August 1945. The Japanese onslaught on Vietnam and Philippines came to an end. Netaji Subhash Bose's sudden death was a big blow for the Indian diaspora in South East Asia, who were backing him for their motherland's freedom. Many of them remained in South East Asian countries instead of moving back to India. Two of these countries were Vietnam and the Philippines. The book is a tearful story about the Indian migrants who are still risking everything in their pursuit for a better life. Crossing boundaries and breaking barriers with every generation, their fates are tied to their adopted country’s economic and political merry go around. After 75 years, they still ask, where do we belong? You may find an answer in this book.
When the root of a tree is weak, the branches suffer. Our yesterday may be painful to forget, but it should not consume today's freshness. Moving beyond the past is using the present strength to create a better today and greater tomorrow. Life is a continuous journey where the baton of functionalism can be transferred amongst generations. However, the occurrence of unwanted events during the journey should not be the determinant of how far we can go. My action today is part of the sum of our collective tomorrow. The 'Global Village' is a beautiful place for YOU and I, if only we can do our parts cognitively.
The acclaimed second collection of poetry by Patricia Lockwood, Booker Prize finalist author of the novel No One Is Talking About This and the memoir Priestdaddy SELECTED AS A BEST BOOK OF THE YEAR: The New York Times * The Boston Globe * Powell’s * The Strand * Barnes & Noble * BuzzFeed * Flavorwire “A formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review Colloquial and incantatory, the poems in Patricia Lockwood’s second collection address the most urgent questions of our time, like: Is America going down on Canada? What happens when Niagara Falls gets drunk at a wedding? Is it legal to marry a stuffed owl exhibit? Why isn’t anyone named Gary anymore? Did the Hatfield and McCoy babies ever fall in love? The steep tilt of Lockwood’s lines sends the reader snowballing downhill, accumulating pieces of the scenery with every turn. The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.
“I’m reading this book right now and loving it!”—Cheryl Strayed, #1 New York Times bestselling author of Wild How can a mother and daughter who love (but don’t always like) each other coexist without driving each other crazy? “Vibrating with emotion, this deeply honest account strikes a chord.”—People “A wry and moving meditation on aging and the different kinds of love between women.”—O: The Oprah Magazine After surviving a traumatic childhood in nineteen-seventies New York and young adulthood living in the shadow of her flamboyant mother, Rita, a makeup-addicted former television singer, Elissa Altman has managed to build a very different life, settling in Connecticut with her wife of nearly twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, still orbiting around her mother but keeping far enough away to preserve the stable, independent world she has built as a writer and editor. Then Elissa is confronted with the unthinkable: Rita, whose days are spent as a flâneur, traversing Manhattan from the Clinique counters at Bergdorf to Bloomingdale’s and back again, suffers an incapacitating fall, leaving her completely dependent upon her daughter. Now Elissa is forced to finally confront their profound differences, Rita’s yearning for beauty and glamour, her view of the world through her days in the spotlight, and the money that has mysteriously disappeared in the name of preserving youth. To sustain their fragile mother-daughter bond, Elissa must navigate the turbulent waters of their shared lives, the practical challenges of caregiving for someone who refuses to accept it, the tentacles of narcissism, and the mutual, frenetic obsession that has defined their relationship. Motherland is a story that touches every home and every life, mapping the ferocity of maternal love, moral obligation, the choices women make about motherhood, and the possibility of healing. Filled with tenderness, wry irreverence, and unforgettable characters, it is an exploration of what it means to escape from the shackles of the past only to have to face them all over again. Praise for Motherland “Rarely has a mother-daughter relationship been excavated with such honesty. Elissa Altman is a beautiful, big-hearted writer who mines her most central subject: her gorgeous, tempestuous, difficult mother, and the terrain of their shared life. The result is a testament to the power of love and family.”—Dani Shapiro, author of Inheritance
Plucked from every background and led by an NKVD Major, the new recruits who boarded a train in Moscow on October 16, 1941, to go to war had much in common with millions of others across the world. What made the members of the 586th Fighter Regiment, the 587th Heavy-Bomber Regiment, and the 588th Regiment of light night-bombers unique was their gender: the Soviet Union was creating the first all-female active combat units in modern history. Drawing on original interviews with surviving airwomen, Lyuba Vinogradova weaves together the untold stories of the female Soviet fighter pilots of the Second World War. From that first train journey to the last tragic disappearance, Vinogradova's panoramic account of these women's lives follows them from society balls to unmarked graves, from landmark victories to the horrors of Stalingrad. Battling not just fearsome Aces of the Luftwaffe but also patronizing prejudice from their own leaders, women such as Lilya Litvyak and Ekaterina Budanova are brought to life by the diaries and recollections of those who knew them, and who watched them live, love, fight, and die.
The PEN Literary Award–winning author “writes with honesty, intelligence, tenderness, and love” about her Colombian-Cuban heritage and queer identity in this poignant coming-of-age memoir (Sandra Cisneros, author of The House on Mango Street). In this lyrical, coming-of-age memoir, Daisy Hernández chronicles what the women in her Cuban-Colombian family taught her about love, money, and race. Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and that no, Daisy’s father is not godless. He’s simply praying to a candy dish that can be traced back to Africa. These lessons—rooted in women’s experiences of migration, colonization, y cariño—define in evocative detail what it means to grow up female in an immigrant home. In one story, Daisy sets out to defy the dictates of race and class that preoccupy her mother and tías, but dating women and transmen, and coming to identify as bisexual, leads her to unexpected questions. In another piece, NAFTA shuts local factories in her hometown on the outskirts of New York City, and she begins translating unemployment forms for her parents, moving between English and Spanish, as well as private and collective fears. In prose that is both memoir and commentary, Daisy reflects on reporting for the New York Times as the paper is rocked by the biggest plagiarism scandal in its history and plunged into debates about the role of race in the newsroom. A heartfelt exploration of family, identity, and language, A Cup of Water Under My Bed is ultimately a daughter’s story of finding herself and her community, and of creating a new, queer life.
From an Academy Award–nominated screenwriter, an epic novel of love and loss and the long shadows war leaves behind. Summer, 1942. Kitty, an army driver stationed in Sussex, meets Ed, a Royal Marine commando, and Larry, a liaison officer with Combined Ops. She falls instantly in love with Ed, who falls in love with her. So does Larry. Both men go off to war, and Ed wins the highest military honor for his bravery. But sometimes heroes don’t make the best husbands. Motherland follows Kitty, Ed, and Larry from wartime England and the brutally tragic Dieppe raid to Nazi-occupied France, India after the war, and Jamaica before independence. Against this ever-changing backdrop—as they witness history being made and participate in the smaller dramas of romance, friendship, and parenthood—these three friends make choices that will determine the challenges and triumphs of their lives. But the insistent current running through all they experience is the unacknowledged tension of the love triangle that binds them together and must somehow be resolved. Written by an award-winning screenwriter whose novels have earned extraordinary critical praise, Motherland is a compelling, page-turning narrative brimming with stunning war scenes, pageantry, politics, and questions about faith and art, as well as quiet, intimate moments of passion, doubt, and longing. Above all, it is a great love story about three people struggling to find happiness and meaning amid war and its aftermath.
Oracles Of The Motherland is an African story that describes the beauty and harmonious dwellings in some parts of the kingdoms within the continent of Africa in the time of old. It also goes in-depth on the struggles, cultures, betrayals and wars within Odùduwà and the surrounding kingdoms. Àjosè, king of the African kingdom of Odùduwà, had maintained peace in the region for years. But the gods and oracles of the land could not ignore the cries of innocent blood that had been spilled. The peace that Odùduwà had enjoyed would soon be shattered. Lúlù would give her life for Adélolá, her queen. But when a selfish act forces Lúlù to flee for her life, it sets in motion events that had grave consequences for Odùduwà.
Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. This is their story, built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. -- adapted from publisher info
