In modern Indonesia, weaving still constitutes an important part of the life of millions. In Tenun: Handwoven Textiles of Indonesia, the rich weaving heritage of Indonesia is celebrated, with both past and present traditions explored. Drawing on the expertise and knowledge of recognized academics, Tenun provides a valuable addition to the steadily growing body of knowledge on Indonesian textiles.
Indonesia is a fascinating archipelago of over 17,000 islands in Southeast Asia. With a population of over 270 million, it’s the fourth most populous country in the world, and is home to a diverse range of ethnic groups, languages, and cultures. Indonesia is also one of the world’s fastest-growing economies, with a rapidly developing tourism industry, and is a member of the G20. But despite its cultural and economic diversity, Indonesia is also a country of contrasts. While some parts of the country are modern and developed, others are still very much rural and traditional. Additionally, Indonesia faces a range of social, environmental, and political challenges, including poverty, corruption, deforestation, and natural disasters. So while Indonesia may seem like a dream destination for travelers, its complexities and contradictions make it a particularly interesting place to explore. As a tourist, there are many amazing things to discover in Indonesia, including the world-class beaches and surf breaks, crystal clear waters and coral reefs, stunning volcanoes and mountains, rich cultural heritage and ancient temples, bustling cities and vibrant nightlife, and delicious food and local markets. However, it’s also important to be aware of the challenges that the country faces, including the fact that Indonesia is particularly vulnerable to climate change and natural disasters, and has a complex political situation that is still evolving. With this in mind, it’s important for visitors to Indonesia to be respectful and responsible, and to take the necessary precautions to ensure a safe and enriching trip.
This beautifully illustrated, pioneering work surveys the history and techniques of textile production past and present in South-East Asia, offering important insights into the economic, social, and religious life of the people.
This beautifully illustrated, pioneering work surveys the history and techniques of textile production past and present in South-East Asia, offering important insights into the economic, social, and religious life of the people.
Indonesian fashion has undergone a period of rapid growth over the last three decades. This book explores how through years of social, political, and cultural upheaval, the country's fashion has moved away from “colonial fashion” and “national dress” to claim its own distinct identity as contemporary fashion in a global world. With specific reference to women's wear, Contemporary Indonesian Fashion explores the diversity and complexity of the country's sartorial offerings, which weave together local textile traditions like batik and ikat-making with contemporary narratives. The book questions concepts of “tradition” and “modernity” in the developing world, taking stock of the elite consumption of luxury brands and the large-scale manufacturing of fast fashion, and introduces us to the rise of new trends such as busana muslim (or “modest wear”), creating a portrait of a vibrant and growing national and, increasingly, international, industry. Exploring clothing in shopping malls, on the catwalk, in magazines, and online, the book examines how Indonesian fashion is made, presented, and consumed, combining research in Indonesia with analysis and personal reflection. Contemporary Indonesian Fashion ultimately questions the deeply entrenched eurocentrism of "global fashion", simultaneously interrogating current homogenizing beauty and body image discourses posited as universal, by pointing to absences, silences, and erasures as reflected by contemporary Indonesian fashion- hence the "looking glass" of the title. Aptly illustrated, the book offers a new perspective on a rapidly developing new fashion capital, Jakarta.
Hand-spun and hand-woven textiles have always been an integral part of the cultures of South-East Asia. This book maps contemporary areas of production and markets, and documents a cross-section of current practices and examples of tie and dye weaving in Indonesia, providing a fascinating introduction to the diversity of the textiles of each of the main islands as well as useful guidance on their identification and classification.
