The A to Z of Russian and Soviet Cinema

The A to Z of Russian and Soviet Cinema

Author: Peter Rollberg

Publisher: A to Z Guide Series

Published: 2010

Total Pages: 0

ISBN-13: 9780810876194

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Film lovers all over the world are familiar with the masterpieces of Eisenstein and Tarkovsky. These directors' unique achievements were embedded in a powerful process that began under Russia's last tsar and underwent several periods of blossoming: the bourgeois cinema in the 1910s, the revolutionary avant-garde in the 1920s, the Thaw in the 1950s, and the awakening of national cinemas in the 1960s and 1970s. The A to Z of Russian and Soviet Cinema is the first reference work of its kind in the English language devoted entirely to the cinema of the Russian Empire, the Soviet Union, and the post-Soviet period, including both the cinematic highlights and the mainstream. The cinemas of the former Soviet republics, including Ukraine, Belarus, Armenia, Georgia, Lithuania, and Latvia, are also represented with their most influential artists. Through a chronology, an introduction essay, a bibliography, and over 500 cross-referenced dictionary entries on filmmakers, performers, cinematographers, composers, producers, studios, genres, and outstanding films, this reference work covers the history of Russian and Soviet filmmaking from 1896 to 2007.


Historical Dictionary of Russian and Soviet Cinema

Historical Dictionary of Russian and Soviet Cinema

Author: Peter Rollberg

Publisher: Rowman & Littlefield

Published: 2016-07-20

Total Pages: 891

ISBN-13: 1442268425

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Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multinational (Eurasian) character: while Russian cinema was the largest, other national cinemas such as Georgian, Kazakh, and Ukrainian played a decisive role for Soviet cinema as a whole. The Historical Dictionary of Russian and Soviet Cinema provides a rich tapestry of factual information, together with detailed critical assessments of individual artistic accomplishments. This second edition of Historical Dictionary of Russian and Soviet Cinema contains a chronology, an introduction, and a bibliography. The dictionary section has over 600 cross-referenced entries on directors, performers, cinematographers, composers, designers, producers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian and Soviet Cinema.


Soviet Cinema

Soviet Cinema

Author: Jamie Miller

Publisher: I.B. Tauris

Published: 2010-01-15

Total Pages: 240

ISBN-13: 9781848850095

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Analyses key films, from the classic musical "Circus" to the political epic "The Great Citizen", and examines the Bolsheviks', ultimately failed, attempts to develop a 'cinema for the millions'.


Ruptures and Continuities in Soviet/Russian Cinema

Ruptures and Continuities in Soviet/Russian Cinema

Author: Birgit Beumers

Publisher: Routledge

Published: 2017-11-22

Total Pages: 353

ISBN-13: 1317194705

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This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.


'Russian Americans' in Soviet Film

'Russian Americans' in Soviet Film

Author: Marina L. Levitina

Publisher: Bloomsbury Publishing

Published: 2015-09-29

Total Pages: 338

ISBN-13: 0857727702

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Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.


A History of Russian Cinema

A History of Russian Cinema

Author: Birgit Beumers

Publisher: Berg Publishers

Published: 2009

Total Pages: 344

ISBN-13:

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Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. This text is a complete history from the beginning of film onwards and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.


A Companion to Russian Cinema

A Companion to Russian Cinema

Author: Birgit Beumers

Publisher: John Wiley & Sons

Published: 2016-07-12

Total Pages: 672

ISBN-13: 1118412761

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A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected


Before the Fall

Before the Fall

Author: Anna Lawton

Publisher: New Academia Publishing, LLC

Published: 2010-06

Total Pages: 358

ISBN-13: 9780983245131

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This is an expanded edition of Kinoglasnost: Soviet Cinema in Our Time Cambridge University Press). The book examines the fascinating world of Soviet cinema during the years of glasnost and perestroika-the 1980s. It shows how the reforms that shook the foundations of the Bolshevik state and affected economic and social structures have been reflected in the film industry.A new added chapter provides a commentary on the dramatic changes that marked the beginning of democracy in Russia. This book will be widely read by students and specialists of Soviet/Russian history, culture and society, and film studies, as well as by anyone with an interest in the transformations of Russian society.Reviews"What makes Kinoglasnost pre-eminent among current studies of the subject is that sustained attention Lawton pays to changes in the formal organization of Soviet cinema and in the cinema industry."- Julian Graffy, Sight and Sound, vol. 3 (July 1993). "Lawton's book now stands as a valuable work of history on one aspect of a collapsed system...This remains as a testimony of a fateful moment that has changed the course of history."- Louis Menashe, The Russian Review, vol.53, No.4 (October 1994). "The author constructs a complex, multilayered narrative of a steady and significant movement toward radical change in Soviet society, an account of the growing anxiety and the hope experienced by Russian filmmakers and the intelligentsia."- Ludmila Z. Pruner, Slavic and East European Journal, vol.38, No.4 (Winter 1994).


Filmmaker's Philosopher

Filmmaker's Philosopher

Author: DeBlasio Alyssa DeBlasio

Publisher: Edinburgh University Press

Published: 2019-09-27

Total Pages: 225

ISBN-13: 1474444512

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Known as the 'Georgian Socrates' of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia's two leading film schools, helping to educate a generation of internationally prolific directors. Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image.


How the Soviet Jew Was Made

How the Soviet Jew Was Made

Author: Sasha Senderovich

Publisher: Harvard University Press

Published: 2022-07-05

Total Pages: 369

ISBN-13: 0674238192

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In post-1917 Russian and Yiddish literature, films, and reportage, Sasha Senderovich finds a new cultural figure: the Soviet Jew. Suddenly mobile after more than a century of restrictions under the tsars, Jewish authors created characters who traversed space and history, carrying with them the dislodged practices and archetypes of a lost world.