Lily’s house has been sold by her stepmother and she has to move out right away. The buyer is a gorgeous man named Ciro. But she’s certain his charming mask is hiding a coldhearted businessman. Unexpectedly, he visits her right before she must move out and invites her to dinner. Then he offers to pay her brother’s college tuition and asks her to marry him! She’s been shying away from men ever since she made love to and was promptly dumped by her ex-fianc?, yet she begins to think that Ciro is a man she can trust… Until she learns after the wedding that what Ciro was dreaming about was a “pure” bride.
Lily’s house has been sold by her stepmother and she has to move out right away. The buyer is a gorgeous man named Ciro. But she’s certain his charming mask is hiding a coldhearted businessman. Unexpectedly, he visits her right before she must move out and invites her to dinner. Then he offers to pay her brother’s college tuition and asks her to marry him! She’s been shying away from men ever since she made love to and was promptly dumped by her ex-fiancé, yet she begins to think that Ciro is a man she can trust… Until she learns after the wedding that what Ciro was dreaming about was a “pure” bride. ※This work is originally colored.※This work is originally colored.
Yvy grew up believing in who she was, but what she didn’t know was how to live her truth. Trapped in a body that presented as male, Yvy had no choice but to take on life’s obstacles whilst attempting to desperately find the answer to living her truth. And so her journey begins. Yvy embarked towards uncharted territory, knowing that she would inevitably reach her truth and live as an authentic creation. But what she wasn’t prepared for was the lessons she would learn along the way. Lessons that would shape her gender identity and give her the confidence to be unapologetic when it comes to being who she was born to be. Tainted Beauty is a heartfelt, sexy and hilarious no-holds-barred look into the life of a woman who isn’t afraid to tell it like it is.
Hart presents a guide to some of the essential literary works of Western civilisation which retain their ability to energise us intellectually, tracing the main currents of Western culture for all who wish to understand the roots of their civilisation and the basis for its achievements.
This Is Perhaps The Most Comprehensive Book On Wordsworth, Having Discussions On Most Of The Different Dimensions Of The Poet As A Critic, A Poetic Theorist, A Great Lover Of Nature, A Humanist, And As A Philosopher. In This Book, Twelve Most Important Poems Of The Poet, His Five Lucy Poems And Also His Six Sonnets Have Been Thoroughly Discussed, And The Texts Of All The 23 Poems Have Been Given. In The Three Appendices, The Texts Of Wordsworth S Three Most Important Literary Essays Preface To Lyrical Ballads (1802), Appendix On Poetic Diction, And Essay Supplementary To The Preface Have Been Given For The Reader S Ready References. The Author Has Shunned All Pedantry Anywhere In The Book, His Primary Objective Being Introduction Of Wordsworth To The Generality Of Readers. References Have Always Been Cited Whenever Quotations From Critics Books Have Been Appropriated.Contents Vol. 1: Preface; Life And Works; Twelve Select Poems Of Wordsworth; The Five Lucy Poems Of Wordsworth; Six Select Sonnets Of Wordsworth; Wordsworth As A Romantic Poet; Wordsworth S Theory Of Poetry; Wordsworth As A Poet Of Nature.Contents Vol. 2: Wordsworth As A Poet Of Humanity; Wordsworth As A Philosophical Poet; Wordsworth S Style; Wordsworth As A Critic; Appreciation And Criticism Of Wordsworth; Residuary Discussions On Wordsworth; Wordsworth And Coleridge; The Prelude; The Excursion; Appendices; Bibliography; Index.
Fifty-two meditations on Psalm 27 instruct and encourage believers to worship God through the ups and downs of life. Psalm 27 is a psalm of trouble and worship, of difficulty and beauty, of the evil of people against people, and of the mercy of God. Because of its honesty about life in this fallen world, Psalm 27 speaks into the life of every believer. At the same time it places joyful and self-sacrificing worship right next to the trouble that is the psalm's background theme. This juxtaposition makes Psalm 27 unique, interesting, practical, challenging, and encouraging. A Shelter in the Time of Storm takes readers through this roller-coaster-ride of a psalm in fifty-two brief and engaging meditations. These meditations are designed to fill hearts with a patient hope that grows stronger as the trouble-spotted days go by. Reflection questions at the end of the chapter make these meditations thought-provoking and practical.
This book analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries. In the earlier texts, magic is predominantly a masculine pursuit, garnering its user prestige and power, but in the later texts, magic becomes a primarily feminine activity, one that marks its user as wicked and heretical. This project explores both the literary and the social motivations for this transformation, seeking an answer to the question, 'why did the witch become wicked?' Heidi Breuer traverses both the medieval and early modern periods and considers the way in which the representation of literary witches interacted with the culture at large, ultimately arguing that a series of economic crises in the fourteenth century created a labour shortage met by women. As women moved into the previously male-dominated economy, literary backlash came in the form of the witch, and social backlash followed soon after in the form of Renaissance witch-hunting. The witch figure serves a similar function in modern American culture because late-industrial capitalism challenges gender conventions in similar ways as the economic crises of the medieval period.
A teenage girl must grapple with her agoraphobia as romance blossoms with her new neighbor in this YA novel—“a poignant work, infused with humor” (School Library Journal). Seventeen-year-old Norah Dean hasn’t left the house in years. Her agoraphobia and OCD are so intense that when groceries are left on the porch, she can’t even step out to get them. Struggling to snag the bags with a stick, she meets Luke. He’s sweet and funny, and he just caught her fishing for groceries. Because of course he did. Norah can’t leave the house, but can she let someone in? As their friendship grows deeper, Norah realizes Luke deserves a normal girl. One who can lie on the front lawn and look up at the stars. One who isn’t so screwed up. Readers themselves will fall in love with Norah in this deeply engaging portrait of a teen struggling to find the strength to face her demons.
How are we to define what is grotesque, in art or literature? Since the Renaissance the term has been used for anything from the fantastic to the monstrous, and been associated with many artistic genres, from the Gothic to the danse macabre. Shun-Liang Chao's new study adopts a rigorous approach by establishing contradictory physicality and the notion of metaphor as two keys to the construction of a clear identity of the grotesque. With this approach, Chao explores the imagery of Richard Crashaw, Charles Baudelaire, and Rene Magritte as individual exemplars of the grotesque in the Baroque, Romantic, and Surrealist ages, in order to suggest a lineage of this curious aesthetic and to cast light on the functions of the visual and of the verbal in evoking it.
