States that the war on terror cannot be truly understood without investigating the legitimacy of modernity, the challenge that religion presents to modernization, and the post-colonial predicament from which Islamist reaction arises. This book illuminates the war on terror in light of these issues.
When in 1492 Christopher Columbus set out for Asia but instead happened upon the Bahamas, Cuba, and Hispaniola, his error inaugurated a specifically colonial modernity. This is, Security and Terror contends, the colonial modernity within which we still live. And its enduring features are especially vivid in the current American century, a moment marked by a permanent War on Terror and pervasive capitalist dispossession. Resisting the assumption that September 11, 2001, constituted a historical rupture, Eli Jelly-Schapiro traces the political and philosophic genealogies of security and terror—from the settler-colonization of the New World to the wars in Afghanistan, Iraq, and beyond. A history of the present crisis, Security and Terror also examines how that history has been registered and reckoned with in significant works of contemporary fiction and theory—in novels by Teju Cole, Mohsin Hamid, Junot Díaz, and Roberto Bolaño, and in the critical interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler, Michael Hardt and Antonio Negri, and others. In this richly interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure of colonial pasts enables the perpetual reproduction of colonial culture.
From 1940 on, when Palestine was still ruled by the British, violence and terror were used by Zionist terror groups to deny the rights of the indigenous Palestinians to the land they had lived in for generations, and to attack anyone, including the British, who tried to uphold those rights. It is uncomfortable to read and shocking in its implications, providing evidence for a case that has been denied for 60 years or more by the Israelis. Suarez takes the story beyond the establishment of Israel in 1948 and shows how in first decade of its existence, the new Israel government, angered by the fact that Palestinian Arabs still remained in the state, continued to use terror in an attempt to make the remaining Arab inhabitants leave their land.
"Blends a discussion of terror with radical democracy in a way that is thoroughly original ... an important book on a large and crucial topic."--Marc Redfield, Claremont Graduate University.
'The suicide warriors who attacked Washington and New York on September 11th, 2001, did more than kill thousands of civilians and demolish the World Trade Center. They destroyed the West's ruling myth.' So John Gray begins this short, powerful book on the belief that has dominated our minds for a century and a half - the idea that we are all, more or less, becoming modern and that as we become modern we will become more alike, and at the same time more familiar and more reasonable. Nothing could be further from the truth, Gray argues. Al Qaeda is a product of modernity and of globalisation, and it will not be the last group to use the products of the modern world in its own monstrous way. Gray pulls up by the roots the myth that the human condition can be remade by science and progress or political engineering. He describes with mordant irony the rise of Positivists, the strange sect that put science and technology at the centre of the cult and developed a religion of humanity. Through their influence on economists, politicians and biologists, they still powerfully affect the way we think. Gray looks at the various attempts to remake humanity, from the Bolshevik and Nazi disasters to the utopian experiments of modern radical Islam and the dreams of the prophets of globalisation. And he gives a scathing account of the real sources of conflict in the world, of American power and its illusions, and of the ways in which cultures will resist the reshaping we might wish on them.
We are inclined to see terrorist attacks as an aberration, a violent incursion into our lives that bears no intrinsic relation to the fundamental features of modern societies. But does this view misconstrue the relationship between terror and modernity? In this book, philosopher Donatella Di Cesare takes a historical approach and argues that terror is not a new phenomenon, but rather one that has always been a key part of modernity. At its most basic level, terrorism is about the struggle for power and sovereignty. The growing concentration of power in the hands of the state, which is a constitutive feature of modern societies, sows the seeds of terrorism, which is deployed as a weapon by those who are exposed to the violence of the state and feel that they have no other recourse. As Di Cesare illustrates her argument with examples ranging from the Red Brigades and 9/11 to jihadism and ISIS, her sophisticated analysis will appeal to anyone who wishes to understand contemporary terrorism more deeply, as well as to students and scholars of philosophy and political theory.
For the ruling and propertied classes of the late eighteenth century, the years following the French Revolution were characterized by intense anxiety. Monarchs and their courtiers lived in constant fear of rebellion, convinced that their power-and their heads-were at risk. Driven by paranoia, they chose to fight back against every threat and insurgency, whether real or merely perceived, repressing their populaces through surveillance networks and violent, secretive police action. Europe, and the world, had entered a new era. In Phantom Terror, award-winning historian Adam Zamoyski argues that the stringent measures designed to prevent unrest had disastrous and far-reaching consequences, inciting the very rebellions they had hoped to quash. The newly established culture of state control halted economic development in Austria and birthed a rebellious youth culture in Russia that would require even harsher methods to suppress. By the end of the era, the first stirrings of terrorist movements had become evident across the continent, making the previously unfounded fears of European monarchs a reality. Phantom Terror explores this troubled, fascinating period, when politicians and cultural leaders from Edmund Burke to Mary Shelley were forced to choose sides and either support or resist the counterrevolutionary spirit embodied in the newly-omnipotent central states. The turbulent political situation that coalesced during this era would lead directly to the revolutions of 1848 and to the collapse of order in World War I. We still live with the legacy of this era of paranoia, which prefigured not only the modern totalitarian state but also the now preeminent contest between society's haves and have nots. These tempestuous years of suspicion and suppression were the crux upon which the rest of European history would turn. In this magisterial history, Zamoyski chronicles the moment when desperate monarchs took the world down the path of revolution, terror, and world war.
“The role of the critic,” Daniel Mendelsohn writes, “is to mediate intelligently and stylishly between a work and its audience; to educate and edify in an engaging and, preferably, entertaining way.” His latest collection exemplifies the range, depth, and erudition that have made him “required reading for anyone interested in dissecting culture” (The Daily Beast). In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture’s Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a “Greek DNA” in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the “aesthetics of victimhood” in Hanya Yanagihara’s A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgård. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence—a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist’s personal essays, including his “critic’s manifesto” and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics.
The Afterlives of the Terror explores how those who experienced the mass violence of the French Revolution struggled to come to terms with it. Focusing on the Reign of Terror, Ronen Steinberg challenges the presumption that its aftermath was characterized by silence and enforced collective amnesia. Instead, he shows that there were painful, complex, and sometimes surprisingly honest debates about how to deal with its legacies. As The Afterlives of the Terror shows, revolutionary leaders, victims' families, and ordinary citizens argued about accountability, retribution, redress, and commemoration. Drawing on the concept of transitional justice and the scholarship on the major traumas of the twentieth century, Steinberg explores how the French tried, but ultimately failed, to leave this difficult past behind. He argues that it was the same democratizing, radicalizing dynamic that led to the violence of the Terror, which also gave rise to an unprecedented interrogation of how society is affected by events of enormous brutality. In this sense, the modern question of what to do with difficult pasts is one of the unanticipated consequences of the eighteenth century's age of democratic revolutions. Thanks to generous funding from Michigan State University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes, available on the Cornell University Press website and other Open Access repositories.