Tupac Shakur was a hugely influential American rapper, record producer, actor, and poet, who has sold over 75 million records worldwide - with his double disc albums All Eyez on Me and Greatest Hits being among the best-selling albums in the United States.Shakur has been listed and ranked as one of the greatest artists of all time by many publications, including Rolling Stone, which ranked him 86th on its list of The 100 Greatest Artists of All Time.On April 7, 2017, Shakur - who died at just 25 years old - will be inducted into the Rock and Roll Hall of Fame in his first year of eligibility.
It's been almost 20 years since poet, revolutionary, convict, and movie star, Tupac Amaru Shakur (a.k.a 2Pac, Makaveli, or simply 'pac), was gunned down at age 25 while he sat in traffic with Suge Knight near the Las Vegas Strip following a Mike Tyson fight at MGM Grand. In the new updated and expanded third edition of this acclaimed biography, Las Vegas crime writer Cathy Scott has finally been able to include the previously unpublished chapter featuring the account of that last fateful night from "Big Frank," the rapper's now-deceased personal bodyguard. The raw no-holds-barred narrative, which includes exclusive photo evidence (including of Tupac's autopsy), is the definitive account of the unsolved murder of Tupac Shakur: the many possible motives, the failed investigation, the rap wars, the killing of Biggie Smalls, the Bloods-Crips connection, the Suge Knight and Death Row Records association, and the subsequent fate of numerous principals involved in the aftermath. It is also a sensitive, candid, and insightful account of the contradictory icon who remains not only one of the most influential rappers ever but, with more than 75 million records sold worldwide, he's also one of the best-selling music artists of all time. The music of Tupac Shakur is the legacy of his life. The Killing of Tupac Shakur is the legacy of his death.
This is a critical, cultural study of radical sexual politics in a contemporary Hip-Hop lyricism -- what the author refers to as Hip-Hop’s "QUEEN B@#$H’ lyricism.”
Kendrick Lamar has established himself at the forefront of contemporary hip-hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar’s corpus. In doing so, it highlights how Lamar’s music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics. Starting with Section 80 and ending with DAMN., this book deals with each of Lamar’s four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-center role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar’s lyrical testimony across great chasms of social and geographical difference. This sophisticated exploration of one of popular culture’s emerging icons reveals a complex and multi faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in religious, African American and hip-hop studies, as well as scholars of music, media and popular culture.
This book is first a dialogue between a daughter and a father about life, physical sensation, mortality. Both seem to listen to the other with great attention. Secondly it is the extraordinary vehicle for a series of insights into the everyday life and the art of the great Venetian master, following an uncanny incident at the large exhibition of his work staged in Venice in 1990. While attending the exhibition Katya meets an old man, who she becomes convinced can only be the ghost of the great painter. Her 'spiritual' visitor engages her in conversation about the minute particularities of painting some of the pictures there. She shares this experience with her father in a letter. He accepts the encounter at face value and discusses the historical background to the old man's remarks, seeking answers to a series of evidential questions about his daughter's encounter. From then on, the three of them, the old painter, the daughter, and the father discuss animals, Greece, fur, sexuality, the strangeness of drawing.
Few American artists in any medium have enjoyed the international and lasting cultural impact of Duke Ellington. From jazz standards such as “Mood Indigo” and “Don’t Get Around Much Anymore,” to his longer, more orchestral suites, to his leadership of the stellar big band he toured and performed with for decades after most big bands folded, Ellington represented a singular, pathbreaking force in music over the course of a half-century. At the same time, as one of the most prominent black public figures in history, Ellington demonstrated leadership on questions of civil rights, equality, and America’s role in the world. With Duke Ellington’s America, Harvey G. Cohen paints a vivid picture of Ellington’s life and times, taking him from his youth in the black middle class enclave of Washington, D.C., to the heights of worldwide acclaim. Mining extensive archives, many never before available, plus new interviews with Ellington’s friends, family, band members, and business associates, Cohen illuminates his constantly evolving approach to composition, performance, and the music business—as well as issues of race, equality and religion. Ellington’s own voice, meanwhile, animates the book throughout, giving Duke Ellington’s America an intimacy and immediacy unmatched by any previous account. By far the most thorough and nuanced portrait yet of this towering figure, Duke Ellington’s America highlights Ellington’s importance as a figure in American history as well as in American music.
Platinum-plus selling and Grammy nominated artist Jill Scott presents her first ever poetry collection---delivering the sweet, sultry and soulfully honest voice that fans know and love.
Voletta Wallace, the mother of Christopher, aka Notorious B.I.G., became a matriarch of hip-hop on March 9, 1997, the night her legendary son was murdered. An intensely private and religious person, she was thrust into the spotlight of the media and charged with managing the legacy of a hip-hop generation immortal. Biggie reveals the story of how Ms. Wallace came to America and raised a son who -- in a life cut too short -- grew to be one of the most beloved recording artists of his generation. Ms. Wallace, born and raised in Jamaica, West Indies, immigrated to the United States as a young woman, aspiring to her version of the American Dream. Once here, she fell in love. The relationship didn't work out, but it did result in a beautiful son. The bright and precocious Christopher became the center of her world, and she the foundation of his. Ms. Wallace settled in Brooklyn, New York, pursued a career in early childhood education, and worked hard at not only keeping her own son on the straight and narrow but lovingly and firmly guiding other people's sons and daughters. Biggie is Voletta Wallace's story and her tribute-in-writing to her beloved son. In a no-holds-barred way, she tells the truth about the night her son was senselessly shot, the terrible aftermath, and what she believes led to his untimely death. She shares her misgivings about the treacherous nature of the entertainment industry and condemns the individuals who posed as friends of her late son while treating her and his memory with little respect. She acknowledges those -- the mothers of other slain hip-hop artists, including Tupac Shakur and Jason Mizell -- who gave her moral and material support in the dark moments of mourning her son and attending to the business and legal issues, many of which remain unresolved. Faith Evans, Christopher's widow, the mother of his child -- and a recording star in her own right -- contributed a heartfelt foreword to this book. Evans remains at Voletta Wallace's side as she continues the struggle to keep open the investigation of her son's murder and see that justice is done. She and so many others, in and out of the hip-hop community, continue to work with Ms. Wallace in support of the Christopher Wallace Foundation, an organization dedicated to the well-being and education of inner-city youth. For more information, visit www.cwmf.org.
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.
The life story of one of history's most well-known rap artists, whose life was cut short by his violent murder. In "Ready to Die," author Jake Brown reveals the musician's loyalties and his roots, bringing readers up-close and personal into the rise of Bad Boy Entertainment, Sean "Puffy" Combs (P. Diddy), Tupac Shakur, Faith Evans, Lil' Kim, and the Junior Mafia.
