This book relates the stories and describes the memorials of the people buried in Shelby, North Carolina's historic Sunset Cemetery, a microcosm of the Southeastern United States. The authors, an academic and a journalist, detail the lives and memories of people who are buried here, from Civil War soldiers to those who created the Jim Crow South and promoted the narrative of the Lost Cause. Featured are authors W.J. Cash and Thomas Dixon, whose racist novel was the basis for The Birth of a Nation. Drawn from historical research and local memory, it includes the tales of musicians Don Gibson and Bobby "Pepper Head" London, as well as a paratrooper who died in the Battle of the Bulge and other ordinary folks who rest in the cemetery. A bigger responsibility is to give a voice to the silenced, enslaved people of color buried in unmarked graves. Cemeteries are sacred places where artistry and memory meet--to understand, we need both the tales and the tombstones.
This volume develops robust, constructive, practical ethics of corpse care that address economic, environmental, and pastoral concerns for caring for the dead.
Certain symbols abound in modern Western culture that are instantly recognizable: the cross signifies Christianity, the six-pointed Star of David is revered by Jews, the golden arches frequently means it's time for lunch. Other symbols, however, require a bit of decoding-particularly those found in cemeteries. Cemeteries are virtual encyclopedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person: date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book Stories in Stone: The Complete Guide to Cemetery Symbolism by noted author Douglas Keister, the secrets of cemetery symbolism are finally revealed. Did you know that it is quite rare to see a sunflower on a tombstone? Did you know that the human foot symbolizes humility and service since it consistently touches the earth? Or the humble sheaf of wheat-while it is often used to denote someone who has lived a long and fruitful life? Do you know other meanings it might carry? Stories in Stone provides history along with images of a wide variety of common and not-so-common cemetery symbols, and offers an in-depth examination of stone relics and the personal and intimate details they display-flora and fauna, religious icons, society symbols, and final impressions of how the deceased wished to be remembered. Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner. Douglas Keister has photographed fourteen award-winning, critically acclaimed books (including Red Tile Style: America's Spanish Revival Architecture, The Bungalow: America's Arts & Crafts Home, and Storybook Style: America's Whimsical Homes of the Twenties) earning him the title "America's most noted photographer of historic architecture." He also writes and illustrates magazine articles and contributes photographs and essays to other books, calendars, posters, and greeting cards. Doug lives in Chico, California, and travels frequently to photograph and lecture on historic architecture and photography.
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
Uncle Tom Allen once told me that every time you speak a name of someone deceased somewhere, somehow they feel it and it makes them feel good. My mother had a hobby of clipping obituaries out of newspapers, which she started before I was ever born. She said that they made her laugh and they made her cry. They gave her strength during trying times. After I was born, I too took up the hobby and later in life began to share some of the old epitaphs with friends. This book is a collection of those obituaries, witty epitaphs and a list of where famous people are buried. Later, I wrote newspaper articles and shared with my readers some of these old epitaphs. They wrote me letters telling me how they enjoyed them. Later, I sent copies to friends in the hospital and nursing homes. They told me it cheered them up. So, I decided to write this book to prove that there is some wit in death. It will make you laugh, cry and feel good!
