This is a very useful bilingual version English-Spanish to improve your Spanish and learn new vocabulary. At least we hope you will enjoy these amazing tales by Conan-Doyle. Every paragraph is connected by links so that you can read quickly the English and Spanish text. ANTES DE CONTINUAR, ¿conoces La bandera verde y otros relatos? Aquí tienes el enlace: https://play.google.com/store/books/details/Sir_Arthur_Conan_Doyle_La_bandera_verde_y_otros_re?id=Cg8iCgAAQBAJ CUENTOS DE TERROR está en Español y en Inglés para que puedas practicar y aprender. El maestro del suspense nos sorprende con estos 6 fantásticos relatos con final sorprendente. La traducción se ha llevado a cabo con el mimo y el respeto al texto original que se merece una obra como ésta. Son relatos para disfrutar de esa manera de narrar que sólo posee Conan Doyle.
A follow up to Uncle Montague's Tales of Terror, this is another creepy middle grade story collection with a chilling frame. This time, the stories are all tales of the sea: pirates and plagues and storms a plenty...
A boy is put on a train by his stepmother to make his first journey on his own. But soon that journey turns out to be more of a challenge than anyone could have imagined as the train stalls at the mouth of a tunnel and a mysterious woman in white helps the boy while away the hours by telling him stories - stories with a difference.
This spine-tingling novel has more than enough fear factor for the most ardent fan of scary stories. Uncle Montague lives alone in a big house, but regular visits from his nephew, Edgar, give him the opportunity to recount some of the frightening stories he knows. As each tale unfolds, an eerie pattern emerges of young lives gone awry in the most terrifying of ways. Young Edgar begins to wonder just how Uncle Montague knows all these ghastly tales. This clever collection of stories-within-a-story is perfectly matched with darkly witty illustrations by David Roberts. Look for the other spine-tingling book in Chris Priestley's Tales of Terror series, Tales of Terror from the Black Ship!
This Bram Stoker Award–winning collection is “certain to stick in your mind long after you’ve turned the last page” (St. Louis Post-Dispatch). Includes “Big Momma,” a finalist for the International Thriller Writers Award for Best Short Story Here are six of Joyce Carol Oates’s most “frightening—and deeply disturbing—short stories” (Pittsburgh Post-Gazette). In the titular story, a boy becomes obsessed with his cousin’s doll after her tragic death. As he grows older, he begins to collect “found dolls” from surrounding neighborhoods . . . each with its own sinister significance. In “Gun Accident,” a teenage girl is delighted to house-sit for her favorite teacher, until an intruder forces his way inside—changing more than one life forever. The collection closes with the taut tale of a mystery bookstore owner whose designs on a rare bookshop in scenic New Hampshire devolve into a menacing game with real-life consequences. “At the heart of each story is a predator-prey relationship, and what makes them so terrifying is that most of us can easily picture ourselves as the prey, at least at some time during our lives” (Minneapolis Star-Tribune). “Everything she writes, in whatever genre, has an air of dread, because she deals in vulnerabilities and inevitabilities, in the desperate needs that drive people . . . to their fates. A sense of helplessness is the essence of horror, and Oates conveys that feeling as well as any writer around.” —Terrence Rafferty, The New York Times Book Review “One of the stranger parts of the human condition may be our deep fascination, and at times troubling exploration, of the darker aspects of our nature . . . No other author explores the ugly, and at times, blazingly unapologetic underbelly of these impulses quite like Joyce Carol Oates in The Doll-Master.” —Pittsburgh Post-Gazette “In her new collection . . . [Oates] relishes moments of gothic melodrama, while rooting them firmly in grindingly ordinary American lives.” —The Guardian “Oates convincingly demonstrates her mastery of the macabre with this superlative story collection . . . This devil’s half-dozen of dread and suspense is a must read.” —Publishers Weekly, starred review
Human beings are the only species to have evolved the trait of emotional crying. We weep at tragedies in our lives and in those of others - remarkably even when they are fictional characters in film, opera, music, novels, and theatre. Why have we developed art forms - most powerfully, music - which move us to sadness and tears? This question forms the backdrop to Michael Trimble's discussion of emotional crying, its physiology, and its evolutionary implications. His exploration examines the connections with other distinctively human features: the development of language, self-consciousness, religious practices, and empathy. Neuroanatomy and neurophysiology of the brain have uncovered unique human characteristics; mirror neurones, for example, explain why we unconsciously imitate actions and behaviour. Whereas Nietzsche argued that artistic tragedy was born with the ancient Greeks, Trimble places its origins far earlier. His neurophysiological and evolutionary insights shed fascinating light onto this enigmatic part of our humanity.
A classic tale of terror and grotesquerie by the original master of horror H. P. Lovecraft proclaimed his Dunwich Horror "so fiendish" that his editor at Weird Tales "may not dare to print it." The editor, fortunately, knew a good thing when he saw it. One of the core Cthulhu stories, The Dunwich Horror introduces us to the grim village of Dunwich, where each member of the Whateley family is more grotesque than the other. There's the grandfather, a mad old sorcerer; Lavinia, the deformed, albino woman; and Wilbur, a disgusting specimen who reaches full manhood in less than a decade. And above all, there's the mysterious presence in the farmhouse, unseen but horrifying, which seems to be growing . . . Wilbur tracks down an original edition of the Necronomicon and breaks into a library to steal it. But his reward eludes him: he gets caught, and the result is death by guard dog. Meanwhile, left unattended, the monster at the Whateley house keeps expanding, until the farmhouse explodes and the beast is unleashed to terrorize the poor, aggrieved village of Dunwich. As chilling today as it was upon its publication in 1929, The Dunwich Horror is a horrifying masterwork by the man Stephen King called "the twentieth century's greatest practitioner of the classic horror tale."
SOON TO BE A MAJOR MOTION PICTURE All of the Scary Stories books are now available in one hardcover! These stories are some of the most terrifying tales of horror, revenge, and supernatural events of all time, collected and retold by Alvin Schwartz and featuring the classic artwork by Stephen Gammell. This jacketed hardcover edition includes the complete original books in the series in one volume: Scary Stories to Tell in the Dark More Scary Stories to Tell in the Dark Scary Stories 3: More Tales to Chill Your Bones
