Joseph Marie Eugene Sue (1804-1857), a French novelist, was born in Paris. This edition of "The Abbatial Crossier" was translated from the original French by Daniel de Leon.
"The Abbatial Crosier" is set in 737 AD and depicts the struggle between the ruling and the ruled classes in European history. It revolves around two families, one representing the oppressed and the other typifying the oppressors.
Eugène Sue's 'The Mysteries of Paris' (Vol. 1-6) is a groundbreaking work of French literature that delves into the social issues and moral dilemmas of Paris in the 19th century. Through intricate plotlines and rich character development, Sue explores themes of poverty, crime, and redemption with a Dickensian flair. The vivid descriptions of the city's underworld and the juxtaposition of different social classes make this novel a compelling read for those interested in the societal dynamics of the time period. Sue's blend of melodrama and social commentary captivates readers and offers a glimpse into the darker corners of Parisian society. Eugène Sue, a former naval officer turned author, drew inspiration for 'The Mysteries of Paris' from his own experiences and observations of the plight of the poor in Paris. His background as a journalist and political activist also influenced his writing, giving the novel a sense of authenticity and urgency. Sue's commitment to social justice and his desire to shed light on the injustices of his time shine through in this monumental work. I highly recommend 'The Mysteries of Paris' to readers interested in exploring the underbelly of 19th-century Paris and the social issues that plagued the city. Sue's masterful storytelling and thought-provoking themes make this novel a timeless classic that continues to resonate with readers today.
In 'The Poniard's Hilt; Or, Karadeucq and Ronan. A Tale of Bagauders and Vagres' by Eugène Sue, readers are immersed in a thrilling narrative set in ancient Gaul. The book follows the intertwined destinies of two young men, Karadeucq and Ronan, as they navigate the treacherous world of Bagauders and Vagres, offering a blend of adventure and romance. Sue's vivid descriptions and intricate plot twists add depth to the story, making it a captivating read for those interested in historical fiction. The author's literary style is characterized by his attention to detail and ability to evoke a sense of time and place, creating a rich tapestry for readers to explore. Sue's portrayal of the struggle between different factions in Gaul provides a unique lens through which to view the historical context of the time period. Eugène Sue, a French author known for his social justice themes, brings his passion for storytelling and his acumen for highlighting societal issues to 'The Poniard's Hilt'. His personal experiences and travels likely inspired him to delve into the world of Bagauders and Vagres, shedding light on lesser-known aspects of Gaulish history. I highly recommend 'The Poniard's Hilt; Or, Karadeucq and Ronan. A Tale of Bagauders and Vagres' to readers who enjoy historical fiction with a touch of adventure and romance, as Eugène Sue's masterful storytelling will keep you enthralled from beginning to end.
This Companion to the Abbey of Le Bec in the Central Middle Ages (11th–13th Centuries) offers the first major collection of studies dedicated to the medieval abbey of Le Bec, one of the most important, and perhaps the single most influential, monastery in the Anglo-Norman world. Following its foundation in 1034 by a knight-turned-hermit called Herluin, Le Bec soon developed into a religious, cultural and intellectual hub whose influence extended throughout Normandy and beyond. The fourteen chapters gathered in this Companion are written by internationally renowned experts of Anglo-Norman studies, and together they address the history of this important medieval institution in its many exciting facets. The broad range of scholarly perspectives combined in this volume includes historical and religious studies, prosopography and biography, palaeography and codicology, studies of space and identity, as well as theology and medicine. Contributors are Richard Allen, Elma Brenner, Laura Cleaver, Jean-Hervé Foulon, Giles E.M. Gasper, Laura L. Gathagan, Véronique Gazeau, Leonie V. Hicks, Elizabeth Kuhl, Benjamin Pohl, Julie Potter, Elisabeth van Houts, Steven Vanderputten, Sally N. Vaughn, and Jenny Weston.
The essays in this volume transcend Eastern and Western geographical boundaries during a loosely defined medieval and early modern period, ranging from Carolingian Europe to Qing China, and pull rituals out of their geographical contexts. Cultural history binds these essays together. This volume permits readers to compare ritual in religious and secular contexts, in the East and West, and to focus on the purposes of ritual, without being caught up in localism or historical jingoism. The various essays are organized chronologically and thematically; they focus on ritual and gender, law, identity and political legitimization. They cover topics as varied as the spatial appropriation of surfaces and territories, charity, carnival, women's magic, the Jesuits, graffiti, theater, business, medicine, Qing imperial ceremonies, Chinese princesses coming of age, spiritual reconciliation, and the Great Western Schism. Contributors include: Catherine Bell, Virginia A. Cole, Andrée Courtemanche, James L. Hevia, Michael W. Maher, S.J., Véronique Plesch, Marguerite Ragnow, Martha Rampton, Eric C. Rath, Dylan Reid, Kathryn Reyerson, Joëlle Rollo-Koster, and Ann Waltner.