Beats at Naropa

Beats at Naropa

Author: Anne Waldman

Publisher:

Published: 2009

Total Pages: 0

ISBN-13: 9781566892278

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"At Naropa University's Jack Kerouac School of Disembodied Poetics, there has long been an illuminating, dynamic, ongoing exchange of ideas about the history and legacy of the Beat Generation--an exchange fortunately that has been carefully archived and preserved. This valuable anthology does not further embalm the 'legend' of the Beats. Instead it allows its readers to hear authentic voices --Allen Ginsberg, William Burroughs, John Clellon Holmes, Diane di Prima, Philip Whalen, etc.--as well as introducing the thoughtful and responsible work of leading Beat scholars."--Joyce Johnson Amassed from the riches of the Naropa University audio archives, this collection offers an exciting new look at the Beats--whose influence lives on in the art and politics of our time. In this often spontaneous, conversational book, readers are introduced to the hard truths behind being a Beat woman, the haunting accuracy of William Burroughs's world-view, the passion and energy of Allen Ginsberg and Anne Waldman, Jack Kerouac's unexpected musicality, Diane DiPrima's foray into small press publishing, Michael McClure's account of the famous first reading of "Howl," and, most of all, the inspirations behind America's most provocative and prescient thinkers. Contributors include: David Amram Amiri Baraka Ted Berrigan Junior Burke William S. Burroughs Lorna Dee Cervantes Ann Charters Clark Coolidge Gregory Corso Diane di Prima Lawrence Ferlinghetti Rick Fields Allen Ginsberg David Henderson Abbie Hoffman John Clellon Holmes Joyce Johnson Hettie Jones Edie Parker Kerouac Joanne Kyger Michael McClure William S. Merwin John Oughton Marjorie Perloff David Rome Edward Sanders Gary Snyder Janine Pommy Vega Steven Taylor Chögyam Trungpa, Rinpoche Anne Waldman Philip Whalen Laura Wright Joshua Zim


Civil Disobediences

Civil Disobediences

Author: Anne Waldman

Publisher:

Published: 2004

Total Pages: 488

ISBN-13:

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With incisive energy, wit, and wisdom, these powerful essays explore the intersection between poetry and politics.


Trickster Feminism

Trickster Feminism

Author: Anne Waldman

Publisher: Penguin

Published: 2018-07-03

Total Pages: 162

ISBN-13: 0525504346

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New from celebrated poet and performer Anne Waldman - an edgy, visionary collection that meditates on gender, existence, passion and activism Mythopoetics, shape shifting, quantum entanglement, Anthropocene blues, litany and chance operation play inside the field of these intertwined poems, which coalesced out of months of protests with some texts penned in the streets. Anne Waldman looks to the imagination of mercurial possibility, to the spirits of the doorway and of crossroads, and to language that jolts the status quo of how one troubles gender and outwits patriarchy. She summons Tarot's Force Arcana, the passion of the suffragettes, and various messengers and heroines of historical, hermetic, and heretical stance, creating an intersectionality of lived experience: class, sexuality, race, politics all enter the din. These are experiments of survival.


Vow to Poetry

Vow to Poetry

Author: Anne Waldman

Publisher:

Published: 2001

Total Pages: 392

ISBN-13:

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A trumpet call from our most iconoclastic poet that tears down the walls of prescribed creative processes.


The Beat Book

The Beat Book

Author: Anne Waldman

Publisher:

Published: 1996

Total Pages: 410

ISBN-13:

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An anthology of the best of the beats edited by Anne Waldman (who should know) and containing a chronology of the movement from Kerouac to Snyder. The emphasis is on the the poetry and prose excerpts; However, the volume includes brief biographical sketches, an introduction by Ginsberg, a recommended beat vacation guide of the places where the gang passed out or recovered, and more scholarly references. The writers selected for inclusion represent the core of beat: Corso, Kerouac, Ginsberg, Orlovsky, di Prima, Burroughs, Baraka, Ferlinghetti, Kyger, Kandel, Kaufman, Whalen, McClure, and Snyder. Annotation copyright by Book News, Inc., Portland, OR


Poetic Machinations

Poetic Machinations

Author: Michael Golston

Publisher: Columbia University Press

Published: 2015-09-01

Total Pages: 319

ISBN-13: 0231538634

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The shape, lineation, and prosody of postmodern poems are extravagantly inventive, imbuing both form and content with meaning. Through a survey of American poetry and poetics from the end of World War II to the present, Michael Golston traces the proliferation of these experiments to a growing fascination with allegory in philosophy, linguistics, critical theory, and aesthetics, introducing new strategies for reading American poetry while embedding its formal innovations within the history of intellectual thought. Beginning with Walter Benjamin's explicit understanding of Surrealism as an allegorical art, Golston defines a distinct engagement with allegory among philosophers, theorists, and critics from 1950 to today. Reading Fredric Jameson, Angus Fletcher, Roland Barthes, and Craig Owens, and working with the semiotics of Charles Sanders Pierce, Golston develops a theory of allegory he then applies to the poems of Louis Zukofsky and Lorine Niedecker, who, he argues, wrote in response to the Surrealists; the poems of John Ashbery and Clark Coolidge, who incorporated formal aspects of filmmaking and photography into their work; the groundbreaking configurations of P. Inman, Lyn Hejinian, Myung Mi Kim, and the Language poets; Susan Howe's "Pierce-Arrow," which he submits to semiotic analysis; and the innovations of Craig Dworkin and the conceptualists. Revitalizing what many consider to be a staid rhetorical trope, Golston positions allegory as a creative catalyst behind American poetry's postwar avant-garde achievements.