London, 1593. A city on edge. Under threat from plague and war, strangers are unwelcome, suspicion is wholesale, severed heads grin from the spikes on Tower Bridge. Playwright, poet and spy, Christopher Marlowe walks the city's mean streets with just three days to find the murderous Tamburlaine, a killer escaped from the pages of his most violent play. Tamburlaine Must Die is the searing adventure of a man who dares to defy both God and the state and whose murder remains a taunting mystery to the present day.
When down-at-heel Glasgow conjurer William Wilson gets booked for a string of cabaret gigs in Berlin, he's hoping his luck's on the turn. There were certain spectators from his last show who he'd rather forget. Like the one who's now a corpse. Amongst the showgirls and tricksters of Berlin's scandalous underground Wilson can abandon his heart, his head and, more importantly, his past. But secrets have a habit of catching up with him and, as he gets sucked into certain lucrative after-hours work, the line between what's an act and what's real starts to blur.
'Unputdownable' Sunday Times 'I was hooked from page one' Guardian When Rilke, a dissolute auctioneer, comes upon a hidden collection of violent and highly disturbing photographs, he feels compelled to discover more about the deceased owner who coveted them. Soon he finds himself sucked into an underworld of crime, depravity and secret desire, fighting for his life.
Step into the tumultuous world of ambition and conquest with Christopher Marlowe's classic, "Tamburlaine the Great, Part I." Witness the rise of a shepherd turned tyrant whose insatiable drive for power shakes the very foundations of the known world. As Marlowe's dramatic tale unfolds, follow the meteoric ascent of Tamburlaine as he defies the gods and challenges empires. The play’s intense narrative delves into themes of power, ambition, and destiny, offering a raw portrayal of a man who refuses to be bound by fate. But here's a provocative question to ponder: Can one man's unrelenting ambition reshape the destiny of entire nations? Will Tamburlaine's ruthless quest for dominance lead to his ultimate glory or inevitable downfall? Discover the grandeur and brutality of Marlowe’s world, where every battle and betrayal paints a vivid picture of ambition’s cost. This is not just a story of historical conquest but a timeless exploration of human nature's darker impulses. Are you ready to witness the epic rise and relentless drive of the legendary Tamburlaine? Dive into "Tamburlaine the Great, Part I" and experience the thrilling blend of drama and intrigue that only Marlowe can deliver. Embrace the challenge and immerse yourself in Marlowe’s riveting narrative. Don't just read about history—be part of the dramatic saga. Purchase "Tamburlaine the Great, Part I" today, and engage with the explosive ambitions that shaped a legendary era.
Jane Logan is a stranger to Berlin and she finds the city alive and echoing with the ghosts of its turbulent past. At six months pregnant, she's instructed by her partner Petra to rest and enjoy her new life in Germany. But while Petra is out at work, Jane begins to feel uneasy in their chic apartment. Screams reverberate through the walls, lights flicker in the derelict building that looms over the yard, a shadow passes on the stairs . . . Jane meets a neighbour's daughter, a girl whose life she tries to mend, but her involvement only further isolates her. Alone and haunted, Jane fears the worst . . . but the worst is yet to come. Louise Welsh, the acclaimed author of The Cutting Room, delivers another masterful suspense novel. The Girl on the Stairs is a powerful psychological thriller packed with twists and turns to keep you reading well into the night. Read it, or be left in the dark.
One of the smash hits of the late 1580s and 90s, Tamburlaine established blank verse as the poetic line of English Renaissance drama, Edward Alleyn as the first English star actor and Marlowe as one of the foremost playwrights of his time. The rise and fall of a Scythian peasant-warrior who conquers the Middle East and is struck down by illness after burning the books of the Koran is presented in two parts crammed with theatrical splendour and equally spectacular cruelty. Marlowe's original audiences were delighted with the blasphemous and ruthlessly ambitious hero; the introduction to this edition discusses the problems that such a character poses for modern audiences and highlights the undercurrents of the play that lead towards a more ironic interpretation.
Tamburlaine the Great, Part One and Part Two are the first plays that Christopher Marlowe wrote for London’s then new freestanding, open-air public playhouses. They trace the progress of Tamburlaine, a Central Asian leader, as he “scourge[s] kingdoms with his conquering sword” and rises to imperial power. The plays were a powerful beginning to Marlowe’s brief career as a public theatre dramatist: the brutally masculine and martial main character immediately captured audiences, and the plays were widely imitated and parodied. Even four hundred years later, Marlowe’s Tamburlaine remains a shocking and seductive figure. The introduction and historical appendices to this new Broadview Edition provide many avenues for readers to understand these plays, presenting other portrayals of Islam from the period, related lives of Tamburlaine from other writers, and material on Marlowe’s scandalous reputation.
The definitive biography: a masterly account of Marlowe's work and life and the world in which he lived Shakespeare's contemporary, Christopher Marlowe revolutionized English drama and poetry, transforming the Elizabethan stage into a place of astonishing creativity. The outline of Marlowe's life, work, and violent death are known, but few of the details that explain why his writing and ideas made him such a provocateur in the Elizabethan era have been available until now. In this absorbing consideration of Marlowe and his times, David Riggs presents Marlowe as the language's first poetic dramatist whose desires proved his undoing. In an age of tremendous cultural change in Europe when Cervantes wrote the first novel and Copernicus demonstrated a world subservient to other nonreligious forces, Catholics and Protestants battled for control of England and Elizabeth's crown was anything but secure. Into this whirlwind of change stepped Marlowe espousing sexual freedom and atheism. His beliefs proved too dangerous to those in power and he was condemned as a spy and later murdered. In The World of Christopher Marlowe, Riggs's exhaustive research digs deeply into the mystery of how and why Marlowe was killed.
This re-visioning of the Marlowe canon aims to explain the ambiguous effects that readers have long associated with Marlowe's signature. Marlovian tragedy has been inadequately theorized because Marlowe has too often been set under the giant shadow of Shakespeare. Grande, by contrast, takes Marlowe on his own terms and demonstrates how he achieves his notorious moral ambiguity through the rhetorical technique of dilation or amplification. All of Marlowe's plays end in the conventional tragic way, with death. But each play, as well as Hero and Leander, repeatedly evokes the reader's expectations of a tragic end only to defer them, dilating the moment of pleasure so that the protagonists can dally before the "law" of tragedy.
