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Author: Barbara Villez
Publisher: Routledge
Published: 2009-12-04
Total Pages: 162
ISBN-13: 1135238022
DOWNLOAD EBOOKAmerican legal television series have long informed viewers - and fostered myths - about the legal system in the US. Villez examines this genre from the 1940s to the present, and contrasts American legal shows with those in France, where the same genre offers a strikingly different representation of justice.
Author: Barbara Villez
Publisher: Routledge
Published: 2009-12-04
Total Pages: 224
ISBN-13: 1135238014
DOWNLOAD EBOOKThis book examines the American television legal series from its development as a genre in the 1940s to the present day. Villez demonstrates how the genre has been a rich source of legal information and understanding for Americans. These series have both informed and put myths in place about the legal system in the US. Villez also contrasts the US to France, which has seen a similar interest in legal series during this period. However, French television representations of justice are strikingly different, as is the role of fiction in offering viewers the possibility of acquiring significant understandings of their legal system. The book will be an important addition to the study of popular culture and law and will interest legal scholars, sociologists, and media scholars.
Author: Ronald L. Goldfarb
Publisher: NYU Press
Published: 2000
Total Pages: 272
ISBN-13: 0814731317
DOWNLOAD EBOOKIn the last quarter century, televised court proceedings have gone from an outlandish idea to a seemingly inevitable reality. Yet,debate continues to rage over the dangers and benefits to the justice system of cameras in the courtroom. Critics contend television transforms the temple of justice into crass theatre. Supporters maintain that silent cameras portray "the real thing," that without them judicial reality is inevitably filtered through the mind and pens of a finite pool of reporters. Television in a courtroom is clearly a two-edged sword, both invasive and informative. Bringing a trial to the widest possible audience creates pressures and temptations for all participants. While it reduces speculations and fears about what transpired, television sometimes forces the general public, which possesses information the jury may not have, into a conflicting assessment of specific cases and the justice system in general. TV or Not TV argues convincingly that society gains much more than it loses when trials are open to public scrutiny and discussion.
Author: James M. Carlson
Publisher: Praeger Publishers
Published: 1985-09-01
Total Pages: 238
ISBN-13: 9780275900700
DOWNLOAD EBOOKUnlike the many works which stress the antisocial effects of television, this volume argues that television crime shows promte social stability and control by reinforcing the perceived legitimacy of the current social and political order. The author explores the mainstream values of crime shows as determined through analyses of content and reviews various studies of television's portrayal of criminal justice. He focuses on mainstream views regarding law enforcement in a sample of adolescents and considers the groups that might be most susceptible to mainstreaming. Some of the factors considered in the value analyses are knowledge of criminal legal processes, support for and compliance with the legal system, support for civil liberties, images of police, fear of crime, trust in people, and political cynicism. Also included is a model which relates law enforcement attitudes to more general support for the political system.
Author: Anthony Chase
Publisher:
Published: 2002
Total Pages: 204
ISBN-13: 9781565847002
DOWNLOAD EBOOKThe popular culture of American law has never played a larger role than it does today in shaping the way we think about lawyers and the legal system. Our very definition of justice is now inseparable from motion picture and television images and popular legal narratives, from Hollywood westerns and O. J. Simpson to Law and Order and John Grisham. In Movies on Trial, law professor and movie aficionado Anthony Chase sorts out some of the complex and often contradictory notions Americans have about the legal system. He uses movies to investigate and inventory many of our deepest beliefs about law and politics, and provides a strong historical and intellectual context throughout. Analyzing Dirty Harry and True Believer for their commentary on the Miranda ruling and criminal procedure, and explaining tort law via The Verdict and A Civil Action, Chase also employs Three Kings to reveal changes in international law and The Rise to Power of Louis XIV to explore the rise of the modern state. Through the lens of film, he is able to describe and analyze the symbiosis between the image of law and its actual practice in our cultural imagination, in a genuinely illuminating and entertaining book.
Author: Michael Asimow
Publisher: American Bar Association
Published: 2009
Total Pages: 484
ISBN-13: 9781604423280
DOWNLOAD EBOOKFrom Perry Mason and The Defenders in the 1960s to L.A. Law in the 80s, The Practice and Ally McBeal in the 90s, to Boston Legal, Shark and Law & Order today, the television industry has generated an endless stream of dramatic series involving law and lawyers. This new guide examines television series from the past and present, domestic and foreign, that are devoted to the law.
Author: Elayne Rapping
Publisher: NYU Press
Published: 2003-11
Total Pages: 319
ISBN-13: 0814775608
DOWNLOAD EBOOKWhat's going on with the rise of tv law programs - both fictional and documentary, and how does that affect our lives and real court rooms.
Author: Peter Robson
Publisher: Bloomsbury Publishing
Published: 2016-11-17
Total Pages: 478
ISBN-13: 1509905693
DOWNLOAD EBOOKThis collection examines law and justice on television in different countries around the world. It provides a benchmark for further study of the nature and extent of television coverage of justice in fictional, reality and documentary forms. It does this by drawing on empirical work from a range of scholars in different jurisdictions. Each chapter looks at the raw data of how much "justice" material viewers were able to access in the multi-channel world of 2014 looking at three phases: apprehension (police), adjudication (lawyers), and disposition (prison/punishment). All of the authors indicate how television developed in their countries. Some have extensive public service channels mixed with private media channels. Financing ranges from advertising to programme sponsorship to licensing arrangements. A few countries have mixtures of these. Each author also examines how "TV justice" has developed in their own particular jurisdiction. Readers will find interesting variations and thought-provoking similarities. There are a lot of television shows focussed on legal themes that are imported around the world. The authors analyse these as well. This book is a must-read for anyone interested in law, popular culture, TV, or justice and provides an important addition to the literature due to its grounding in empirical data.
Author: Katherine Anne Jablin
Publisher:
Published: 2012
Total Pages: 104
ISBN-13:
DOWNLOAD EBOOKAuthor: Anita Lam
Publisher: Routledge
Published: 2013-10-15
Total Pages: 259
ISBN-13: 1134114451
DOWNLOAD EBOOKThis book employs actor-network theory in order to examine how representations of crime are produced for contemporary prime-time television dramas. As a unique examination of the production of contemporary crime television dramas, particularly their writing process, Making Crime Television: Producing Entertaining Representations of Crime for Television Broadcast examines not only the semiotic relations between ideas about crime, but the material conditions under which those meanings are formulated. Using ethnographic and interview data, Anita Lam considers how textual representations of crime are assembled by various people (including writers, directors, technical consultants, and network executives), technologies (screenwriting software and whiteboards), and texts (newspaper articles and rival crime dramas). The emerging analysis does not project but instead concretely examines what and how television writers and producers know about crime, law and policing. An adequate understanding of the representation of crime, it is maintained, cannot be limited to a content analysis that treats the representation as a final product. Rather, a television representation of crime must be seen as the result of a particular assemblage of logics, people, creative ideas, commercial interests, legal requirements, and broadcasting networks. A fascinating investigation into the relationship between television production, crime, and the law, this book is an accessible and well-researched resource for students and scholars of Law, Media, and Criminology.
