamy. As a literary critic, such as in Racine and Shakespeare, Stendhal championed the Romantic aesthetic by unfavorably comparing the rules and strictures of Racine's classicism to the freer verse and settings of Shakespeare, and supporting the writing of plays in prose. Today, Stendhal's works attract attention for their irony and psychological and historical dimensions. Stendhal was an avid fan of music, particularly the works of the composers Cimarosa, Mozart and Rossini. He wrote a biography of Rossini, Vie de Rossini (1824), now more valued for its wide-ranging musical criticism than for its historical content.


The Abbess of Castro

The Abbess of Castro

Author: Stendhal

Publisher: Independently Published

Published: 2018-11-16

Total Pages: 86

ISBN-13: 9781731288738

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The abbess of Castroby StendhalThe Abbess of Castro* Translator: Charles Kenneth Scott Moncrieff* Biography* Autobiography* BibliographiyThe Abbess of Castro is a short novel by Stendhal.


The Abbess of Castro

The Abbess of Castro

Author:

Publisher:

Published: 2020-04-25

Total Pages: 72

ISBN-13:

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We have so often been shewn in melodrama the Italian brigands of the sixteenth century, and so many people have spoken of them without any real knowledge, that we have come to hold the most erroneous ideas of what they were like. Speaking generally, one may say that these brigands were the Opposition to the vile governments which, in Italy, took the place of the mediaeval Republics. The new tyrant was, as a rule, the wealthiest citizen of the defunct Republic, and, to win over the populace, would adorn the town with splendid churches and fine pictures. Such were the Polentini of Ravenna, the Manfredi of Faenza, the Riario of Imola, the Cani of Verona, the Bentivoglio of Bologna, the Visconti of Milan, and lastly, the least bellicose and most hypocritical of all, the Medici of Florence. Among the historians of these little States none has dared to relate the countless poisonings and assassinations ordered by the fear that used to torment these petty tyrants; these grave historians were in their pay. When you consider that each of these tyrants was personally acquainted with each of the Republicans by whom he knew himself to be execrated (the Tuscan Grand Duke Cosimo, for instance, knew Strozzi), and that several of these tyrants died by the hand of the assassin, you will understand the profound hatreds, the eternal distrust which gave so much spirit and courage to the Italians of the sixteenth century, and such genius to their artists.