Turning to the Gospels, James Bryan Smith invites you to compare your ideas about God with what Jesus himself reveals about his Father. In this Good and Beautiful Series book, Smith leads you through a process of spiritual formation that includes activities aimed at making these new narratives real in your body and soul as well as your mind.
ECPA BESTSELLER • An invitation to love like Jesus and step beyond distraction and division into the joy we long to experience—from the author of The Deeply Formed Life, winner of the Christianity Today Book Award “A stunning book with power to reshape our world . . . if we let it.”—Glenn Packiam, pastor and author of Blessed Broken Given We long for a good life, a beautiful life, a kind life. But clearly that’s not the world we live in. We carry the stress of our fractured world in our bodies and relationships. Families that once gathered around tables have converted those tables into walls. Hostility, rage, and offense is the language of our culture. How did we lose goodness, kindness, and beauty? And more important, how do we get them back into our lives? These are the two questions crying out in our streets, homes, churches, and from deep within our souls. Pastor and author Rich Villodas is convinced that only Jesus offers a way of being human that is both strong and tender enough to tear down the walls of hostility we experience daily. In Good and Beautiful and Kind, he reveals how… • These three essentials are stolen by sin, powers and principalities, and trauma. • We can get goodness, beauty, and kindness back through contemplative prayer, humility, and the cultivation of calm presence. • The traits of healthy conflict, forgiveness, and justice lead to wholeness, healing, and a new collective future—when rooted in the ancient way of Jesus. Filled with fresh energy, classic truth, and practical solutions, this is your road map for stepping beyond distraction and division to love like Jesus. Doing so will change the atmosphere within you…and around you!
We have many histories of social theory—what different authors attempted to do as they responded to previous theories. But we know precious little about how they did this in structural terms—what scaffolding they adopted and adapted to make their claims. Yet today’s social thoughts largely employ structures passed down from previous generations, structures that were developed to solve problems that are no longer ours. In The True, the Good, and the Beautiful, John Levi Martin explores these structures, the resulting tensions, and their broader significance for sociological thought. By examining how thinkers mapped interpersonal to intrapersonal structures, he traces the development of the underlying architectonics of theory, focusing on one that was inherited from eighteenth-century philosophy and brought into social science in the nineteenth century. He shows that the structural tensions inherent in these theories paralleled those being worked out in practical terms by constitutional theorists as thinkers attempted to return to their most fundamental understandings of the nature of the human, the social, and the political to recraft their societies. A magisterial new interpretation of the foundations of sociological thought, The True, the Good, and the Beautiful is as ambitious a work of social theory as we have seen in generations.
Aquinas on Beauty explores the nature and role of beauty in the thought of Thomas Aquinas. Beginning with a standard definition of beauty provided by Aquinas, it explores each of the components of that definition. The result is a comprehensive account of Aquinas’s formal view on the subject, supplemented by an exploration into Aquinas’s commentary on Dionysius’s Divine Names, including a comparison of his views with those of both Dionysius and those of Aquinas’s mentor, Albert the Great. The book also highlights the tight connection in Aquinas’s thought between aesthetics and ethics, and illustrates how Aquinas preserves what is best about aesthetic traditions preceding him, and anticipates what is best about aesthetic traditions that would follow, marrying objective and subjective aesthetic intuitions and charting a kind of via media between the common extremes.
This book is an introduction to three questions on love according to St. Thomas Aquinas (Summa Theologiae I?II, qq. 26?28). These three questions reflect on the nature of love (q. 26), the causes of love (q. 27), and the effects of love (q. 28). It is thus an introduction to the entire phenomenon of love, both as a bodily passion and an act of the will. The purpose is to present the Thomistic and broadly scholastic account of human and divine love from a philosophical and theological perspective. It aims to be a theological and philosophical study of the topic, useful both for a graduate/professional audience, as part of an undergraduate or graduate course, and perhaps for the educated reader. The thesis of the book is that, contrary to contemporary conceptions, not all loves are created equal. Some loves perfect us and some loves corrupt us. The worth of a love depends on its object and end. St. Thomas thus presents an objective and teleological account of human and divine love that is of philosophical and theological interest. The method is broadly exegetical, presenting a careful reading of the text and supplying the philosophical and theological background which the text of Aquinas assumes. The scope of the work is limited to three questions (ST I?II, qq. 26?28). References to interpretative disputes of Aquinas and references to further resources in the secondary literature will be mostly limited to the footnotes, making the body of the text accessible to more readers.
See the profound world of aesthetics through the eyes of Friedrich Schiller in his remarkable collection of essays. Exploring the philosophy of art and the realm of the beautiful, Schiller challenges conventional notions and offers fresh perspectives on the nature of aesthetics. From the unity and variety of beauty to the interplay between physical, intellectual, and moral beauty, Schiller unveils the intricate connections that exist within the realm of art. Drawing upon historical development and the works of influential philosophers, Schiller presents a compelling argument for the scientific treatment of art and its deep significance in human existence.
The problem explored in The Soul of Beauty is the split in modern consciousness between the world of perception and appearance on the one hand, and the world of action and meaning on the other. We see in one way and find truth in another. The work presents this dualism as a problem in the modern sense of beauty. The intent of the book is the recovery of beauty as that which brings together such contemporary splits as perception and action, appearance and meaning, matter and spirit, subject and object. Beauty is imaged in two paradigms. The first presents beauty as a matter of appearance which holds meaning - beauty as truth. The second holds that beauty is subjective experience, which in its modern sense is divorced from knowledge and practical action - beauty as relative experience. The paradigms are formed through an imaginative and historical exploration of the tradition of beauty in Western consciousness. The prototype of the first paradigm - beauty as appearance - is seen in the goddess Aphrodite, who reflects the Greek sense of divinity in form itself. This paradigm is then founded upon the tradition of Plato in the Phaedrus and the Symposium, Plotinus, Dionysius, and Ficino. The major elements of this paradigm are depicted in beauty as: (1) source in a hierarchical universe, (2) universal mediator, (3) object of love, (4) human perception, (5) human knowledge, (6) light, and (7) unity, goodness, and being. The suggestion is made that the paradigm of beauty as appearance is relevant for psychology as a study of soul because it brings together perception and meaning. The paradigm of beauty as a subjective experience focuses historically upon beauty as a spiritual, conceptual (proportion), methodological (linear perspective), and subjective phenomenon. In the tradition of proportion and subjectivism, knowledge is gained through perception that occurs via an organizing system, such as mathematics, or a concept, such as proportion, rather than through the direct perception of appearance. Meaning is separated from perception, and the organizing system or concept, not appearance, becomes the ground of knowledge. It is suggested that this paradigm, reflected in scientific and conceptual psychology, is problematic for psychology as a study of soul. Instead, psychology conducts its endeavors in the service of identification with the divine, control over the physical world, and certainty of consciousness. The final portion of the work examines the recovery of beauty as appearance in contemporary psychology through the notion of "image" in Jung's later thought and the phenomenon of psychotherapy. The work concludes with a presentation of psychology as an aesthetic enterprise bringing together meaning and appearance, spirit and matter, art and science, subject and object.
Drew A. Hyland, one of Continental philosophy's keenest interpreters of Plato, takes up the question of beauty in three Platonic dialogues, the Hippias Major, Symposium, and Phaedrus. What Plato meant by beauty is not easily characterized, and Hyland's close readings show that Plato ultimately gives up on the possibility of a definition. Plato's failure, however, tells us something important about beauty—that it cannot be reduced to logos. Exploring questions surrounding love, memory, and ideal form, Hyland draws out the connections between beauty, the possibility of philosophy, and philosophical living. This new reading of Plato provides a serious investigation into the meaning of beauty and places it at the very heart of philosophy.
The Stoics distinguish two forms of eros. In vicious agents eros is indeed a passion and thus born out of a defective rational judgment about what is needed for happiness. But there is also a positive form of erotic love, practiced by the Sage on the basis of knowledge, which aims to reproduce his virtuous condition in others. In this Element, the author shows how the Stoics' wider theoretical commitments in ethics, epistemology, aesthetics, and psychology support their duplex account of eros. They also consider the influence of Plato's Symposium on the Stoic account, arguing for hitherto unrecognized links with Socratic moral psychology. The Element concludes with an assessment of how the Stoic erotic ideal fares in relation to our intuitions about the non-egoistic and particularized nature of love.
