An in-depth study of tattoo culture and contemporary tattoo history through fine art paintings. The Tattooed Portraits series started in 2005 with a handful of painting inspired by Shawn Barber's artist friends who were tattooed. It quickly developed into an obsession and a life-changing event for Barber. This beautifully printed volume contains photographs, paintings and essays chronicling a six-year living journal. The series documents many facets of the tattooing world: artists with tattoos, tattoo artists, the tattooing process and experience and the history.
Once a fringe phenomenon, tattooing is now a full-blown cultural fact. More than 40 million people in the U.S. alone have tattoos, all with unique stories about why they chose to indelibly mark their bodies. Permanence combines photographic tattoo portraits with these stories, told in the subjects' own words and handwriting. Kip Fulbeck brings together young and old of all races, religions, and political persuasions—from celebrities to suburban moms to Hells Angels. Including interviews with celebrity tattooers Kat Von D and Oliver Peck (Miami Ink), hardcore legend Evan Seinfeld, and some regular folks, Permanence is an entertaining and enlightening portrait of the tattooed population today.
Renowned English tattooer Alex Binnie puts down his machine and takes up the gouge for this series of portraits of his friends and colleagues from the tattoo world. Including such famous names as Filip Leu, Freddy Corbin, Jondix and Thomas Hooper, alongside co-workers and clients from his London shop, Into You, this series of intimate portraits expands his artistic boundaries. Influenced by the great tattoo and printmaking traditions of the past, Alex takes his skill and vision in an entirely new direction, totalling 36 prints and with an introduction and short description of each subject, we see the classic form of printmaking in a contemporary context. This volume is available in a limited edition of 1,000 numbered copies, making it a real collectors' item.
One hundred photographs from "Rolling Stone" magazine celebrate the art of the tattoo in shots of musicians, actors, and other pop icons, including Drew Barrymore, Eminem, Melissa Etheridge, and Ozzy Osborne.
Tatooed Portraits is a 112 page full color fine art book showcasing a select group of paintings in Shawn Barber's portraiture series on well known contemporary painters and tattoo artists.
High Voltage Tattoo is a graphic perspective on today's global tattoo culture by Kat Von D, star of The Learning Channel's L.A. Ink and one of the most talented and popular artists working today. Designed in a style that is reminiscent of a handmade Gothic journal with its red padded cover, ornate typography, and parchmentlike pages, it throws the door wide open to tattooing culture in the way only an insider like Kat can. High Voltage Tattoo traces Kat's career as an artist, from early childhood influences to recent work, along with examples of what inspires her, information about the show and her shop, her sketches, and personal tattoos. The book goes deep into tattoo process and culture: readers can see up close the pigments, the tools, and the making of complex, even collaborative, tattoos. With a foreword by MÖtley CrÜe's Nikki Sixx, the book features images and stories about celebrities, rockers, pro skaters, and everyday citizens, including Slayer's Kerry King, Anthrax's Scott Ian, Margaret Cho, Jackass' Bam Margera, David Letterman, and many others. It profiles and showcases the work of artists Kat has selected from all over the world, her interviews with people who have compelling tattoos and stories, and amazing images of extraordinary tattoo work. Numerous portfolios throughout the book showcase a range of relevant subjects, from the black and gray portrait work for which Kat is famous to a popular tattoo theme, such as the rose or biblical images. There is a knockout ten-page full-body spread of Kat—clad in a yellow bikini and seven-inch, rhinestone-studded red stilettos—that catalogs in detail all her personal tattoos on her front, back, left, and right sides—even her hands and head.
For decades now tattoos have been potent symbols of the Los Angeles gang-life scene. The black and white tattoos with recognizable gang symbols appear on members' faces, necks and all over their bodies, making their gang affiliation immediately clear to whomever crosses their path. This can mean the difference between life and death on he streets, and just as often, in prison. What does this prominently placed imagery mean for those men and women who somehow extricate themselves from gang life or are released from prison or want to separate themselves from the gang and start life anew? The very tattoos which may have helped guard against the constant threat of rival gangs now bar many ex-gang members from employment, life without harassment, and the freedom to move on from a past they have worked hard to overcome. Skin Deep is a photography project that seeks to show the effects of this ongoing gang conflict in Los Angeles. Photographer Steven Burton set out to photograph realistic portraits of former gang members who are trying to escape the revolving door of death and prison. For these men and women, the aftermath of gang life is not only carried within--it is also scrawled across their faces and bodies. Skin Deep uniquely highlights the impact tattoos have on the way a person is perceived by showing what each participant might look like without them. Utilizing before and, thanks to the advantages of Photoshop, after photographs, these men and women got a chance to see what they'd look like without the inked visual armor. After the bare images were presented to each, they were asked to talk about themselves and their families, what tattoos represent to them, and their aspirations for the future. Seeing themselves without tattoos--many for the first time in decades--naturally brought about a wide range of emotions, recollections, hopes, and dreams, with responses such as: "I am shocked. I don't know what to say about this. I am going to give this to my mom, she is going to be so happy." "I think this guy in the pictures would judge the one with tattoos right off the top." "That's crazy, that looks real crazy. Those came out cool man! I think I like it better without the tattoos." Burton met his subjects thanks to Father Greg Boyle, the founder of Homeboy Industries in LA, and the entire project is inspired by his tireless work to help rehabilitate these former gang members and give them all a crucial second chance in life. Skin Deep offers a chance to expose the realities these individuals face when trying to rebuild their lives and re-enter society. As importantly, for the public, the project provokes consideration regarding how society perceives and judges people with tattoos and violent pasts and seeks to garner empathy for those caught in the crosshairs of gang life as they try to change their futures.
At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum
From the delicate cherry blossom tree to a fearsome falcon, tattoos are testament to the everlasting connection between man and art. Presenting the very best in tattoo art, this inspirational sourcebook is a great starting point for anyone wanting to acquire a tattoo who is unsure of the creative possibilities. Filled with stunning photographic images, it showcases the talent of top artists from around the world. This extensive gallery is arranged into imaginative sections, including: • Famous faces • Fantasy • Pin-up girls • Cartoon characters and humorous scenes • Personal narratives and symbolism • Abstract art and dot work. This book will appeal equally to both prospective and seasoned tattoo enthusiasts as well as those simply interested in immersing themselves in this intriguing decorative art.
Ugly: trivial art; hairy bodies; pock marks; and worst, rotten color rendition. The weak color was probably intentional--for some misguided artistic purpose. $35.00 though 1994 (and probably $20.00 on the remainder tables within a half year). Annotation copyright by Book News, Inc., Portland, OR
