Complete String Quartets

Complete String Quartets

Author: Ludwig van Beethoven

Publisher: Performer's Edition

Published: 2009-12-30

Total Pages: 342

ISBN-13: 1450518125

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Beethoven followed in the footsteps of Haydn, father of the string quartet, and created what is now regarded as one of the finest collections of masterworks in the string quartet genre. From the early quartets, reminiscent of some of Mozart's quartets, to the soaring and emotional late quartets, these works have become favorites of both performers and audiences around the world. This collections includes the full scores for all 16 string quartets as well as the Grosse Fuge. Early String Quartets: String Quartet No. 1 in F Major (Op. 18, No. 1) String Quartet No. 2 in G Major (Op. 18, No. 2) String Quartet No. 3 in D Major (Op. 18, No. 3) String Quartet No. 4 in C minor (Op. 18, No 4) String Quartet No. 5 in A Major (Op. 18, No. 5) String Quartet No. 6 in Bb Major (Op. 18, No. 6) Middle String Quartets: String Quartet No. 7 in F Major (Op. 59, No. 1) String Quartet No. 8 in E minor (Op. 59, No. 2) String Quartet No. 9 in C Major (Op. 59, No. 3) String Quartet No. 10 in Eb Major "Harp" (Op. 74) String Quartet No. 11 in F minor "Serioso" (Op. 95) Late String Quartets: String Quartet No. 12 in Eb Major (Op. 129) String Quartet No. 13 in Bb Major (Op. 130) String Quartet No. 14 in C# minor (Op. 131) String Quartet No. 15 in A minor (Op. 132) String Quartet No. 16 in F Major (Op. 135) Grosse Fuge (Op. 133)


Beethoven's Theatrical Quartets

Beethoven's Theatrical Quartets

Author: Nancy November

Publisher: Cambridge University Press

Published: 2014-01-09

Total Pages: 297

ISBN-13: 1107512425

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Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character.


The String Quartets of Beethoven

The String Quartets of Beethoven

Author: William Kinderman

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 361

ISBN-13: 0252091620

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"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.


Schoenberg

Schoenberg

Author: Malcolm MacDonald

Publisher: Oxford University Press

Published: 2008

Total Pages: 401

ISBN-13: 0195172019

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"Directly or indirectly, Arnold Schoenberg had a greater impact on the music of the twentieth century than any other composer. He was a vigorous polemicist whose theories were driven by his compositional practice, and although his music was for many decades more talked about than listened to, Schoenberg's influence has been incalculable" "In this completely rewritten and much enlarged updating of his long-indispensable study, Malcolm MacDonald takes advantage of thirty years of recent scholarship, new biographical information, and deeper understanding of the composer's aims and significance to produce a richly argued and thought-provoking guide to Schoenberg's life and work. He demonstrates how Schoenberg's musical language (including the much misunderstood twelve-note method), his personal character, and his creative ideas are indissolubly linked, as is his genius as a teacher and as an original composer. He also examines virtually every work in the oeuvre to demonstrate its vitality and many-sidedness. A chronology of Schoenberg's life, a work-list, an updated bibliography, and a much-expanded personalia enhance the usefulness of this new edition."--BOOK JACKET.