Elvis Presley and Bill Haley. Sam Cooke and the Shirelles. The Crows and the Chords. American Bandstand and Motown. From its first rumblings in the outland alphabet soup of R&B and C&W, rock & roll music promised to change the world--and did it. Combining social history with a treasure trove of trivia, Richard Aquila unleashes the excitement of rock's first decade and shows how the music reflected American life from the mid-1950s through the dawn of Beatlemania. His year-by-year timelines and a photo essay place the music in historical perspective by linking artists and their hits to the news stories, movies, TV shows, fads, and lifestyles. In addition, he provides a concise biographical dictionary of the performers who made the charts between 1954 and 1963, along with the label and chart position of each of their hit songs.
Places rock & roll music in historical perspective with the decade's top news stories, movies, TV shows, fads, and lifestyles. Hit records are listed by year, artist, popularity, and subject.
The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers
The first time on the open road with Dad's beat-up clunker and a brand-new driver's lecense. That first kiss. Practicing Steve Tyler moves in the garage. Lazy summer days with nothing to do but hang out with a group of friends and the radio. Classic Rock. In Classic Rock Stories, classic rockers reveal the sometimes painful, sometimes accidental, and often hilarious process of creating the songs that you can still sing aloud. In their own words, rockers like Pete Townshend, John Lennon, Stevie Nicks, Elton John, and Keith Richards tell about the drugs, the pain, the love gone bad, and the accidents that resulted in the hits.
Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!
Canadian guitarist and songwriter Robbie Robertson is mainly known as a founding member of The Band. But how did he become one of "Rolling Stone's" top 100 guitarists of all time? Written by Robertson's son, this is the story of a rock-and-roll icon's journey through musicNand his passion, drive, and determination to follow his dream. Full color.
The years 1966 to 1975, a decade many people call "The Sixties;" years that shook America, a memorable, tumultuous time in our nation's history. The pace of change was startling: the height and end of the Vietnam War, Watergate and Richard Nixon's resigna
The Teacher Edition outlines lesson plans and correlates all the books in the 21st Century Guitar Library. Listening, teaching and performance suggestions are included, and the book is especially useful for teachers who are not principally guitarists. Book 1 includes lesson plans and correlates all books in Level 1. [SPANISH] Correlativo a todos los volúmenes de la Biblioteca de Guitarra Belwin 21st Century. Plan de lecciones para el curso: Sugerencias para la ejecución.
In Rock, Roll, and Ruin, twenty-seven mystery writers serve up musically-themed crime stories around situations as unique as your inky fingerprints. There’s the bad-boy rock star, dumber than dirt, evading all attempts to keep him out of jail. Casino robbers undone by tribal flutes. A 1950’s jukebox that summons the dead and disappears the living. Jealousy drives girl band shenanigans, while a victim of botched plastic surgery seeks vengeance. Untimely deaths abound: at the prom, on a soap opera set, on a mountain-side hike. Several domestic “disagreements” are far from cliche: one wife is impatient and greedy; another wants her Stevie Nicks albums back; a third is desperate to get her husband to turn down the volume. Elvis fans will be tickled by the many mentions of the King himself, including an over-the-top fan club and a side-kick named after his dog. Whether trudging through snow in an Alaska forest, humming country music at a boatyard in Florida, playing sleuth at an assisted living facility, or stumbling backstage at the opera, irate, despairing, and deceived characters step into crime with barely a second thought. Rock, Roll, and Ruin is a music-themed anthology of the Triangle, North Carolina chapter of Sisters in Crime. Some stories are cackling-out-loud funny, others are wickedly dark, but all are entertaining, original, un-putdownable. As Hank Phillippi Ryan writes in the Introduction, “Dip in to this concert of mystery, open to any story, and you’ll sing a chorus of approval.” Praise for Rock, Roll, and Ruin: “Double-crosses, divas, detectives, and divorces—all set against the soundtrack of our lives. Rock, Roll, and Ruin takes us on a rollicking musical trip down memory lane with Buddy Holly, Chuck Barry, Elvis, and a host of musical delights. Oh, and a murder or ten.” —Susan Van Kirk, President of the Guppy Chapter of Sisters in Crime and author of the Endurance Mysteries “The clever theme of this delightful anthology leads to a plethora of fine short stories featuring music from rock and roll through gospel, country, ole time rock and roll, and opera. Sleuths range from teachers to physicians to waitresses to musicians. Authors are new and veteran. Rock, Roll, and Ruin indeed offers something for any mystery lover.” —Molly Weston, Mystery Writers of American Raven Award for Meritorious Mysteries “From self-important bands through a high school sock hop to rabid fans, these 27 stories follow music-obsessed individuals as their lives descend into crime and mayhem. A fascinating look at danger in our music culture.” —KM Rockwood, author of the Jesse Damon crime novel series “A rollicking good collection of crime stories powered by lyrics, strains, beats, and bop (on the head) malice.” —Molly MacRae, author of The Highland Bookshop Mysteries and The Haunted Yarn Shop Mysteries “When the combination of mystery and music runs amok, the result is Rock, Roll, and Ruin—a book you can’t put down!” —Debra Goldstein, author of the Sarah Blair mysteries
