It might surprise you to learn that tarot cards were created for playing card games and not fortune telling. Indeed, contrary to popular myths, there is nothing occult in their origins. The family of tarot games has been played since the 15th century and continues to be played throughout continental Europe to this day. Sadly, English speakers have usually only heard of tarot in the context of magic and divination. This little book sets out to correct that, starting with chapters about the real history of the cards and continuing with the rules to more than 40 games from across Europe. To help you get started many of the terms and conventions have been standardised and Anglicised, and there is a guide on buying cards suitable for modern game play.Tarot includes some of the most sophisticated and challenging card games ever devised - discover what you've been missing and you may never pick up a 52 card pack again.
2017 Esoteric Book of the Year As voted by the membership of the Occult of Personality’s Chamber of Reflection Dr. Joscelyn Godwin, Colgate University, emeritus “Besides gratifying the bibliophile, the contents follow scholarly principles, and the notes and documentation are as thorough as one could wish .... Even if only partially provable, The Game of Saturn opens a new and darker vista on the pagan Renaissance. No student of that current should ignore it” Renaissance Quarterly Volume LXXI, No. 2 Niketas Siniossoglou. National Hellenic Research Foundation, Athens “The Game of Saturn by Peter Mark Adams is a fascinating read. The author calls it “a literary detective story”, but this may well be an understatement ... Adams decodes astral, alchemical, and sexual associations that are plausible, and shows how they may have been redeployed into visual format ... The Game of Saturn is a stimulating read, and it is difficult to put it down. It will appeal to all scholars of Renaissance intellectual history, esotericism, and Plethon. Published by Scarlet Imprint, the book is a rare example of fine printmaking, featuring beautiful reproductions of the Sola-Busca deck.” Aries - Journal for the Study of Western Esotericism 18 (2018) 287–304. The Game of Saturn is the first full length, scholarly study of the enigmatic Renaissance masterwork known as the Sola-Busca tarot. It reveals the existence of a pagan liturgical and ritual tradition active amongst members of the Renaissance elite and encoded within the deck. Beneath its beautifully decorated surface, its imagery ranges from the obscure to the grotesque; we encounter scenes of homoeroticism, wounding, immolation and decapitation redolent of hidden meanings, violent transformations and obscure rites. For the first time in over five hundred years, the clues embedded within the cards reveal a dark Gnostic grimoire replete with pagan theurgical and astral magical rites. Careful analysis demonstrates that the presiding deity of this ‘cult object’ is none other than the Gnostic demiurge in its most archaic and violent form: the Afro-Levantine serpent-dragon, Ba’al Hammon, also known as Kronos and Saturn, though more notoriously as the biblical Moloch, the devourer of children. Conveyed from Constantinople to Italy in the dying years of the Byzantine Empire, the pagan Platonist George Gemistos Plethon sought to ensure the survival of the living essence of Neoplatonic theurgy by transplanting it to the elite families of the Italian Renaissance. Within that violent and sorcerous milieu, Plethon’s vision of a theurgically enlightened elite mutated into its dark shadow – a Saturnian brotherhood, operating within a cosmology of predation, which sought to channel the draconian current to preserve elite wealth, power and control. This development marks the birth of an ‘illumined elite’ over three centuries before Adam Weishaupt’s ‘Illuminati.’ The deck captures the essence of this magical tradition and constitutes a Western terma whose talismanic properties may serve to establish an initiatory link with the current. This work fully explores the historical context for the deck’s creation against the background of tense Ferrarese-Venetian diplomatic intrigue and espionage. The recovery of the deck’s encoded narratives constitutes a significant contribution to Renaissance scholarship, art history, tarot studies and the history of Western esotericism.
The Cary-Yale Visconti Tarocchi Deck is comprised of 22 Major Arcana and 64 Minor Arcana cards. The deck includes reproductions of tarocchi cards from the Cary Collection of Playing Cards, now housed at Yale University. Nineteen cards have been recreated to replace missing originals. In addition to the King and Queen, each suit in the Minor Arcana contains both male and female Knights and Pages.
Tarot of the Magicians by Swiss occultist artist and author Oswald Wirth was first published in Paris in 1927, and a Weiser edition was later released in 1985. Long unavailable, the book is back in print in a beautiful new package with full-color pull-out cards reproducing Wirth’s 1889 tarot deck. With a new introduction by bestselling tarot author Mary K. Greer, Tarot of the Magicians offers tarot enthusiasts and students of the occult an in-depth and authoritative analysis of one of the most beautiful and evocative of all modern tarot decks. In this important tarot work of the Major Arcana, Wirth combines the imagery and symbolism from Alchemy, Freemasonry, Rosicrucianism, and the magical heritage of Egypt and Chaldea, and explores the astronomical (rather than strictly zodiacal) associations for the Major Arcana cards.
