Afternoon Delight

Afternoon Delight

Author: Carolyn Hinsey

Publisher: Brian

Published: 2011-05-01

Total Pages: 317

ISBN-13: 9780984440634

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Forget everything you've heard about the daytime soap opera going the way of the old Betamax tapes that were used to record them. The style and influence of the afternoon serial resonate in every existing dramatic entertainment and reality show, as the soaps continue to engross and entertain millions of viewers around the world every single day. In Afternoon Delight: Why Soaps Still Matter, author and veteran soap expert Carolyn Hinsey brings a unique passion and perspective to the genre, having covered daytime television for more than twenty years. In this enthralling new work, she shares all the dirt, dish, and drama that make soaps great from what happens on-set to what makes it on-air, from backstage drama to back room dealings, and all the sensational soapy scandal from the daytime bedroom to the network boardroom.Filled with fascinating anecdotes, celebrity contributions, insider analyses, and a true fan's perspective; Afternoon Delight: Why Soaps Still Matter vividly makes the case that daily dramas still serve up a delicious dish of programming with a purpose. Where are we now? The #1 soap "The Young and the Restless," currently has over 4 million viewers every day (take that, Jon Stewart!). "As The World Turns" went off the air in Sept. 2010 with a higher rating than "Mad Men." Clearly, there is enormous interest in the still-surviving daytime soaps and a desire for them to thrive for another 50 years. Soap operas have blazed a trail across television that continues to be relevant in our homes and in our lives to this day; to millions of loyal viewers there is no doubt that you can still find plenty of love in the afternoon!


Her Stories

Her Stories

Author: Elana Levine

Publisher: Duke University Press

Published: 2020-03-06

Total Pages: 267

ISBN-13: 1478009063

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Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.


Consuming Pleasures

Consuming Pleasures

Author: Jennifer Hayward

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 354

ISBN-13: 0813184479

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"To be continued..." Whether these words fall at the end of The Empire Strikes Back or a TV commercial flirtation between coffee-loving neighbors, true fans find them impossible to resist. Ever since the 1830s, when Charles Dickens's Pickwick Papers enticed a mass market for fiction, the serial has been a popular means of snaring avid audiences. In Consuming Pleasures jennifer Hayward establishes serial fiction as a distinct genre-one defined by the activities of its audience rather than by the formal qualities of the text. Ranging from installment novels, mysteries, and detective fiction of the 1800s to the television and movie series, comics, and advertisements of the twentieth century, serials are loosely linked by what may be called, after Wittgenstein, "family resemblances." These traits include intertwined subplots, diverse casts of characters, dramatic plot reversals, suspense, and such narrative devices as long-lost family members and evil twins. Hayward chooses four texts—Dickens's novel Our Mutual Friend (1864-65), Milton Caniff's comic strip Terry and the Pirates (1934-46), and the soap operas All My Children (1970-) and One Life to Live (1968-)—to represent the evolution of serial fiction as a genre, and to analyze the peculiar draw serials have upon their audiences. Although the serial has enjoyed great marketplace success, traditional literary and social critics have denounced its ties to mass culture, claiming it preys upon passive fans. But Hayward argues that active serial audiences have developed identifiable strategies of consumption, such as collaborative reading and attempts to shape the production process.


Television Studies

Television Studies

Author: Jonathan Gray

Publisher: John Wiley & Sons

Published: 2019-01-15

Total Pages: 183

ISBN-13: 1509531823

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Television Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field. What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television. For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course.


Channels of Discourse, Reassembled

Channels of Discourse, Reassembled

Author: Robert Allen

Publisher: Univ of North Carolina Press

Published: 2010-01-27

Total Pages: 429

ISBN-13: 0807898872

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Since its original publication in 1987, Channels of Discourse has provided the most comprehensive consideration of commercial television, drawing on insights provided by the major strands of contemporary criticism: semiotics, narrative theory, reception theory, genre theory, ideological analysis, psychoanalysis, feminist criticism, and British cultural studies. The second edition features a new introduction by Robert Allen that includes a discussion of the political economy of commercial television. Two new essays have been added--one an assessment of postmodernism and television, the other an analysis of convergence and divergence among the essays--and the original essays have been substantially revised and updated with an international audience in mind. Sixty-one new television stills illustrate the text. Each essay lays out the general tenets of its particular approach, discusses television as an object of analysis within that critical framework, and provides extended examples of the types of analysis produced by that critical approach. Case studies range from Rescue 911 and Twin Peaks to soap operas, music videos, game shows, talk shows, and commericals. Channels of Discourse, Reassembled suggests new ways of understanding relationships among television programs, between viewing pleasure and narrative structure, and between the world in front of the television set and that represented on the screen. The collection also addresses the qualities of popular television that traditional aesthetics and quantitative media research have failed to treat satisfactorily, including its seriality, mass production, and extraordinary popularity. The contributors are Robert C. Allen, Jim Collins, Jane Feuer, John Fiske, Sandy Flitterman-Lewis, James Hay, E. Ann Kaplan, Sarah Kozloff, Ellen Seiter, and Mimi White.


Communication Yearbook 15

Communication Yearbook 15

Author: Stanley A. Deetz

Publisher: Routledge

Published: 2012-05-23

Total Pages: 691

ISBN-13: 1135148309

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First published in 2012. The Communication Yearbook 15 focuses on cultural studies and the social production of maning in relation to mass media messages. Included are significant issues in persuasion, language and dominance and interpersonal communication.


The Dynasty Years

The Dynasty Years

Author: Jostein Gripsrud

Publisher: Routledge

Published: 2003-09-02

Total Pages: 333

ISBN-13: 1134884907

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The Dynasty Years documents and analyses in detail 'the Dynasty phenomenon', the hotly debated success of the Hollywood-made 'Rolls Royce of a primetime soap' which heralded a profound transformation of European television. From the operatic camp of Krystle and Alexis' fight in the lilypond or the Moldavian wedding massacre to the unprecedented gay sub-plot, Dynasty represented, in the words of co-producer Esther Shapiro, "the ultimate dollhouse fantasy for middle-aged women". Using evidence from audience survey results, newspaper and magazine clippings and letters to broadcasters and drawing on semiotics, psychoanalysis, feminism and critical social theories, Jostein Gripsrud examines every aspect of Dynasty's production, reception and context. The result is a groundbreaking critical study. Jostein Gripsrud offers a theoretical but empirically grounded critique of many central positions in media studies, including notions of 'audience resistance' and the 'sovereign' audience and its freedom in meaning-making, arguing against what he perceives as the uncritical celebrations of the soap-opera genre in much contemporary media criticism.


Communication Yearbook 15

Communication Yearbook 15

Author: Stanley A. Deetz

Publisher: Routledge

Published: 2011-10-25

Total Pages: 691

ISBN-13: 041587694X

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First published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.


Television Storyworlds as Virtual Space

Television Storyworlds as Virtual Space

Author: M. King Adkins

Publisher: Rowman & Littlefield

Published: 2018-09-15

Total Pages: 171

ISBN-13: 1498529615

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Television Storyworlds as Virtual Space examines television as a series of virtual realities viewers enter and explore one episode at a time. Drawing on specific examples, from Westworld to Green Acres, Twin Peaks to Fargo, it illustrates how each of these worlds invites us in, encourages us to move about within it, and constantly pushes against its own boundaries so that its universe continually expands and develops. Specific chapters consider the importance of title sequences in helping us enter these storyworlds, how children’s television educates us in using virtual reality, and the centrality of the post-apocalyptic series to the TV landscape. Ultimately, the book situates television as part of an artistic continuum, one that stretches back as far as cave paintings, but that also anticipates the digitally-based virtual reality that lies just on the horizon.