This text charts the rise and fall of the Mirror newspaper, which remains such an integral part of 20th century British popular culture, and provides a fascinating expose ́on the state of the Mirror and its competitors today.
This Text-book traces the evolution of the newspaper, documenting its changing form, style and content as well as identifying the different roles ascribed to it by audiences, government and other social institutions. Starting with the early 17th century, when the first prototype newspapers emerged, through Dr Johnson, the growth of the radical press in the early 19th century, the Lord Northcliffe revolution in the early 20th century, the newspapers wars of the 1930s and the rise of the tabloid in the 1970s, right up to Rupert Murdoch and the online revolution, the book explores the impact of the newspapers on our lives and its role in British society. Using lively and entertaining examples, Kevin Williams illustrates the changing form of the newspaper in its social, political, economic and cultural context. As well as telling the story of the newspaper, he explores key topics in detail, making this an ideal text for students of journalism and the British newspaper. Issues include: newspapers and social change the changing face of regional newspapers the impact of new technology development of reporting techniques forms of press regulation
Packed with examples from four popular tabloids, taken from recent editions in a month long study by the author, this book offers insight into how the tabloids have become so influential in everyday British life.
With sensational headlines and scandalous photos, supermarket tabloids dish out the dirt on everyone and everything from space aliens and Bat Boy to Elvis and Britney. Although they were once the pariah of traditional journalism, tabloids have gained credibility in recent years and today their lurid style--and sometimes their reportage--is even imitated by mainstream news outlets. In Tabloid Valley, Paula Morton explores the cultural impact of the sensationalist press over the years, focusing on Generoso Pope Jr.'s decision in 1971 to move the editorial offices of the National Enquirer from New Jersey to Florida. This bold step initiated a mass exodus of similar publications to the Sunshine State where six of the largest circulation weeklies--the Star, the Globe, the Weekly World News, the Sun, the National Examiner, and the Enquirer--were eventually consolidated under a single owner, American Media, Inc. Florida's favorable business climate and a booming southern frontier created the perfect environment for the tabloids and their writers to flourish. Morton goes behind the scenes to examine every facet of modern yellow journalism: what headlines sell and why, how the journalists gather the news, the recent and ongoing downturn in circulation, what the tabloids are doing to maintain their foothold, and, most important, what the tabloid news says about American culture.
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
Based on interviews with leading sports journalists and grounded in the authors’ experience and expertise in both the sports journalism industry and sports media research, Sports Journalism gives in-depth insight into the editorial and ethical challenges facing sports journalists in a fast-changing media environment. The book considers how sports journalism’s past has shaped its present and explores the future trends and trajectories that the industry could take. The far-reaching consequences of the digital revolution and social media on sports journalists’ work are analysed, with prominent sports writers, broadcasters and academics giving their insights. While predominantly focused on the UK sports media industry, the book also provides a global perspective, and includes case studies, research and interviews from around the world. Issues of diversity – or a lack of it – in the industry are put into sharp focus. Sports Journalism gives both practising sports journalists and aspiring sports journalists vital contextualising information to make them more thoughtful and reflective practitioners.
In recent years, historians have debated fervently on the reason for the decline of British Labour History as an academic discipline. Most certainly the challenge of Thatcherism to the working classes and trade unions in the 1980s, and the fragmentation of Labour history into gender studies, industrial studies and women’s history, have contributed to its apparent decline. Post-modernists’ challenges to the concept of class, culture and community have done their damage. As a result “Labour history”, in its broad-school sense, has been taught less and less in British universities. Yet it survives and there are grounds for believing that it will revive. This collection of chapters arose from a conference held at the University of Huddersfield in November 2010, held under the auspices of the Society for the Study of Labour History, where nineteen papers were presented. Ten of this disparate array of papers form the basis of this collection. The theme of community and localised struggle form the first section, ranging as it does from the newspapers’ representation of Yorkshire miners to brass bands and the development of separate culture. The second section deals with the more traditional trade unionism and varieties of industrial struggle. The third section focuses upon the political aspects of working-class activity, drawing upon the role of women, and Labour policy on steel nationalisation and defence. The fourth deals with radicalism, ranging from the failure of Chartism, the policy of working-class organisations to emigration, and the failure of the “soft” section of the British left in the 1920s and 1930s. There is no all-embracing concept here for what is a varied collection of chapters. However, what can be said is that British Labour history continues to provide new areas for research. Indeed, its death as an academic discipline has been greatly exaggerated. This collection of book chapters represents the current revival in Labour history which has emerged in a form that brings together community and culture alongside class and political representation to explore the breadth and depth of working-class identity.
This book is basically a collection of poems on various subjects. This is not classic poetry. I frankly started out one night to write something in basic essay/paragraph format and while I had a lot going through my mind, I ended up jotting down a few notes, then at some point, I found that I was stringing those notes together, putting them in basic rhyme and my first writing turned into what I suppose can be considered a poem For the People. I found this an interesting and convenient way to express thoughts on a variety of issues and from there, many followed; mainly that year and some more the following years. I dont know whether anyone will find interest in what I have written here. And, if so, I dont really know who. There are no real secrets or wisdom in this book; but, hopefully, some will enjoy it. The great majority of this book was written in 1993. I had gotten out of the Navy where I had been enlisted from Oct 1977 Oct 1992. For the year 1993, I was basically able to take a year off without working. This material was only copyrighted in 2009, and none of it has been made public before now.
Entertainment Journalism is a practical guide to one of the most highly visible areas of media practice. Drawing on 20 years’ experience as an entertainment journalist, Ben Falk gives a comprehensive overview of journalistic reporting on the arts industries, with particular focus on film, music, TV and celebrity gossip. This is coupled with an extensive range of tips and tools to help students and young professionals hone the key skills required for a career in entertainment journalism. Interviews with industry professionals appear throughout, from current editors of the biggest entertainment brands, Hollywood bureau chiefs and critics to consumer publicists, multimedia content producers, live radio correspondents, video makers, TV presenters and social media specialists. Topics include: breaking a story interviewing techniques working at press junkets and red carpet events working with PRs selling as a freelance using social media for reporting and networking breaking into the industry. With up-to-the-minute expert advice, accessibly written guidance on writing and reporting and invaluable perspectives from those within the entertainment world, this is an instructive and insightful book for any aspiring showbiz journalist.