In Colour These tiny treasures of metaphysical and mythological knowledge serve as enlightening rubrics for understanding Indian tradition and theology. Exquisitely illustrated, this series serves as a contemporary matrix for illuminating our human experience and offers insightful access into Eastern spirituality. This attractive addition to Mandala’s bestselling minibook series explores Hinduism’s most enigmatic figure in all of her glory. A wide range of vivid illustrations, both traditional and contemporary, showcases the paradoxical and often shocking imagery of Kali, whose outrageous appearance and behavior shatter all social conventions. These intense tales recount Kali’s origins as the shadow self of Durga – a goddess who appears in the world in order to save the terrified gods from the demons Sumbha and Nisumbha. Brandishing weapons of destruction and cackling madly, she annihilates an ever-increasing number of miscreants who try her patience. She comes not only to restore balance within the universe, but also to help humanity cut through the bonds of illusion and attachment.
What exactly is Aghora and why does it invoke a strange reaction from even articulate Hindus? Before even going into an exploration of the fundamental values of this path, let us understand that the name Aghora - meaning non-terrifying - is one of the names of Lord Shiva. His southern face is called Aghora, south representing death and the cremation ground. Thus, the very first thing we learn is that Aghora has something to do with death. While scholars may say that this sect came into existence as a derivative of the ancient Kapalika and Pashupata sects, what makes an organized and non-superficial study of Aghora more difficult is the fact that we do not have any standard authoritative scriptures for the same. Most Aughar - the colloquial name in North India - practices are traditionally passed down from Guru to disciple and in a sense, can be broadly described as the Vamachari Tantric rituals taken to an extreme. It has a legendary fascination with the cremation ground because Aghora starts, in theory, with the acceptance of the one defining reality of human life: death. Irrespective of what one believes in, death is certain and it is indeed the greatest miracle of Nature or Maya that we live most of our life unmindful of this fact. What Yudhisthira told the Yaksha in the lake stands true even today. We know in theory that everyone dies but in practice, our minds are configured to believe that it is not going to happen to us and this is certainly one of the great deceptions of nature to help us survive. But Aghora in particular and spirituality, in general, is not about mere survival. It is an attempt to rearrange our perspectives about things so that we see the world as it is, not as we would like to see it. With that in mind, the Aghoris seek to break down their anesthetized worldview and thus try to become fully cognizant of the deeply unsettling pressure of personal mortality. When the realization strikes that death is certain, all of our selfish endeavors become meaningless. A strong desire sets in, an urgency to transcend the human condition and find the larger meaning and purpose for life, similar to what must have happened to Parikshit Maharaj when he got to know that he had only seven days to live. Smashan vairagya - a dispassion about life that sets in when a person visits a cremation ground - does not last long. In a few days, the mind gets back to normal and old habits re-emerge to take control of our lives. What an Aghori tries to do is make that dispassion permanent, by ensuring that we constantly remember the inevitable end of our lives so that we seek that which is changeless.
"Aghor Medicine moves seamlessly between an ethnography of religion and medical anthropology. The stories of suffering and renunciation, of collective experience that turn Indian hierarchy and discrimination upside down are quite marvelous. The writing is clear and direct and the interpretations balanced and scrupulously documented. Barrett has written one of the best accounts on local traditions "modernizing" in ways that combine indigenous significance with globally crucial changes that react against health and social inequalities."—Arthur Kleinman, Harvard University "Ronald Barrett's fine account of aghor medicine reveals essential characteristics of India's popular culture, and, since an ashram in California has an important role in the story, of American popular culture as well."—Charles Leslie, author of Death Row Letters (forthcoming)
Ancient Indian style of Controlling mind of others in Magical way and Yogic way. Yogic way is also known as Hypnotism, Mesmerism and Animal Magnetism.Every person in this world has the passion to control mind of others to fulfil desires, these desires can be materialistic or non-materialistic but man has enthusiasm on this subject. Ancient Indian Magical, Occult and Witchcraft texts named this science as "Vashikaran", it is passionate magic from ancient times to now but all are not getting success in this branch is due to lack confidence and lack knowledge on subject. Self-confidence and faith are two major qualifications to achieve mastery in this subject.Ancient Hindu magical branch of Vashikaran is of two types.1)Magical: In this way, practitioner get his desire by using Mantra/spells and Yantra2)Yogic: In this way, practitioner get this power by practicing gaze, exercises, so onNow, yogic way is named as "Hypnotism", "Mesmerism" and "Animal Magnetism". Even it is named as western, Indian style has its own benchmark in Ancient Magnetism. Yogic way can be used to control animals, birds, trees and all living beings of nature especially man by using gaze. Gaze practice is backbone for this art, but practitioner should be careful while performing on wild animals
The sages of Tantra taught that when we follow the path of Shakti, the sacred feminine principle personified by the goddesses of yoga, we awaken the full potential of our own inner energies. Kali, teaches Sally Kempton, may be both the most powerful—and misunderstood—goddess of all. Kali—her name means “Black One”—is the original Dark Goddess, whose hidden gift is ecstasy. She brings both fierceness and love, destruction and rebirth—and untamed courage and freedom for those willing to fully comprehend and embrace her many gifts. In this e-book, readers are invited to explore teachings, stories, meditations, prayers, poems, mantras, invocations, and rituals to align with this cosmic force of radical transformation. Kali as the Mirror of Our Own Inner State Kali the Blood Drinker The Two Faces of the Dark Goddess Kali and the Ego Kali’s Fierce Forms Kali’s Role in Spiritual Liberation Contemplation: The Felt Sense of Kali in Your Life The Tantric Kali: Deity of Heroes The Kali Woman: Archetype of Feminine Power, Sexuality, and Force A Kali Asana Practice A Contemplation on Kali’s Audacity The Shadow Kali Kali as the Inner Voice of Destructive Rage Dialoguing with Kali (a guided practice) Kali as the Human Teacher A Visualization Practice for Offering Your Negative Tendencies to Kali’s Fire Unlocking the Hidden Kali Meditation: Kali as the Great Void
The Hindu pantheon is rich in images of the divine feminine—deities representing a wide range of symbolic, social, and meditative meanings. David Kinsley's new book documents a highly unusual group of ten Hindu tantric goddesses, the Mahavidyas, many of whom are strongly associated with sexuality and violence. What is one to make of a goddess who cuts her own head off, or one who prefers sex with a corpse? The Mahavidyas embody habits, attributes, or identities usually considered repulsive or socially subversive and can be viewed as "antimodels" for women. Yet it is within the context of tantric worship that devotees seek to identify themselves with these forbidding goddesses. The Mahavidyas seem to function as "awakeners"—symbols which help to project one's consciousness beyond the socially acceptable or predictable. Drawing on a broad range of Sanskrit and vernacular texts as well as extensive research in India, including written and oral interpretations of contemporary Hindu practitioners, Kinsley describes the unusual qualities of each of the Mahavidyas and traces the parallels between their underlying themes. Especially valuable are the many rare and fascinating images he presents—each important to grasping the significance of the goddesses. Written in an accessible, engaging style, Kinsley's book provides a comprehensive understanding of the Mahavidyas and is also an overview of Hindu tantric practice.
The Mahāvidyās are the representative Tantric feminine pantheon consisting of ten goddesses. It is formed by divergent religious strands and elements: the mātṛ and yoginī worship, the cult of Kālī and Tripurasundarī, Vajrayāna Buddhism, Jain Vidyādevīs, Śaiva and Vaiṣṇava faith, Śrīvidyā, the Brahmanical strand of Puranic traditions, etc. This volume is the first attempt to explore the historical process, through which these traditions culminated in the Mahāvidyā cult and the goddesses with different origins and contradictory attributes were brought into a cluster, with special reference to socio-political changes in the lower Gaṅgā and Brahmaputra Valley between the 9th and 15th centuries CE. Based on a close analysis of Purāṇas, Tantras and inscriptional evidence, and on extensive field research on archaeological remains as well as sacred sites, Jae-Eun Shin discusses the two trajectories of the Mahāvidyās in eastern Śākta traditions. Each led to the systematization of Daśamahāvidyās in a specific way: one, as ten manifestations of Durgā upholding dharma in the cosmic dimension, and the other, as ten mandalic goddesses bearing magical powers in the actual sacred site. Their attributes and characteristics have neither been static nor monolithic, and the mode of worship prescribed for them has changed in a dialectical religious process between Brahmanical and Tantric traditions of the region. This is the definitive work for anyone seeking to understand goddess cults of South Asia in general and the history of eastern Śākta traditions in particular. To aid study, the volume includes images, diagrams and maps. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
ABOUT THE BOOK:This book serves as an introductory study of Tantric Saivism in its original scriptural sources. It traces the features and content of the canon of the Saiva Tantras, making use of many unpublished manuscripts from Kashmiri Saiva author