Featuring chapters on physics, structure, sound and design specifics, Technology of the Guitar also includes coverage of historical content, composition of strings and their effects on sound quality, and important designs. Additionally, author Mark French discusses case studies of historically significant and technologically innovative instruments. This is a complete reference useful for a broad range of readers including guitar manufacturer employees, working luthiers, and interested guitar enthusiasts who do not have a science or engineering background.
This book is for experienced luthiers and guitar designers in the industry, novice builders wishing to improve their designs, and guitar owners interested in knowing more about their instruments. It includes the most important technical information gathered from many sources, including the academic literature and the author’s own work, presented here in a clear, actionable form with a minimum of mathematics. The book begins with a historical survey on how important features of the acoustic guitar evolved over centuries. The review leads up to a chapter focusing on three iconic instruments that represent the most important types of acoustic guitars: classical, steel string flat top and archtop. As the guitar market is so strongly conditioned by familiar, traditional instruments, a successful builder must have a thorough working understanding of the most important designs to underpin their own work. Through this volume, Professor French lays out the entire design process and collects detailed information in one convenient source. Luthiers quite often compile notebooks of measurements, part numbers, specific design features and other details they routinely need. This book organizes much of that information, with tables of dimensions, material properties, and other details in one essential final chapter. The book also features concise side bar contributions by top guitar designers and builders including Tim Shaw, Chief Engineer at Fender Music; Bob Taylor, Co-Founder of Taylor Guitars; and Andy Powers, Master Guitar Designer and Partner.
The digital music revolution isn't just for keyboardists anymore. Guitarists can now get in on the action. Recently, the computer music world has exploded with plug-ins that emulate popular amplifiers and effects. Imagine having a virtual roomful of the greatest amps ever made, the ability to use any speaker cabinet you like, a wide selection of microphones, and a broad array of effects-all within your computer! And that's just the beginning. With the right equipment and a computer, you can now access synthesizer sounds directly from your guitar using MIDI technology, sequence your MIDI guitar with popular DAWs, such as Pro Tools, Reason, Cubase, Logic, Digital Performer, and others, change from a Stratocaster sound to a Les Paul sound with the turn of a knob, learn how to control virtual instruments with your guitar, instead of with a keyboard, and much, much more. While it's amazing that all this power is within your grasp, you will need some pointers on how to use it effectively. Digital Guitar Power! provides the guidance that guitarists need to get the most out of new digital technology. The book is designed for anyone who plays the guitar and is interested in using the latest technology to make music with it. If you're new to computer music, this book will explain all the terminology, help you find the right software and the best hardware, and then teach you how to use it. If you play the guitar and already own some home recording technology, you'll find out how to get the most out of your current setup. You'll also learn some of the cutting-edge technologies available today and how you can use them most effectively. If you play guitar and have always wanted to start recording at home, this book will show you what's out there, what you can afford, and most importantly, what skills you need in order to do it right.
In a glorious retrospective of the electric guitar's forty-year history, this strikingly illustrated volume depicts fine examples of key guitars, each profiled and beautifully photographed to capture their individual designs and characters. In addition to covering such pioneering models as the Gibson ES150 and classics like the Stratocaster, Telecaster, and Les Paul, the book offers information on, and photographs of, the newest generation of designs from such master craftsmen as Paul Reed Smith and Ned Steinberger.
Secrets of master guitarists, revealed in conversation. Guitar Talk offers interviews with many of the most creative guitarists of our time. This new book presents these conversations, between Joel Harrison and Nels Cline, Pat Metheny, Fred Frith, Bill Frisell, Julian Lage, Elliott Sharp, Michael Gregory Jackson, Ben Monder, Anthony Pirog, Henry Kaiser, Mike and Leni Stern, Vernon Reid, Mary Halvorson, Nguyên Le, Rez Abbasi, Ava Mendoza, Liberty Ellman, Brandon Ross, Wayne Krantz, Dave Fiuczynski, Wolfgang Muthspiel, Miles Okazaki, Sheryl Bailey, Rafiq Bhatia, and Ralph Towner—twenty-seven great guitarists in all. An enormous range of approaches and sounds exist in the modern guitar. The instrument can howl, scrape, scratch, scream, sing, pluck, and soothe. What stands out in this book is not so much the instrument itself, rather the wonderful and idiosyncratic personalities of these bold souls, their sometimes wild, often zigzagging, and ultimately profound journeys toward beauty, meaning, and excellence in their work. We find out that jazz icon Bill Frisell won a high school band contest playing R&B tunes, beating out future members of Earth Wind and Fire. We learn which of Nels Cline's compositions he wishes to have played at his funeral. Michael Gregory Jackson recounts painful episodes of racism as he stretched between the chasm of avant jazz, rock, and blues in the 1980s. Many more revelations, amusements, and philosophies abound.
"In The Electric Guitar, scholars working in American studies, business history, the history of technology, and musicology come together to explore the instrument's importance as an invention and its peculiar place in American culture. Documenting the critical and evolving relationship among inventors, craftsmen, musicians, businessmen, music writers, and fans, the contributors look at the guitar not just as an instrument but as a mass produced consumer good that changed the sound of popular music and the self-image of musicians."--BOOK JACKET.
Contemporary Acoustic Guitar Design and Build is for everyone who wants to understand more about designing and building acoustic guitars using methods based on the acoustical and engineering sciences and contemporary small workshop practices. For the first time, the sound output of a guitar is comprehensively related both theoretically and practically to the instrument's woodwork, providing a logical and scientific method for designing guitars and real answers to questions that have challenged luthiers for centuries. Instruments built using these techniques are measurably more powerful, in-tune, responsive and playable than just about anything for sale in a music store. The differences are immediately audible.First time builders and experts alike will find these volumes invaluable. Building instructions and full sized plans are provided for four different types of guitar. But the real purpose of these volumes is to provide a design and build methodology that will allow the reader to construct just about any type of flat top guitar; the "perfect guitar" for yourself or your customer, using the same techniques that provide the quality and consistency required by pragmatic luthiers who make guitars for a living.
"For me, a truly compelling, fact-packed read all about how guitars are made, look, sound, and play. Atkinson admirably recounts a century of history, invention, and experimentation by experts and amateurs of a revolutionary instrument. Highly recommended for anyone who has a guitar, and for anyone who wants one."—KT Tunstall, singer-songwriter and guitarist "Atkinson has put a fantastically exhaustive amount of work into this book for all of us global guitar nerds to enjoy. It’s so much fun to dive into it full immersion, and glean everything from details on iconic artist guitars to strange inventions from creatives on the fringe!"—Jennifer Batten, guitarist (Michael Jackson, Jeff Beck) “A great resource for all guitar players, tinkerers, and enthusiasts. Atkinson’s well-researched book provides essential and fascinating facts of this unique instrument’s development over the course of more than a century.”—Paul Brett, rock guitarist, journalist, guitar designer “Atkinson has dug deep into the history of the electric guitar to create a detailed view of the ways in which makers and musicians have tried—and in many cases succeeded—to move its design forward. This engaging new book will be required reading for anyone interested in the development of one of the most popular and revolutionary instruments ever created.”—Tony Bacon, guitar historian and author An in-depth look at the invention and development of the electric guitar, this book explores how the electric guitar’s design has changed and what its design over the years has meant for its sound. A heavily illustrated history with amps turned up to eleven, Amplified celebrates this beloved instrument and reveals how it has evolved through the experiments of amateur makers and part-time tinkerers. Digging deep into archives and featuring new interviews with makers and players, it will find admirers in all shredders, luthiers, and fans of electric sound.
