Tamako Sia Part 1 by BlackLily Krizza Marie Yen, mayaman. She flaunts it and she's proud of it. Tamako Sia, the only guy that caught her interest. He's something her money can't buy. He;s someone who broke her heart without even a blink of an eye. She swears never to trust him again. Ever. Anyway, it's just a broken heart, she can handle it. And even if hell freezes over, she's still Krizza Marie Yen, mayaman. But then he's back with a vengeance and a body to die for as her fiance. And he's not only threatening to take her heart but also her wealth. Now, what would she choose? A broken heart with her wealth intact or to be poor but her heart still whole? Published by Psicom Publishing Inc From Wattpad
10 Things To Accomplish: Make him notice you. ? Differentiate yourself from other girls. ? Get an invite to a date. ? Make the said date memorable. ? Make him take you seriously. ? Ensure that he’s dating you exclusively. ? Snag an invite to meet his parents. ? Get a kiss – a sincere one. ? Be the best girlfriend he’s ever had. ? And finally, break his heart. In this mission, there is one and only one rule you must abide: Do not fall in love. If you break this rule, the mission will be considered a failure. Your punishment will be severe.
Cassandra Anders is a New York-based artist who’s having a time of her life. But because of her father’s unfortunate predicament, Cassandra reluctantly agrees to marrying Philip Strindberg, whom she suspects to be a member of an underground mob. Besides having to deal with her overbearing husband, Cassandra needs to confront the past that has been haunting her for two years. Can she keep her composure while coping with the pressures of her craft, the stress from her husband’s family, and even danger brought by her husband’s involvement with the mob? Will she learn to love and accept her married life, or will she find a way to break free from it?
Neither a utopia nor a dystopia, it’s still a world of nations at strife, as dominated by corporations as ever. Technology hasn’t made humans nearly obsolete, but rather bettered us, if you will, attaching to our bodies and even brains as enhancements—for those who can afford it. Comics artist Shirow Masamune’s vision of our coming society, animated to global acclaim and finally the basis of a major Hollywood production, branches out in five original stories by some of the most beloved SF novelists working in Japan today. A standalone collection, it requires no familiarity with the franchise to be enjoyed but is indispensable for fans for its thoughtful exploration of the series’ implications. While reality may never become virtual, it will be increasingly networked and augmented. Navigate herein age-old questions about man that will return, not so ironically, in full force: What is the self? Is there such a thing as the soul?
Saisiyat is a Formosan language spoken in the north-western part of Taiwan. It is divided into two groups, a northern and a southern group. The Northern group used to speak the Taai dialect (also known as the Northern dialect) and lives in the upper reaches of the Shangping river in Wufeng Township, Hsinchu County. It is now largely acculturated to the Atayal. The Southern group speaks the Tungho dialect, also referred to as the Southern dialect. Most of the population is distributed throughout the valley delineated by the Eastern and the Southern rivers in Nanchuang Township, Miaoli County and further divided into two major communities, Tungho and Penglai dispersed in a number of villages/settlements. A small amount of the population among the Southern group is also located in the upper reaches of the Shihtan River in Shihtan Township, Miaoli County and forms a third community, referred to as Shihtan. The major difference between the two dialects is said to lie in their phonologies but no study has so far attempted to determine the amount of lexical and morpho-syntactic variation. The goal of this monograph is to provide a functional and empirically-based study of the morphology of Tungho Saisiyat in an attempt to clarify the morphological units, morphological processes, major lexical categories of this language and further discuss its nominal and verbal morphology. The choice to orient this study towards morphology is explained by the fact that even though Saisiyat is now one of the best documented Formosan languages – there is one grammatical sketch and numerous studies on various aspects of Saisiyat grammar – there are still few studies on Saisiyat morphology, which level of complexity has been overlooked in the past.
