Tales from Around the African Campfire By: Michael C. Tredway Tales from Around the African Campfire is a collection of short stories told by African villagers, soldiers, and wildlife rangers while passing the time sitting around the campfire at night. After years of collecting and retelling these stories, author Michael C. Tredway began sharing these stories with his friends and family. People, even those not familiar with African life, seemed to enjoy these anecdotes and found humor in them. Mr. Tredway decided it would be a great idea to share the stories with a larger audience. It is his hope that readers can find humor and wisdom in the stories, as well as a better appreciation of African wildlife.
This study deals with a particular kind of short story in South African English literature - a kind of story variously called the fireside tale, tall tale, skaz narrative or (the term used here) the 'oral-style' story. Most famously exemplified in the Oom Schalk Lourens narratives of Herman Charles Bosman, the oral-style story has its roots in the hunting tale and camp-fire yarn of the nineteenth century and has dozens of exponents in South African literature, most of them long forgotten. Here this neglect has been addressed. A.W. Drayson's Tales at the Outspan (1862) provides a point of departure, and is followed by discussions of works by William Charles Scully, Percy FitzPatrick, Ernest Glanville, Perceval Gibbon, Francis Carey Slater, Pauline Smith, and Aegidius Jean Blignaut, all of whom used the oral-style story genre. In the work of Herman Charles Bosman, however, the South African oral-style story comes into its own. In his Oom Schalk Lourens figure is invested all of the complexity and 'double-voicedness' that was latent - and largely dormant - in the earlier works. Bosman demonstrates his sophistication particularly in his metafictional use of the oral-style story. The study concludes with a discussion of the use of oral forms in the work of more recent black writers - among them Bessie Head, Mtutuzeli Matshoba, and Njabulo Ndebele.
A hilarious, highly original collection of essays based on the Botswana truism: “only food runs!” In the tradition of Bill Bryson, a new writer brings us the lively adventures and biting wit of an African safari guide. Peter Allison gives us the guide’s-eye view of living in the bush, confronting the world’s fiercest terrain of wild animals and, most challenging of all, managing herds of gaping tourists. Passionate for the animals of the Kalahari, Allison works as a top safari guide in the wildlife-rich Okavango Delta. As he serves the whims of his wealthy clients, he often has to stop the impulse to run as far away from them as he can, as these tourists are sometimes more dangerous than a pride of lions. No one could make up these outrageous-but-true tales: the young woman who rejected the recommended safari-friendly khaki to wear a more “fashionable” hot pink ensemble; the lost tourist who happened to be drunk, half-naked, and a member of the British royal family; establishing a real friendship with the continent’s most vicious animal; the Japanese tourist who requested a repeat performance of Allison’s being charged by a lion so he could videotape it; and spending a crazy night in the wild after blowing a tire on a tour bus, revealing that Allison has as much good-natured scorn for himself. The author’s humor is exceeded only by his love and respect for the animals, and his goal is to limit any negative exposure to humans by planning trips that are minimally invasive—unfortunately it doesn’t always work out that way! Peter Allison is originally from Sydney, Australia. His safaris have been featured in National Geographic, Conde Nast Traveler, and on television programs such as Jack Hanna’s Animal Adventures. He travels frequently to speaking appearances, and splits most of his time between Botswana, Sydney, and San Francisco.
Sir Laurens van der Post, author, film-maker, storyteller of world-wide renown, soldier, prisoner of war, political advisor to heads of state, humanitarian, explorer, conservationist... the list goes on and on. His extraordinary curiosity, his love for the small and the great, and his tremendous feeling and concern for his surroundings and all that they included, set him travelling the lands and the waters of the world, a messenger in search of meaning. He touched and inspired many along the way, some of whom are to be found in the pages of this book. A true man of his time, Sir Laurens was born in 1906 in the interior of South Africa, served in the British forces during World War II, including three-and-a-half years in Japanese captivity, and lived and worked since that time in London, where he died just after celebrating his 90th birthday in December, 1996. 'The Rock Rabbit and The Rainbow' was originally conceived as a Festschrift, or gift collection of writings, for Sir Laurens by several of his friends and then evolved into its present form, which includes numerous original contributions by Sir Laurens himself.
Never in the long history of sport and adventure has there been a book like Legends of the Hunt. In more than 80 stories and 120 paintings, renowned wildlife artist John Seerey-Lester takes you back to the 1850-1935 period, the Golden Age of hunting and exploration on three continents. Each exciting chapter in this beautiful, large-format book relives the fascinating and often life-threatening exploits of Theodore Roosevelt, Jim Corbett, Charles Sheldon, Carl Akeley, Bror Blixen, John Henry Patterson, and many others as they pursue dangerous game in the wildest and most remote parts of the world. This book is destined to become one of the most highly acclaimed sporting titles of the year.
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
"An enraged elephant flips a car onto its roof. A lioness prises open the door of a terrified couple. A leopard helps itself to a family's picnic breakfast. A fleeing impala leaps through an open car window. A lion charges around inside a busy rest camp. A hyaena snatches a baby from a tent. A tourist takes a bath in a croc-infested dam ... These are just a few of the 101 jaw-dropping sightings, scrapes and encounters in this collection of extraordinary true stories from the roads, camps, picnic sites and walking trails of South Africa's Kruger National Park, as told by the very people who experienced them. There are no game ranger tales here - each and every story happened to an ordinary Kruger visitor doing what over a million tourists do in this spectacular reserve each year."--Back cover.
Riding in Africa captures the escapades of more than twelve journeys to Africa. Author Ian Williams offers sage-if somewhat tongue-in-cheek-advice on how to get from one end of an African horse safari to the other without killing yourself. Read about African flora and fauna, evolution, history, language, the eccentricities of human character, and above all, the perspectives of a scientist-adventurer who puts himself on life's edge. Williams tells of succumbing to pneumonia in the foothills of Mount Kenya, his experiences in a small African cottage hospital and later in the Nairobi Hospital, part of which he spends in morphine-induced delirium and part in the hospital room reserved for former Kenyan strong man, Daniel arap Moi. Williams also shares stories of adventures with horses and people while riding through the savannahs of Kenya, the mountains of Malawi, the swamps of Botswana, the deserts of Namibia, and the Lapalala Wilderness, home to the fearsome black rhino. Riding in Africa is about middle passages: the leap from one side of fifty to the other and the fine line between life and death.
Legends of the Hunt: Campfire Tales, the much-anticipated sequel to John Seerey-Lester's 2009 Legends of the Hunt, features more than 130 paintings by the artist and some sixty exciting stories covering the remarkable true-life adventures of many of the world's greatest hunters, explorers, and conservationists. You will read stories about such legends as Theodore Roosevelt and African professional hunter J. A. Hunter; the true story of Grizzly Adams; harrowing encounters involving William Hornaday and Ernest Thompson Seton; and a gut-wrenching story about Carl Akeley. There are many other legends in this spellbinding book, which brings to life all the tales that were told around campfires over the past 150 years. As you gaze at Seerey-Lester's authentic, wonderfully absorbing images, you will smell the smoke from the campfire, feel the freezing rain against your skin, and taste the dust from the African plains. Most certainly you will find yourself drifting back in time to join those honored men and women as they relate their adventures around the campfire.
