In this diverse collection of short stories, various young characters encounter kings and trolls, wild horses and rainbow-coloured sheep as they learn to find the magic in the stories all around them. With a tale based on the story of Rhiannon from the Mabinogion and another set in Hay-on-Wye.
A collection of 83 short fairy tales, including; The Lady of the Lake; Arthur in the Cave; The Curse of Pantannas; The Drowning of the Bottom Hundred; Elidyr's Sojurn in Fairy-Land; Rhys and Llywelyn; Lowri Dafydd Earns a Purse of Gold; The Llanfabon Changeling; Why the Red Dragon is the Emblem of Wales; Llyn Cwm Llwch; The Adventures of Three Farmers; Cadwaladr and His Goat; The Fairy Wife; Einion and the Lady of the Greenwood; The Green Isles of the Ocean; March's Ears; The Fairy Harp; Guto Bach and the Fairies; Ianto's Chase; The Stray Cow, and many more.
A lone man wanders from swamp to swamp searching for himself, a wolf-girl visits Wales and eats the sheep, a Welsh criminal marries an 'Indian Princess', Lakota men re-enact the Wounded Knee Massacre in Cardiff and, all the while, mountain women practise Appalachian hoodoo, native healing and Welsh witchcraft. These stories are a mixture of true tales, tall tales and folk tales, that tell of the lives of migrants who left Wales and settled in America, of the native and enslaved people who had long been living there, and those curious travellers who returned to find their roots in the old country. They were explorers, miners, dreamers, hobos, tourists, farmers, radicals, showmen, sailors, soldiers, witches, warriors, poets, preachers, prospectors, political dissidents, social reformers, and wayfaring strangers. The Cherokee called them: ' the Moon-Eyed People'.
"How Green Was My Valley" is Richard Llewellyn's bestselling -- and timeless -- classic and the basis of a beloved film. As Huw Morgan is about to leave home forever, he reminisces about the golden days of his youth when South Wales still prospered, when coal dust had not yet blackened the valley. Drawn simply and lovingly, with a crisp Welsh humor, Llewellyn's characters fight, love, laugh and cry, creating an indelible portrait of a people.
As summer fades, young telegraph clerk Arnold Nettle arrives in an unspecified English village. Sickly and shy, he hopes that the season will be far less damaging to his frail disposition than another winter spent in town. Repulsed by the crude behaviour of his working-class landlady and her brood, he becomes enamoured with the middle-class Neran family, who live in a large white house on the hill. But they're not without problems of their own...
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Geraint Penderyn grew up in dire poverty with his mother in Wales until it was discovered that, as she had always claimed, he was the legitimate child of the Earl of Wyvern's deceased son. Geraint was snatched away from all that was familiar and dear to him—his mother, his friends, the girl he loved—and sent to school in England to be educated as an English gentleman and future earl. Now, years later, he is back as the new Earl of Wyvern, only to discover that all is not well with his home and his people. His fellow landowners—and his own steward—have been oppressing their tenant farmers and driving them from the land. The farmers are fighting back by destroying the tollgates that have been erected to make it impossible for them to afford to travel to purchase supplies and market their goods. Geraint's old friends scorn him as just another wealthy, privileged English landowner. Marged Evans, the woman he had loved, hates him passionately and blames him for the death of her husband. Geraint is caught firmly between two worlds. One of them, that of the landowners, he rejects; the other, that of his old friends, rejects him. He comes to the conclusion that the only way he can help his people and free them from oppression is to become one of them as their leader. But it must be done secretly, under a disguise that none of them will ever penetrate.
While Being Mortal (Atul Gawande) helped us understand disease and death, and Successful Aging (Daniel J. Levitin) showed us older years can be a time of joy and resilience, Happily Ever Older reveals how the right living arrangements can create a vibrancy that defies age or ability. Reporter Moira Welsh has spent years investigating retirement homes and long-term care facilities and wants to tell the dangerous stories. Not the accounts of falls or bedsores or overmedication, but of seniors living with purpose and energy and love. Stories that could change the status quo. Welsh takes readers across North America and into Europe on a whirlwind tour of facilities with novel approaches to community living, including a day program in a fake town out of the 1950s, a residence where seniors school their student roommates in beer pong, and an aging-in-place community in a forest where everyone seems to have a pet or a garden or both. The COVID-19 pandemic cruelly showed us that social isolation is debilitating, and Welsh tells stories of elders living with friendship, new and old, in their later years. Happily Ever Older is a warm, inspiring blueprint for change, proof that instead of warehousing seniors, we can create a future with strong social connections and a reason to go on living.