A thrilling novel about a, factual account of the Tennessee-Mississippi state line controversies and corruptions spanning over four decades, 500 pages written in novel form; Get immersed in the lives and stories of Buford Pusser, Jack and Louise Hathcock, Nelson Timlake, George North, W.O. Hathcock, Carl White, Junior and Shirley Smith, and countless others.. Read the words of Camilla Floyd as she chillingly shares her father's confessions before he dies, and examine the evidence that law enforcement blatantly ignored for their own gains. In addition to reading the accounts and stories of these people, you will view never before seen pictures, documents, and artifacts that were never released to the public.Like all ghost stories, it's simply what you dare to believe. PURCHASE TODAY : Amazon.com
A former state legislator and a political scientist team up to show how New York's legislature was once the nation's model professional legislature, and how it might recover from its present dysfunction.
With the elements against them, the state troopers of Alaska face every day with a fight for their lives. In the state of Alaska, anything goes. For the state troopers, an average day can include blizzard conditions, midnight sunsets, and subzero temperatures. Tales of the Alaska State Troopers gives insight to just how the brave men and women of the law combat these conditions while still upholding their duties to the fine people of Alaska. Follow trooper Dan Valentine as he finds himself in the midst of a crisis when an abandoned truck holds more than just an old blanket on the passenger seat. Dan’s responsibility for the town of Trapper Creek becomes a fight for survival when he realizes the truck has enough explosives in it to make a small dent in the Alaska Range. With his fellow lawmen, Valentine not only must handle the situation, but he must also make sure that the citizens of Trapper Creek are evacuated from harm’s way. Tales of the Alaska State Troopers is rich in content and action. Anyone familiar with the life of a lawman or the state of Alaska will be fascinated with the way Mathiesen delivers his narrative. It’s all in a day’s work for troopers like Dan Valentine, who never know what a new day can bring.
Exploring the uncanny perception of depth in Tolkien's writing and world-building A Sense of Tales Untoldexamines the margins of J. R. R. Tolkien's work: the frames, edges, allusions, and borders between story and un-story and the spaces between vast ages and miniscule time periods. The untold tales that are simply implied or referenced in the text are essential to Tolkien's achievement in world-building, Peter Grybauskas argues, and counter the common but largely spurious image of Tolkien as a writer of bloated prose. Instead, A Sense of Tales Untold highlights Tolkien's restraint--his ability to check the pen to great effect. The book begins by identifying some of Tolkien's principal sources of inspiration and his contemporaries, then summarizes theories and practices of the literary impression of depth. The following chapters offer close readings of key untold tales in context, ranging from the shadowy legends at the margins of The Lord of the Rings to the nexus of tales concerning Túrin Turambar, the great tragic hero of the Elder Days. In his frequent retellings of the Túrin legend, Tolkien found a lifelong playground for experimentation with untold stories. "A story must be told or there'll be no story, yet it is the untold stories that are most moving," wrote Tolkien to his son during the composition of The Lord of the Rings, cutting straight to the heart of the tension between storytelling and world-building that animates his work. From the most straightforward form of an untold tale--an omission--to vast and tangled webs of allusions, Grybauskas highlights this tension. A Sense of Tales Untold engages with urgent questions about interpretation, adaptation, and authorial control, giving both general readers and specialists alike a fresh look at the source material of the ongoing "Tolkien phenomenon."
The stories in the Grimm brothers' Kinder- und Hausmärchen (Children's and Household Tales), first published in 1812 and 1815, have come to define academic and popular understandings of the fairy tale genre. Yet over a period of forty years, the brothers, especially Wilhelm, revised, edited, sanitized, and bowdlerized the tales, publishing the seventh and final edition in 1857 with many of the sexual implications removed. However, the contributors in Transgressive Tales: Queering the Grimms demonstrate that the Grimms and other collectors paid less attention to ridding the tales of non-heterosexual implications and that, in fact, the Grimms' tales are rich with queer possibilities. Editors Kay Turner and Pauline Greenhill introduce the volume with an overview of the tales' literary and interpretive history, surveying their queerness in terms of not just sex, gender and sexuality, but also issues of marginalization, oddity, and not fitting into society. In three thematic sections, contributors then consider a range of tales and their queer themes. In Faux Femininities, essays explore female characters, and their relationships and feminine representation in the tales. Contributors to Revising Rewritings consider queer elements in rewritings of the Grimms' tales, including Angela Carter's The Bloody Chamber, Jeanette Winterson's Twelve Dancing Princesses, and contemporary reinterpretations of both "Snow White" and "Snow White and Rose Red." Contributors in the final section, Queering the Tales, consider queer elements in some of the Grimms' original tales and explore intriguing issues of gender, biology, patriarchy, and transgression. With the variety of unique perspectives in Transgressive Tales, readers will find new appreciation for the lasting power of the fairy-tale genre. Scholars of fairy-tale studies and gender and sexuality studies will enjoy this thought-provoking volume.
The stories in Detroit Tales are tales about urban, working- class America. People struggle both to remain in the city and to escape the city. The three central motifs of this collection are the city, the workplace, and the automobile. If these stories have one unifying theme, it is that escape is not the answer. When the pulls of friendship and love and personal responsibility draw us back to our ordinary homes and our ordinary jobs, we must trust those pulls, and we must lead those lives with as much dignity as we can muster.
2012 CHOICE Outstanding Academic Title Most early fairy tale authors had a lot to say about what they wrote. Charles Perrault explained his sources and recounted friends' reactions. His niece Marie-Jeanne Lhéritier and her friend Marie-Catherine d'Aulnoy used dedications and commentaries to situate their tales socially and culturally, while the raffish Henriette Julie de Murat accused them all of taking their plots from the Italian writer Giovan Francesco Straparola and admitted to borrowing from the Italians herself. These reflections shed a bright light on both the tales and on their composition, but in every case, they were removed soon after their first publication. Remaining largely unknown, their absence created empty space that later readers filled with their own views about the conditions of production and reception of the tales. What their authors had to say about "Puss in Boots," "Cinderella," "Sleeping Beauty," and "Rapunzel," among many other fairy tales, is collected here for the first time, newly translated and accompanied by rich annotations. Also included are revealing commentaries from the authors' literary contemporaries. As a whole, these forewords, afterwords, and critical words directly address issues that inform the contemporary study of European fairy tales, including traditional folkloristic concerns about fairy tale origins and performance, as well as questions of literary aesthetics and historical context.
