Tennessee Williams' plays are performed around the world, and are staples of the standard American repertory. His famous portrayals of women engage feminist critics, and as America's leading gay playwright from the repressive postwar period, through Stonewall, to the growth of gay liberation, he represents an important and controversial figure for queer theorists. Gross and his contributors have included all of his plays, a chronology, introduction and bibliography.
Tennessee Williams is synonymous with 20th-century theatre. For nearly half a century, he wrote plays that transformed stages and amazed audiences around the world. This reference is a comprehensive guide to his life and works. Included are roughly 160 alphabetically arranged entries on topics related to Williams and his writings. Individual entries treat his works, his family members and acquaintances, places central to his writings, and such topics as music, race, religion, art, and politics. Entries cite works for further reading and are written by expert contributors, and the encyclopedia closes with a selected, general bibliography. Through roughly 160 alphabetically arranged entries, the encyclopedia identifies major figures in his life; names his characters and specifies their significance; summarizes his plays, stories, and poems; discusses his sources and publications; provides performance histories; and surveys important film adaptations. Entries are written by expert contributors and cite works for further reading, while the encyclopedia concludes with primary and secondary bibliographies.
This is a collection of thirteen original essays from a team of leading scholars in the field. In this wide-ranging volume, the contributors cover a healthy sampling of Williams's works, from the early apprenticeship years in the 1930s through to his last play before his death in 1983, Something Cloudy, Something Clear. In addition to essays on such major plays as The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof, among others, the contributors also consider selected minor plays, short stories, poems, and biographical concerns. The Companion also features a chapter on selected key productions as well as a bibliographic essay surveying the major critical statements on Williams.
Author Annette J. Saddik researches Tennessee Williams' much-neglected later work (from 1961 to 1983), and argues that it deserves a central place in American experimental drama. Offering a new reading of Williams' career, she challenges the conventional wisdom that his later work represents a failure of his creative powers.
More than an updating and expansion of materials, this edition is so different from the first (1980) as to constitute virtually a new book, recast to bring together all information about a particular work by Williams: its often complicated publication history, productions with reviews, and criticism, including dissertations. Separate sections list recordings, paintings, biographies and interviews, manuscripts available at 19 institutions, and translations into 36 languages. Arranged alphabetically throughout, with cross references and three indexes. Annotation copyrighted by Book News, Inc., Portland, OR
Tennesse Williams in Provincetown is the story of Tennesse Williams' four summer seasons in Provincetown, Massachusetts: 1940, '41, '44 and '47. During that time he wrote plays, short stories, and jewel-like poems. In Provincetown Williams fell in love unguardedly for perhaps the only time in his life. He had his heart broken there, perhaps irraparably. The man he thought might replace his first lover tried to kill him there, or at least Williams thought so. Williams drank in Provincetown, he swam there, and he took conga lessons there. He was poor and then rich there; he was photographed naked and clothed there. He was unknown and then famous--and throughout it all Williams wrote every morning. The list of plays Williams worked on in Provincetown include The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, the beginnings of The Night of the Iguana and Suddenly Last Summer, and an abandoned autobiographical play set in Provincetown, The Parade. Tennessee Williams in Provincetown collects original interviews, journals, letters, photographs, accounts from previous biographies, newspapers from the period, and Williams' own writing to establish how the time Williams spent in Provincetown shaped him for the rest of his life. The book identifies major themes in Williams' work that derive from his experience in Provincetown, in particular the necessity of recollection given the short season of love. The book also connects Williams mature theatrical experiments to his early friendships with Jackson Pollack, Lee Krasner and the German performance artist Valeska Gert. Tennessee Williams in Provincetown, based on several years of extensive research and interviews, includes previously unpublished photographs, previously unpublished poetry, and anecdotes by those who were there.
This work is both a meditation on the theory of literary biography and an examination of the relationship between Tennessee Williams and the texts attributed to him.
THE STORY: The play reveals to the very depths the character of Blanche du Bois, a woman whose life has been undermined by her romantic illusions, which lead her to reject--so far as possible--the realities of life with which she is faced and which s
