"Take A Look At A Good Book" is the third book in a series. The popular features of the two earlier books, "Have Some Sums to Solve" and "At Last!! Encoded Totals, Second Addition", have been retained in "Take A Look At A Good Book". The thirty-eight puzzles presented in Section 1, along with the cover, dedication, and preface puzzles, all fall into the special subcategory of additive alphametics. Each of their sums has a unique decoding, sometimes insured by the imposition of an initial condition.
Describes the television program "Reading Rainbow" and how it is made, from the selection of books featured to the addition of sound effects and music after shooting has been completed.
What paintings can teach us—if we can really learn to see them What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative "fictions," each richly illustrated in color, Daniel Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto. By demonstrating that we don't really see what these paintings are trying to show us, Arasse makes it clear that we need to take a closer look. In chapters that each have a different form, including a letter, an interview, and an animated conversation with a colleague, the book explores how these pictures teach us about ways of seeing across the centuries. In the process, Arasse freshly lays bare the dazzling power of painting. Fast-paced and full of humor as well as insight, this is a book for anyone who cares about really looking at, seeing, and understanding paintings.
Huell Howser, the exuberant, hugely popular host of California Gold and other California public-television shows, was always exclaiming to the camera, "Louie, take a look at this!" Now, three years after Howser's death, Louie—aka Luis Fuerte, a 5-time-Emmy-winning cameraman—shares all the great stories of their adventures exploring California, making great television, and showcasing Howser's infectious love for the Golden State.
When Jane Ryan discovers she's pregnant with twin girls, she faces a heart wrenching decision. On her own and unable to afford to care for both babies, she sees no choice but to keep one and give up the other for adoption. But fourteen years later, Jane's decision comes full circle. "Family is everything." It's one of the first things Isabel, the twin Jane gave up, says when they unexpectedly meet. Without warning, she and her adoptive mother have moved to the town where Jane and her daughter, Harper, live. But are they really family? In the throes of a willful adolescence, Harper is as sullen as Isabel is eager to please. Still, the sisters appear to bond quickly--until unsettling things begin to happen. Disturbing pranks, questionable accidents, strange ailments. Are the girls allies, or enemies? Is Harper acting out, or is Isabel not all she seems? Soon, Jane is convinced there is something darker at work than sibling rivalry. But who is to blame, and is this only the beginning? In a novel that is both suspenseful and deeply emotional, Rosalind Noonan explores the complex challenges of motherhood, and of truly knowing what lies in another's heart--even those we love best.
When it comes to opposites, it’s all a matter of perspective! Lively text and fun retro art engage kids in the finer points of a favorite concept. Do you know opposites, yes or no? On. Off. Asleep. Awake. Opposites are a piece of cake . . . right? Not so fast! Time for a quick double take. Who knows what’s BIG unless there is SMALL? Does SHORT mean a thing except next to TALL? What is ABOVE and what is BELOW? The answer depends on who wants to know! Writer Susan Hood and illustrator Jay Fleck lead us on a topsy-turvy fun-house journey into the concept of opposites and takes it to the next level — with detours into relative terms and points of view (and a dollop of yin and yang for good measure).
Take a Good Look Around by James C. Wofford, is a book about life in the outdoors. Readers who are used to his books on training horses will find a new side of the author, a side that has rarely surfaced until the publication of this, his latest work. The book is based on the author's experiences as a lifelong trainer of horses and as an avid hunter and fisherman. It includes descriptions of the Olympics, accounts of hair-raising experiences in Alaska, and stories of hunting all over the country . . . all told from the author's humorous point of view. Horse lovers will find a great deal in this book to interest them, and lovers of the outdoors will find Wofford's accounts of fishing and hunting amusing, interesting, and often poignant.
Studies of racism often focus on its devastating effects on the victims of prejudice. But no discussion of race is complete without exploring the other side--the ways in which some people or groups actually benefit, deliberately or inadvertently, from racial bias. White Privilege, Second Edition, the revision to the ground-breaking anthology from Paula Rothenberg, continues her efforts from the first edition. Two new essays contribute to the discussion of the nature and history of white power. The concluding section again challenges readers to explore ideas for using the power and the concept of white privilege to help combat racism in their own lives. Brief, inexpensive, and easily integrated with other texts, this interdisciplinary collection of commonsense, non-rhetorical readings lets educators incorporate discussions of whiteness and white privilege into a variety of disciplines, including sociology, English composition, psychology, social work, women's studies, political science, and American studies.
"Seventy pairs of photographs, ranging in date from the earliest days of the medium to the present, document instances where, by direct influence or pure coincidence, two photographers were drawn to identical or very similar subjects. Though alike in content, the photographs within the pairs are strikingly different - unique in their formal and technical details and in the varying perceptions they describe." -- Cover flap.
